Competitions & Awards

Seniors and graduate students may be eligible to enter the School of Music’s 2024-25 BU at Carnegie Hall Competition!

The competition to perform in the “BU at Carnegie Hall” concert is open to BU School of Music Seniors (in their final two semesters of study) and Grad Students who are registered for lessons (both fall AND spring semesters 2024-25) AND enrolled in one of the following programs of study: BM, MM, PD, AD, or DMA in the Voice/OI, Keyboard (Pianists), String, or Brass/Wind/Percussion Depts.

Please be sure to download and read the 2024-2025 BU at Carnegie Hall Competition Rules and Guidelines here.

To apply, please use the official application form here.

Questions? Contact:
Prof. LaCourse at michevla@hotmail.com

ELIGIBILITY:

• The Soloists’ Competition for Performance with Orchestra is open to School of Music students who are registered for lessons AND enrolled full-time in one of the following programs of study: BM, MM, DMA, PD, AD, OI during both the semesters of application and of the competition.
• Previous winners of the Soloists’ Competition are not eligible to enter while still enrolled in the same degree or diploma program.
• Contestants must present a substantial work. Repertoire may not be a transcription or an arrangement unless authorized by the conductor of the ensemble.  Complete works must be presented. Participants must perform from memory – no exceptions will be made. Each contestant must provide their own collaborative pianist for all rounds of the competition. BU faculty may not perform in any role with student competitors  – no exceptions will be made. Please include as much information as possible on the repertoire form (i.e. composer, date, any opus numbers and keys).

ENTRY FORMS AND DEADLINES:

Part One (Application & Repertoire Approval):

• Students wishing to participate in the Competition must submit their proposed repertoire via the 2024-2025 Soloists’ Competition Repertoire Approval Form by Friday, October 11, 2024, by 11:59 PM ET. Repertoire is subject to approval and confirmation. Approval will be sent to applicants by Friday, October 18, 2024.
•  If a student’s initial repertoire request is not approved, the student has until Monday, October 21, 2024, by 12 PM ET to submit an Alternate Request. Repertoire submission is again subject to approval. Confirmation of alternate repertoire approval will be sent to applicants by Wednesday, October 23, 2024.
• It is advisable for students to have a second choice at the ready in the event their initial repertoire is not approved.

Part Two (Competition):

• Timeline: Each department will hold its own preliminary round in October. Dates and times of the Preliminaries are due to the Chair of the Student Life and Honors Committee no later than October 1, 2024 by 11:59 PM ET.
• Finalists: From the Preliminary rounds, the Voice Department will select up to, and no more than, two vocalists, and the Keyboard Department will select up to, and no more than, two pianists for the competition Finals. The Woodwind/Brass/Percussion Department and the String Department may each advance up to three finalists, no more than two of whom may be from any one instrument/major. The lists of finalists from each Applied Department are due to the Chair of the Student Life and Honors Committee no later than November 1, 2024, by 11:59 PM ET.
• NO LATE/INCOMPLETE APPLICATIONS WILL BE ACCEPTED AFTER THE STATED APPLICATION DEADLINE.

2024-25 SOLOISTS’ COMPETITION TIMELINE:

• Tuesday, October 1, 2024 – Dates and times of the Preliminary Round for each Applied Department are due to the Chair of the Student Life and Honors Committee.
• Friday, October 11, 2024 – Preliminary Application and Repertoire Approval due (no later than 11:59 PM ET.)
• Friday, October 18, 2024 – Repertoire approval or request for resubmission will be sent.
• Monday, October 21, 2024 – Repertoire resubmission deadline (if requested)
• Wednesday, October 23 – Confirmation of repertoire resubmission (if requested)
• Friday, November 1 – The lists of finalists from each Applied Department are due to the Chair of the Student Life and Honors Committee.
• Monday, November 11, 2024 – Competition at Tsai Center for the Performing Arts

To apply, please use 2024-2025 Soloists’ Competition Repertoire Approval Form.

