Vol. 14

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Valerie Wohlfeld: Venus in the Afterlife
Kimberly Johnson translates Virgil: The Old Corycian
Vasily Rudich: Literature and Censorship in the Early Roman Empire
Peter Green: Cleopatra: The Sphinx Revisited
Giulia Sissa: Recognition and the Structural Emotions of Tragedy
Roderick Beaton translates George Seferis: Poems
S.J. Hales: Re-Casting Antiquity: Pompeii and the Crystal Palace
Rachel Hadas: Three Poems
Peter Gay reviews: Electra After Freud: Myth and Culture by Jill Scott
Peter Meineck reviews: The Seven by Will Power and Lysistrata or The Nude Goddess by Mark Adamo

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Niall Rudd: Reception: Some Caveats (With Special Reference to the Aeneid)
Marianne McDonald: The Return of the Myth: Athol Fugard and the Classics
J. Michael Walton: Benson, Mushri, and the First English Oresteia
Norman Austin: The Great Soul Robbery in Sophocles’ Philoktetes
Barry B. Powell: The House of Odysseus
Peter Meineck reviews: Hippolytus at the Getty Villa
Steven J. Willet reviews: The Poems of Catullus: A Bilingual Edition by Peter Green
Tian Yu Cao: The Habit of Meaning

 

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Michael Silk: Hughes, Plath, and Aeschylus: Allusion and Poetic Language
Martin Bennett translates Salvatore Quasimodo: Greek Lyrics
Janet Lloyd translates Jean Soler: Why Monotheism
Andrea Nightingale: Night-Vision: Epicurean Eschatology
Peter Green translates: A Hellenistic Garland
Paul Barolsky: Ovid’s Protean Epic of Art
Margaret Malamud: Cold War Romans
Howard Stein reviews: The Persians: The National Theatre of Greece at the New York City Center