Arion | A Journal of Humanities and the Classics

Avi Sharon translates Days of Crisis by Nicolas Aliferis

Testamental poems, new and old, by Ricardo Pau-Llosa

David Adshead imagines a voice from within the Trojan Horse

T.H.M Gellar-Goad reignites a Lucretian line

A Horatian satire for today by Brooke Clark

Mark Rasmussen reads Chaucer with Euripides

Maryann Corbett renders two by du Bellay

A manifesto for the arts of speech presented by Raymond Geuss

Martin W. Michalek on the Penguin lyric and the art of translation

Hallie Marshall seeks the roots of Ben Jonson’s dramaturgy

Brett M. Rogers sets his sights on the ancient in modern sci-fi

Mimnermus and more from Patrick O’Donnell

Jenny Strauss Clay weaves together Penelope’s nostos

Selections from Herbert Golder’s Sappho translations

Paul Barolsky exposes Bronzino’s duplicitous gods

Two poems after Theognis by Fergus Cullen

Ron Horning renders Horace’s Eighth Epode

Brandon Jones tracks Cremutius Cordus from Seneca to Jonson

Five poems by Ian L. Silva

Henry Weinfield translates Leopardi’s “To Spring”

Ajax’s Lament, a short fiction by Bradford W. Lenmar

Nick Moschovakis on learning winged words in the Renaissance

Gordon Braden examines the Renaissance ethics of Odysseus

Clayton Schroer follows Michael Putnam into Statius’s Silvae

Herbert Golder’s epistolary bond with Marcel Detienne

Vincent Genin traces Marcel Detienne’s intellectual development

Claude Calame has a “dialogue” with Marcel Detienne

A Pythagorean cuisine in Ovid’s Metamorphoses by Giulia Sissa

An archaeology of the heart by Josephine Balmer & Elena Theodorakopoulos

Poems from Thursdays Are Almost Images of Being by Robert Kaplan

Basil Dufallo looks on the bright side of Roman history

Poems from High Ashes by Ernest Hilbert

Nicholas Romanos reads Virgil with Racine

Seferis’s Mythistory, translated by Avi Sharon

Gary Whited on David Ferry’s farewell in verse

Suzanne Marchand reviews Daniel Orrells’ Antiquity in Print