Vol. 23
Theodore Ziolkowski: Aeschylus Offers Paradigms for Today’s Politics
Karen Simons: Agamemnon, My Mother, and Me: Reflections on Life and Translation
Steven J. Willett translates Giacomo Leopardi: Wild Broom Or, The Flower of the Desert
Niklas Holzberg: Lycurgus in Leaflets and Lectures: The Weiße Rose and Classics at Munich University, 1941–1945
Joan Alice Wood Kimball: Hypatia, 415 CE
Andrea Nightingale: The “I” and “Not I” in Augustine’s Confessions
A. M. Juster: The Elegies of Maximianus: A Selection
Richard Apostol: Django Unchained, Terence’s Eunuchus, and the Role of Roman Slavery in the American Imagination
Brooke Clark: Eight Epigrams from The Greek Anthology
Avi Sharon: Lawrence Durrell, Rex Warner, and the “Captain” of Modern Greek Letters
Karl Kirchwey: Five Poems
Herbert Golder: Further Unmodern Observations
J. Michael Walton reviews: The Eating of the Gods: An Interpretation of Greek Tragedy by Jan Kott and Euripides: Medea, A New Version by Ben Power
Stephe Harrop reviews: Grounded by George Brant
Iggy Pop: Caesar Lives
Arion 23.2 Fall 2015
Jane Alison: Ancient Narrative Now
Greta Hawes: Herakles the Colonist and the Labours of Marian Maguire
Ricardo Pau-Llosa: Four Poems
James Como: Rhetoric Renascent: Why Shakespeare Went to School
Douglass Parker: Three Times Horass’ I.38
Margaret Malamud: Abolitionist Use of the Classics
Katie Hartsock: Two Poems
Colin Wells: The Coming Classics Revolution, Part II: Synthesis
Diskin Clay: Athena, Daphne
Marianne McDonald: Mythical Musical Drama in Monteverdi
Thomas McCreight translates Apuleius: Some Protreptic Anecdotes about the Cynic Philosopher Crates
Will D. Desmond: The Five Paragraph Essay
P. Whalen: Three Poems
Paul Barolsky: The Interpretation of Art is Never Finished: Some Renaissance Examples
Stephen Scully reviews: The Epic Cycle: A Commentary on the Lost Troy Epics by M. L. West
Arion 23.3 Winter 2016
Thomas G. Palaima: War Stories Told, Untold and Retold
Amelia Arenas: Sex, Violence, and Faith: The Art of Caravaggio
Lawrence Dugan: Three Poems
Theodore Ziolkowski: Petronius the Man in Modern Fiction
Alistair Elliot translates Martial: Epigram 10.63
Felix Budelmann, Laurie Maguire, and Ben Teasdale: Ambiguity and Audience Response
Jocelyn Penny Small: The Origin of Eureka
Charles Martin: Iphis and Ianthe
Dan Hooley reviews: The Invisible Satirist: Juvenal and Second-Century
Rome by James Uden
Stephe Harrop reviews: Euripides and the Politics of Form by Victoria Wohl
Avi Sharon reviews: Antigone, Brooklyn Academy of Music, directed by Ivo van Hove, translated by Anne Carson & Antigona, Noche Flamenca, adapted and directed by Martín Santangelo
Justine McConnell reviews: The Oresteia, adapted and directed by Robert Icke & Medea, directed by Rupert Goold and adapted by Rachel Cusk, The Almeida Theater