Vol. 33

Arion 33.2 Fall 2025 (coming soon)

Molly Kirschner: Four poems
Keir Willett: Beauty in the Hymn to Aphrodite and the Hippias Major
Benson Bobrick: Requiem: For the Innocents
Emory Brigden: Catullus 5 + 8 = Me at 25
Justin Hudak: Hart Crane’s Horatian “Paraphrase”
Robert Kaplan: From the Latin, selected poems
Kyle Gervais translates Statius: Oedipus Prays (Thebaid 1.46-101)
Jessica Lynn Wolfe: Nostos
Paul Barolsky: A Ridiculous Painting by Paolo Veronese
Emily Greenwood reviews: Derek Walcott and the Creation of a Classical Caribbean by Justine McConnell
Bernadine Corrigan reviews: Bacchae at The National Theatre, London

Arion 33.1 Spring/Summer 2025

Avi Sharon translates Nicolas Aliferis: From Days of Crisis
Ricardo Pau-Llosa: Two poems
David Adshead: In the Darkness of the Horse
T. H. M. Gellar-Goad: Scilicet et non est lignis tamen insitus ignis
Brooke Clark: The Brush-Off (After Horace)
Mark Rasmussen: Euripides, Chaucer, and Ironic Reading
Maryann Corbett translates Joachim du Bellay: Les Antiquités de Rome III & VII
Raymond Geuss: Speaking Well, Acting Well
Martin W. Michalek reviews: The Penguin Book of Greek and Latin lyric Verse by Christopher Childers
Hallie Marshall reviews: Imitation and Contamination of the Classics in Ben Jonson by Tom Harrison
Brett M. Rogers reviews: Ancient Greece and Rome in Modern Science Fiction by Ross Clare