Arion | A Journal of Humanities and the Classics

Mimnermus and more from Patrick O’Donnell

Jenny Strauss Clay weaves together Penelope’s nostos

Selections from Herbert Golder’s Sappho translations

Paul Barolsky exposes Bronzino’s duplicitous gods

Two poems after Theognis by Fergus Cullen

Ron Horning renders Horace’s Eighth Epode

Brandon Jones tracks Cremutius Cordus from Seneca to Jonson

Five poems by Ian L. Silva

Henry Weinfield translates Leopardi’s “To Spring”

Ajax’s Lament, a short fiction by Bradford W. Lenmar

Nick Moschovakis on learning winged words in the Renaissance

Gordon Braden examines the Renaissance ethics of Odysseus

Clayton Schroer follows Michael Putnam into Statius’s Silvae

Herbert Golder’s epistolary bond with Marcel Detienne

Vincent Genin traces Marcel Detienne’s intellectual development

Claude Calame has a “dialogue” with Marcel Detienne

A Pythagorean cuisine in Ovid’s Metamorphoses by Giulia Sissa

An archaeology of the heart by Josephine Balmer & Elena Theodorakopoulos

Poems from Thursdays Are Almost Images of Being by Robert Kaplan

Basil Dufallo looks on the bright side of Roman history

Poems from High Ashes by Ernest Hilbert

Nicholas Romanos reads Virgil with Racine

Seferis’s Mythistory, translated by Avi Sharon

Gary Whited on David Ferry’s farewell in verse

Suzanne Marchand reviews Daniel Orrells’ Antiquity in Print

Barbara Clayton navigates Alice Oswald’s Nobody

With watercolors by William Tillyer

A chorus from David Mason’s New Oresteia

Herbert Golder returns to Euripides’ Cyclops

Gideon Nisbet discovers the curious world of Louis Alexis

Seven poems by George Kalogeris

Richard Hunter finds space for Theocritus

The Fasces reviewed by Helen Roche

Stephen Harrison on Preposterous Virgil