Inside Arion 33.3 Winter 2026 (coming soon)

Piero Boitani’s poetic nostos: an Odyssey in reflection
Susan McLean translates old tales from Rilke’s New Poems
Louis A. Ruprecht Jr. sheds light on Greece’s oldest cave art
Greco-Roman ruminations from Karl Kirchwey
Richard Wollman’s Ovidian woodblock sculptures
At the Tevere, a poem by Ron Horning
Will Brockliss’s ecocritical review of Edith Hall’s epic environmentalism
Claudia Hauer reinforces the value of Herodotean storytelling
Peter Meineck on Oedipus at Studio 54—yes, that Studio 54
Inside Arion 33.2 Fall 2025

Four poems by Molly Kirschner
Keir Willett on beauty in Plato and the Homeric Hymns
A requiem from Benson Bobrick
Emory Brigden counting on Catullus’s verse
Hart Crane’s Horace by Justin Hudak
Robert Kaplan’s From the Latin, selections
Kyle Gervais translating Statius’s Thebaid
Jessica Lynn Wolfe’s Homeric homecoming
Paul Barolsky on Veronese’s horseplay
Emily Greenwood plumbs the depths of Walcott’s classicism
Bernadine Corrigan on a travesty of The Bacchae
Inside Arion 33.1 Spring/Summer 2025

Avi Sharon translates Days of Crisis by Nicolas Aliferis
Testamental poems, new and old, by Ricardo Pau-Llosa
David Adshead imagines a voice from within the Trojan Horse
T.H.M Gellar-Goad reignites a Lucretian line
A Horatian satire for today by Brooke Clark
Mark Rasmussen reads Chaucer with Euripides
Maryann Corbett renders two by du Bellay
A manifesto for the arts of speech presented by Raymond Geuss
Martin W. Michalek on the Penguin lyric and the art of translation
Hallie Marshall seeks the roots of Ben Jonson’s dramaturgy
Brett M. Rogers sets his sights on the ancient in modern sci-fi