Inside Arion 34.1 Spring/Summer 2026 (coming soon)

Werner Herzog on mathematics and the sublime
A Sibylline poem from Torie Burmeister
A comic ekphrasis of Cranach by Jane Blanchard
Mario Telò drinks deeply from the draughts of tragic scholia
E.J. Hutchinson’s rhyme on classical scholarship
Eight poems from George Kalogeris
Glenn W. Most on the long and winding road of Euripidean reception
Rush Rehm reexamines the complexity of the tragic chorus
Florencia Nelli’s take on tragic reception, a thespian’s view
A survivor’s guide to Pompeii by Alison E. Cooley
Inside Arion 33.3 Winter 2026

Piero Boitani’s poetic nostos: an Odyssey in reflection
Susan McLean translates old tales from Rilke’s New Poems
Louis A. Ruprecht Jr. sheds light on Greece’s oldest cave art
Greco-Roman ruminations from Karl Kirchwey
Richard Wollman’s Ovidian woodblock sculptures
At the Tevere, a poem by Ron Horning
Will Brockliss’s ecocritical review of Edith Hall’s epic environmentalism
Claudia Hauer reinforces the value of Herodotean storytelling
Peter Meineck on Oedipus at Studio 54—yes, that Studio 54
Inside Arion 33.2 Fall 2025

Four poems by Molly Kirschner
Keir Willett on beauty in Plato and the Homeric Hymns
A requiem from Benson Bobrick
Emory Brigden counting on Catullus’s verse
Hart Crane’s Horace by Justin Hudak
Robert Kaplan’s From the Latin, selections
Kyle Gervais translating Statius’s Thebaid
Jessica Lynn Wolfe’s Homeric homecoming
Paul Barolsky on Veronese’s horseplay
Emily Greenwood plumbs the depths of Walcott’s classicism
Bernadine Corrigan on a travesty of The Bacchae