Vol. 26

Arion 26.1 Spring/Summer 2018

Shane Butler: Cicero’s Grief
Seth L. Schein: Rachel Bespaloff’s On the Iliad
Rachelle Bijou: Ulysses Meets Ulysses
Theodore Ziolkowski: The Bildgedichte of Keats, Leconte de Lisle, and Rilke
Andrea Nightingale: Divine Epiphany and Pious Discourse in Plato’s Phaedrus
Martin Bennett: After Martial
Paul Barolsky: The Role of Writing in the Interpretation of the Visual Arts
André Laks reviews: The Art of Reading by Jean Bollack
Louis A. Ruprecht Jr. reviews: The Classical Debt by Johanna Hanink

Arion 26.2 Fall 2018

Rob Hardy: R. C. Sherriff and the Excavation of Angmering Roman Villa
Edmund Kelley translates Stavros Stavrou: Every Time
Kathleen Riley: The Classical Style of P. G. Wodehouse and R. Chandler
Deborah Warren: Three Poems
Steven J. Cody: Andrea del Sarto’s Noli Me Tangere
Susan McLean translates Martial: Epigrams from De Spectaculis
Peter Aicher: New York’s Democratic Aqueduct: Old Croton and Rome
Marilyn Sides: The Consolations of Literature
Fred Licht: Peter Ehrlich
Justin Hudak reviews: Call Me by Your Name
Helaine L. Smith reviews: The Birds, at  St. Anne’s Warehouse in Brooklyn, May 2–16, 2018
Mary Maxwell: On Mary McCarthy’s 1945 translation of Simone Weil

Arion 26.3 Winter 2019

Charles Rowan Beye: A Decade of Teaching Classics in a Mass. Prison
W. Robert Connor: When Hyperbole Enters Politics
Katie Hartsock: I Listen Like Nausicaa to NPR
Richard Hughes Gibson: On Women Englishing Homer
Jane Blanchard: Three Poems
Carole E. Newlands: G. Douglas’s The Palis of Honoure and D. Walcott’s “The Hotel Normandie Pool”
Alex Priou: Keaton’s Yoke
Diana Lueptow: Then Artemis Said
Paul Barolsky: Three Ovidian Tails
Peter W. Rose reviews: The Rise and Fall of Classical Greece by Josiah Ober