Inside Arion 33.3 Winter 2026 (coming soon)

Piero Boitani’s poetic nostos: an Odyssey in reflection

Susan McLean translates old tales from Rilke’s New Poems

Louis A. Ruprecht Jr. sheds light on Greece’s oldest cave art

Greco-Roman ruminations from Karl Kirchwey

Richard Wollman’s Ovidian woodblock sculptures

At the Tevere, a poem by Ron Horning

Will Brockliss’s ecocritical review of Edith Hall’s epic environmentalism

Claudia Hauer reinforces the value of Herodotean storytelling

Peter Meineck on Oedipus at Studio 54—yes, that Studio 54

 

Inside Arion 33.2 Fall 2025

Four poems by Molly Kirschner

Keir Willett on beauty in Plato and the Homeric Hymns

A requiem from Benson Bobrick

Emory Brigden counting on Catullus’s verse

Hart Crane’s Horace by Justin Hudak

Robert Kaplan’s From the Latin, selections

Kyle Gervais translating Statius’s Thebaid

Jessica Lynn Wolfe’s Homeric homecoming

Paul Barolsky on Veronese’s horseplay

Emily Greenwood plumbs the depths of Walcott’s classicism

Bernadine Corrigan on a travesty of The Bacchae

 

Inside Arion 33.1 Spring/Summer 2025

Avi Sharon translates Days of Crisis by Nicolas Aliferis

Testamental poems, new and old, by Ricardo Pau-Llosa

David Adshead imagines a voice from within the Trojan Horse

T.H.M Gellar-Goad reignites a Lucretian line

A Horatian satire for today by Brooke Clark

Mark Rasmussen reads Chaucer with Euripides

Maryann Corbett renders two by du Bellay

A manifesto for the arts of speech presented by Raymond Geuss

Martin W. Michalek on the Penguin lyric and the art of translation

Hallie Marshall seeks the roots of Ben Jonson’s dramaturgy

Brett M. Rogers sets his sights on the ancient in modern sci-fi