Inside Arion 34.1 Spring/Summer 2026 (coming soon)

Werner Herzog on mathematics and the sublime

A Sibylline poem from Torie Burmeister

A comic ekphrasis of Cranach by Jane Blanchard

Mario Telò drinks deeply from the draughts of tragic scholia

E.J. Hutchinson’s rhyme on classical scholarship

Eight poems from George Kalogeris

Glenn W. Most on the long and winding road of Euripidean reception

Rush Rehm reexamines the complexity of the tragic chorus

Florencia Nelli’s take on tragic reception, a thespian’s view

A survivor’s guide to Pompeii by Alison E. Cooley

 

Inside Arion 33.3 Winter 2026

Piero Boitani’s poetic nostos: an Odyssey in reflection

Susan McLean translates old tales from Rilke’s New Poems

Louis A. Ruprecht Jr. sheds light on Greece’s oldest cave art

Greco-Roman ruminations from Karl Kirchwey

Richard Wollman’s Ovidian woodblock sculptures

At the Tevere, a poem by Ron Horning

Will Brockliss’s ecocritical review of Edith Hall’s epic environmentalism

Claudia Hauer reinforces the value of Herodotean storytelling

Peter Meineck on Oedipus at Studio 54—yes, that Studio 54

 

Inside Arion 33.2 Fall 2025

Four poems by Molly Kirschner

Keir Willett on beauty in Plato and the Homeric Hymns

A requiem from Benson Bobrick

Emory Brigden counting on Catullus’s verse

Hart Crane’s Horace by Justin Hudak

Robert Kaplan’s From the Latin, selections

Kyle Gervais translating Statius’s Thebaid

Jessica Lynn Wolfe’s Homeric homecoming

Paul Barolsky on Veronese’s horseplay

Emily Greenwood plumbs the depths of Walcott’s classicism

Bernadine Corrigan on a travesty of The Bacchae