Please note: 2026 program dates, lengths, and locations subject to change due to extenuating circumstances.
The Young Artists Wind Ensemble (YAWE) is one of the nation’s premier summer youth programs of its kind and draws outstanding wind, brass, and percussion players from across the globe. It provides opportunities to study and perform works from the repertoire of great wind ensemble literature composed from the seventeenth century through modern day.
*The Young Artists Wind Ensemble is open to high school students who have not yet begun full-time college or conservatory study.
A Day in the Life
Daily wind ensemble rehearsals with two concert performances in Seiji Ozawa Hall at Tanglewood
Weekly private lessons with BUTI faculty, with additional lesson opportunities with BSO members and guest artists
Chamber music rehearsals and coachings several times per week with BUTI faculty, and approximately four chamber music performances throughout the season
Master classes with some of the world’s most esteemed music professionals (past visits and classes include Mike Roylance, Robert Sheena, Tim Genis, Daniel Katzen, Ronald Barron, David Krauss, and the United States Marine Band)
Access to all Boston Symphony Orchestra and Tanglewood Music Center concerts, as many as 15 events a week
David Martins, Conductor HINDEMITH/WILSON, March from Symphonic Metamorphosis on Themes by Carl Maria von Weber
PANN, Hold This Boy And Listen
SCHUMAN, New England Triptych –Chester
GIROUX, To the Bells of Berlin Cathedral
BERNSTEIN/GRUNDMAN, Slava!
IVES/MARTIN, An Old Song Deranged #(3) (World Premiere)
HUSA, Music for Prague 1968
Concert Cycle 2 – August 2, 2026 – 1:30pm
Mallory Thompson & Dominic Talanca, Conductors In dedication to and remembrance of H. Robert Reynolds SHOSTAKOVICH, Prelude in E-flat Minor, Op. 34, No. 14 SHOENBERG, Rise PUCKETT, Prelude and Fugato from Mama Dee’s Notebook (2024)
SHOSTAKOVICH, Folk Dances (1942/1979)
TIAN, Vivo (2025)
ESMAIL, Rozana (2025)
BERNSTEIN, Candide Suite (1956/1993)
WILLIAMS, “Adventures on Earth” from E.T. the Extra Terrestrial (1982/2007)
Past Seasons
2025 Season
BACH Fervent is my Longing; Fugue in G Minor, “Little Fugue”
CORIGLIANO Triathlon for Saxophonist and Wind Ensemble, II. Lines
GRAINGER Children’s March, “Over the Hills and Far Away”
HISAISHI Howl’s Moving Castle
HOLST First Suite in E-flat
HORNE, Deep River
MARQUEZ Danzon No. 2
MASLANKA Symphony No. 7
REED El Camino Real – A Latin Fantasy
TICHELI Nitro
2023 Season
DANIELPOUR Toward the Splendid City
HIGDON Mysterium
SOUSA The Fairest of the Fair
STEPHENSON Symphony No. 2, “Voices”
THOMAS Come Sunday
HAILSTORK American Guernica
LAURIDSEN O Magnum Mysterium
REED La Fiesta Mexicana
SCHUMANN Chester Overture
SHOSTAKOVICH Festive Overture
SHOSTAKOVICH Prelude in Eb Minor
TICHELI Lux Perpetua
TICHELI Acadiana
2022 Season
ADAMO arr. MARTIN Overture to Lysistrata, First Performance
Thomas Weaver | Coaching Faculty and Coordinator of Collaborative Piano Fellowship Program
Related Programs
BUTI encourages you to apply to every program for which you’re interested and eligible. Please also consider applying to the following related program(s):
The total cost of attending BUTI is based on the total number of weeks in attendance (even if attending more than one program). Find more detailed information here.
Scholarships are awarded based on merit and/or financial need in combination with enrollment needs. Any student applying for scholarship must complete the scholarship section of the admissions application, even if only applying for a merit-based award (the scholarship application is found within the digital admissions application). Students will be notified of any potential scholarship assistance with their admission decision. Learn more about scholarships at BUTI.
Seating Auditions
SEATING AUDITIONS
Seating Auditions
Students will record and upload seating auditions/playing assessments before the start of the program. The faculty, in consultation with the conductors, will make all ensemble seating decisions. Seating assignments typically rotate throughout the summer. While initial placement auditions typically help set the seating for the duration of the summer (including chamber music), auditions for the second concert might be held throughout the summer as appropriate. BUTI faculty work extremely hard to ensure the most advantageous and equitable placement for all program participants. Leadership positions are limited, of course, but an effort is made to provide opportunities for students to gain the whole of the wind ensemble experience – in both leading and supportive roles.
Recording Guidelines
Please use a phone or video recorder (laptop) to record the videos.
Record in landscape mode. Make sure your face, instrument, and hands are visible.
Place the phone or video recorder at least 3 feet away from you playing. Do not direct your sound towards your device.
Introduce yourself before playing.
All excerpts should be recorded in one take (including any aux instruments)
Save the video(s) as MP4 with the following label: Program_Instrument_Last Name_First Name