Vol. 28

Arion 28.1 Spring/Summer 2020

Roger Michel, Alex Karenowska, George Altshuler, and Matthew Cobb: A Vexed Pharmacopeia
Margaret Malamud and Martha Malamud: The Petrification of Cleopatra in 19th Century Art
Daniel Galef: Two Sonnets
Thomas Rendall: Migrating Character in Don Quijote and the Aeneid
Michael Trocchia: Two Poems
Patricia Vázquez: Dante’s Cannibal Count
John Warden translates Timotheus: The Persians
Paul Barolsky: The Art of Interpreting Art
Elizabeth Powers: In Their Father’s Library: Furnishing a Tradition
James Uden reviews: How We Write Plagues by Hunter H. Gardiner & Brian Walters
Helaine L. Smith reviews: Virginia Woolf’s Greek Tragedy by Nancy Worman

Arion 28.2 Fall 2020

David Quint: Erictho and Demogorgon: Poetry against Metaphysics
Kyle Gervais: What Virgil Should Have Said
George Saad: Limb-loosening: Tracing a Motif in Vergil
Lawrence Dugan: Hurricane Gloria
Ricardo Pau-Llosa: Three poems
Steven Shankman: Xenophilia
Allen Tice translates Sappho: Very Late, in Spring
Steven J. Willett translates Propertius: Elegia I.3
Paul Barolsky: Reflections on Raphael
Avi Sharon translates Nicolas Aliferis: From the Front
Louis A. Ruprecht Jr. reviews: An Ethnography of Despair and Resilience in Greece’s Second City by Kathryn A. Kozaitis

Arion 28.3 Winter 2021

Scarlett Sabet: “23rd February 1821: In Remembrance of John Keats”
Simon Armitage: “I Speak As Someone . . .”
W. Robert Connor: Unmasking the Maxim
 John Eric Hamel: Spring Fishing Song, Prehistoric Paros
C. Luke Soucy translates Ovid: Metamorphoses: I.5–162, 274–415
George Kalogeris: Six Poems
Stephen Orgel: The Elizabethan Bacchae
Charles Martin translates Horace: Three Odes
Simon Goldhill: Freud, Archaeology, and Egypt
Daniel Orrells: Freud and Leonardo in Egypt
Miriam Leonard: Freud between Oedipus and the Sphinx
Paul Barolsky reviews: A Study of Bronzino’s Nano Morgante by Sefy Hendler