Vol. 3

Arion 3.1 Fall 1994 / Winter 1995

The Chorus in Greek Tragedy and Culture
edited by Herbert Golder and Stephen Scully

Herbert Golder: Preface
Helen Bacon: The Chorus in Greek Life and Drama
Steven Lonsdale: Homeric Hymn to Apollo, Prototype and Paradigm of Choral Performance
Gregory Nagy: Transformations of Choral Lyric Traditions in the Context of Athenian State Theater
Albert Henrichs: “Why Should I Dance?”: Choral Self-Referentiality in Greek Tragedy
Ian Rutherford: Apollo in Ivy: The Tragic Paean
Claude Calame: From Choral Poetry to Tragic Stasimon: The Enactment of Women’s Song

Arion 3.2 & 3.3 Fall 1995 / Winter 1996

Kenneth Reckford: Recognizing Venus I: Aeneas Meets His Mother
Kenneth Reckford: Recognizing Venus II: Dido, Aeneas, and Mr. Eliot
Michael C. J. Putnam: The Lyric Genius of the Aeneid
Charles Martindale: T. S. Eliot and the Presence of the Past
Richard Jenkyns: Late Antiquity in English Novels of the 19th Century
David Ferry translates: Four from Horace
Rosanna Warren: Turnus
William Logan: Beauty (after Horace, Odes 1.25)
Deborah Roberts: Horace Odes 1.5: A Reversal
Thomas G. Palaima: Monad Noir
Mark Rudman: The Diver (after Ovid) and Aesacus Risen
Alistair Elliot translates Juvenal: Big Fish (Juvenal IV)
Tony Harrison: The Kaisers of Carnuntum
Michael Kustow: A Beast in the Coliseum
Daniel Mendelsohn reviews: Same-Sex Unions in Pre-modern Europe by John Boswell
Jenny Strauss Clay reviews: From a Sabine Jar by Lowell Edmunds
William Vance reviews: The Legacy of Rome by Richard Jenkyns
Michael C. J. Putnam reviews: The Walking Muse by Kirk Freudenberg
Lowell Edmunds reviews: Writing Space by Jay David Bolter, Perseus 1.0, edited by Gregory Crane, and HyperMyth 3.3 by Randy Stewart
Thorstein Veblen: from The Theory of the Leisure Class, 1899