Vol. 29

Arion 29.1 Spring/Summer 2021

Lincoln Perry: Sculpture: Only Connect
J. M. Jordan: Kore in April
Steven F. Ostrow: Bernini and the Poetics of Sculpture
Jane Blanchard: Rendezvous
Richard D. Benson: Humorously Ironic Homeric Epithets
Avi Sharon translates Michalis Ganas: Ballad
Elizabeth Powers: Camilla and the Revenge of Dido
Steven J. Willett translates Giacomo Leopardi: La Sera del dì di Festa
Herbert Golder: On Reflection: Where Light Comes to Light
Patrick Whalen translates Horace: Ode 1.11
Helaine Smith reviews: After Callimachus: Poems by Stephanie Burt

Arion 29.2 Fall 2021

Jenny Strauss Clay: Traversing No-Man’s Land
Michael West: Mock Heroic before the Enlightenment— and After
Ilya Bernstein: Michelangelo
Konrad Weeda: Egypt or Maine, Horace and the Sublime in R. Lowell
Paul Barolsky: Ovid and the art of Metamorphoses at the Met
Lawrence Dugan: Three poems
Boris Maslov translates Sergej Averintsev: Symbolism of the Oedipus Myth
Karen Simons reviews: Three Rings by Daniel Mendelsohn
Peter Aicher reviews: Antiquity in Gotham by Elizabeth Macaulay-Lewis

Arion 29.3 Winter 2022

Karl Kirchwey: Meditation on the Fall of Icarus
Ilya Bernstein: “Mythology”
C. Luke Soucy: Ovid’s Golden Age
Seth Lerer: A Seussian Catullus on Egnatius
Benjamin Eldon Stevens translates Nathalie Azoulai: Titus n’amait pas      Bérénice
Stephanie Nelson: Ulysses at 100
William Brockliss: “Nausikaa”
Helaine L. Smith: Grave Stele of Girl with Doves, A Beloved Child
Ricardo Pao-Llosa: Two Pairs of Poems
Paul Barolsky: Titian’s Poesie and the Rise of Early Modern European Mythological Painting
Stamatia Dova reviews: Winthropos by George Kalogeris