Arion | A Journal of Humanities and the Classics

Four poems by Molly Kirschner

Keir Willett on beauty in Plato and the Homeric Hymns

A requiem from Benson Bobrick

Emory Brigden counting on Catullus’s verse

Hart Crane’s Horace by Justin Hudak

Robert Kaplan’s From the Latin, selections

Kyle Gervais translating Statius’s Thebaid

Jessica Lynn Wolfe’s Homeric homecoming

Paul Barolsky on Veronese’s horseplay

Emily Greenwood plumbs the depths of Walcott’s classicism

Bernadine Corrigan on a travesty of The Bacchae

Avi Sharon translates Days of Crisis by Nicolas Aliferis

Testamental poems, new and old, by Ricardo Pau-Llosa

David Adshead imagines a voice from within the Trojan Horse

T.H.M Gellar-Goad reignites a Lucretian line

A Horatian satire for today by Brooke Clark

Mark Rasmussen reads Chaucer with Euripides

Maryann Corbett renders two by du Bellay

A manifesto for the arts of speech presented by Raymond Geuss

Martin W. Michalek on the Penguin lyric and the art of translation

Hallie Marshall seeks the roots of Ben Jonson’s dramaturgy

Brett M. Rogers sets his sights on the ancient in modern sci-fi

Mimnermus and more from Patrick O’Donnell

Jenny Strauss Clay weaves together Penelope’s nostos

Selections from Herbert Golder’s Sappho translations

Paul Barolsky exposes Bronzino’s duplicitous gods

Two poems after Theognis by Fergus Cullen

Ron Horning renders Horace’s Eighth Epode

Brandon Jones tracks Cremutius Cordus from Seneca to Jonson

Five poems by Ian L. Silva

Henry Weinfield translates Leopardi’s “To Spring”

Ajax’s Lament, a short fiction by Bradford W. Lenmar

Nick Moschovakis on learning winged words in the Renaissance

Gordon Braden examines the Renaissance ethics of Odysseus

Clayton Schroer follows Michael Putnam into Statius’s Silvae