Volume 25

Arion 25.1 Spring/Summer 2017

Wendy Artin: Palmyra (cover)

Virgil translated by David Ferry: Aeneid vi.679–751

Norman Austin: Nausikaa and the Word that Must Not Be Spoken

Brian Walters: From Propertius

Ian Fielding: Roberto Bolaño Harasses Horace

Horace translated by Karl Johnson: Counting His Blessings

Colin Cromwell Pang: Catullus, Hip-hop, and Masculinity

Margaret Wack: Two Poems

Alan Sumler: Ingredients and Ecstatic Outcomes in the Greek and Demotic Magical Papyri

Joan Kimball: Two Poems

Joseph Russo and Bennett Simon: Gambling with Demeter

Lawrence Dugan: Two Poems

Karl Kirchwey: From Mutabor

Louis A. Ruprecht Jr. reviews: Comic Democracies by Angus Fletcher

Helaine L. Smith reviews: The Berlin Painter and His World

Paul Barolsky: The Visionary Architecture of the Pazzi Chapel

Ricardo Pau-Llosa: Three Poems

Theodore Ziolkowski: Why Roman Poets In Modern Guise?

Steve Kronen: Four Poems

Raymond Geuss: Teaching Nietzsche

Vanda Zajko: Ancient Tragedy, Shakespeare and the Concept of Character

Charles Martin: Narcissism For Beginners

Louis A. Ruprecht Jr.: Winckelmann and the Vatican’s Museo Profano

Edmund Keeley: The Madman of Athens

Fred Licht: The Guard as Critic, or the Duchamp Factor

Ilya Bernstein: L’Ottimo Artista

Patrick O’Donnell: An Interview with Caroline Alexander

Marianne McDonald reviews: The Irish Classical Self by Laurie O’Higgins

Norman Austin: The Goatherd: An Encounter with Virgil’s First Eclogue

Jane Blanchard: Two Poems

Isabelle Torrance: The Politics of Literary Allusion in Marina Carr’s Ariel

Justin Hudak: Cold Copulars: Notes Toward a Horatian Stevens

Jamey Hecht: The Sirens

Claire Sommers: School of Shadows: The Return to Plato’s Cave

Lucretius translated by Brian Walters: A Prayer For Peace

Fred Licht: A Lost Museum

Gwenaëlle Aubry translated by Benjamin Eldon Stevens: Persephone 2014

Paul Barolsky reviews: Michelangelo: Divine Draftsman and Designer by Carmen C. Bambach

John Palmer reviews:Early Greek Philosophy by André Laks and Glenn W. Most