Inside Arion 32.2 Fall 2024
Herbert Golder’s epistolary bond with Marcel Detienne
Vincent Genin traces Marcel Detienne’s intellectual development
Claude Calame has a “dialogue” with Marcel Detienne
A Pythagorean cuisine in Ovid’s Metamorphoses by Giulia Sissa
An archaeology of the heart by Josephine Balmer & Elena Theodorakopoulos
Poems from Thursdays Are Almost Images of Being by Robert Kaplan
Basil Dufallo looks on the bright side of Roman history
Poems from High Ashes by Ernest Hilbert
Nicholas Romanos reads Virgil with Racine
Seferis’s Mythistory, translated by Avi Sharon
Gary Whited on David Ferry’s farewell in verse
Suzanne Marchand reviews Daniel Orrells’ Antiquity in Print
Inside Arion 32.1 Spring/Summer 2024
Barbara Clayton navigates Alice Oswald’s Nobody
With watercolors by William Tillyer
A chorus from David Mason’s New Oresteia
Herbert Golder returns to Euripides’ Cyclops
Gideon Nisbet discovers the curious world of Louis Alexis
Seven poems by George Kalogeris
Richard Hunter finds space for Theocritus
The Fasces reviewed by Helen Roche
Stephen Harrison on Preposterous Virgil
Inside Arion 31.3 Winter 2024
A.M. Juster revisits Aristophanes’ Gerytades
Andrew Morrison translates Horace, Ode 1.5
Martin W. Michálek on Byron’s Horatian impulse
Four poems by Carol Hart
Sarah Spence homes in on personal geography in Vergil and Elizabeth Bishop
John Griffin translates from Boethius’s Consolations
A satirical sketch by Michael Gleason
A critique of Emily Wilson’s Iliad by Helaine L. Smith
Philip Hardie on Vergil in early British humanism
Helene P. Foley reflects on the life and loves of Edith Hamilton