Questions? Contact:
Peter Zazofsky at zazofsky@bu.edu

ELIGIBILITY:

●Open to B.U. String Department Violin, Viola, Cello, or Bass Majors who are enrolled in one of the School of Music’s degree/diploma programs (BM, MM, DMA, Performance Diploma or Artist Diploma) AND are currently registered for lessons on their Major Instrument for credit.
● All entrants must be available for the entirety of the competition evening Tuesday February 18th 2025 (for scheduling purposes).
● All entrants must be available to potentially perform in the Winners’ Concert, Tuesday evening March 4th 2025, at 8:00 p.m. in the Concert Hall.
● Previous winners of the Grand Prize are not eligible to enter while still enrolled in the same degree or diploma program.

COMPETITION & CONCERT:

● The competition will take place on Tuesday, February 18th 2025, between 6:00 and 10:00 p.m. in the Concert Hall, with faculty judges.
● There will be multiple winners chosen to perform in the Winners’ Concert.
● Some winners may be featured on the concert in selected movements of their entire piece. However, all entrants must be prepared with the full Sonata, Partita, or Suite.
● The Winners’ Concert will take place Tuesday, March 4th 2025, at 8:00 p.m. in the Concert Hall

REPERTOIRE:
One complete J. S. Bach (unaccompanied) Sonata, Partita, or Suite, from BWV 1001 through BWV 1012

MEMORIZATION REQUIRED:

All competition entrants and all performers in the Winners’ Concert must perform from memory. No exceptions.

ENTRY FORMS & DEADLINE:

● Students wishing to participate in the Bach Competition must submit the entry form electronically by Tuesday, February 11th, 2025, by no later than 11:59 pm ET, using the online application found on the BU CFA website: https://www.bu.edu/cfa/students/music/competitions-awards/
● Each entrant must obtain a brief note of approval to enter the competition from their applied teacher, to be scanned and sent electronically along with the Entry form by the application deadline.
● Please plan ahead to allow for time needed to obtain and scan teacher approval well before the deadline. NO LATE/INCOMPLETE APPLICATIONS WILL BE ACCEPTED AFTER THE STATED DEADLINE.

To apply, please fill out the online form.

Questions? Contact:
Prof. LaCourse at michevla@hotmail.com

ELIGIBILITY 

 ALL members in your group must meet the following requirements in order to participate:

• The competition is open to BU School of Music students who are currently enrolled in one of the following programs of study: BM, MM, PD, AD, or DMA in the Voice/OI, Keyboard, String, or Brass/Wind/Percussion departments. All participating students must also be registered for lessons for credit. 

Students meeting the above eligibility requirements must be available to perform on the following:

• Preliminary Rounds: Feb. 20 – 21, 6 pm in Concert Hall
• Final Round: Mar. 21, 6-10 pm in Concert Hall
• Prize Winners’ Performance: Apr. 4, 8 pm  in Concert Hall

Students may participate in ONE group only. Groups need to be a minimum of 3 performers, maximum of 8. (Harpsichord will be allowed for keyboard.)

Groups need to have been coached by SOM Applied faculty. All members should have been enrolled in chamber music for credit prior to participating in the competition.

All groups must have their applied chamber coach send a note of approval for the group to participate in the competition, attesting that the group has attained the necessary level of competence and approving the choice of appropriate repertoire. Please have the applied coach send this note of approval to: Prof. Kim at mkim62@bu.edu, to be submitted by the application deadline.

Groups cannot change member(s) between application and preliminaries without permission. Member change will only be permitted in case-by-case exceptions. Any change in member(s) must be approved by the main faculty member who has coached the group, and that faculty member must hear and approve the group member change prior to the preliminary.

REPERTOIRE AND TIME LIMIT

Preliminary Round

• 15 minutes minimum of one (1)  chamber music work. Group must prepare the entire work (all movements) and may choose a piece that is a single-movement or multiple-movement work, or even two full pieces in order to meet the minimum time requirement. The group must have the work(s) in its entirety prepared to play, and the selection and duration of performance of each movement will be at the discretion of judges.
• 3 minutes maximum timing for ALL entries FOR SET-UP, INCLUDING SPECIAL EQUIPMENT AND/OR INSTRUMENTS AND FOR REMOVING THE SAME FROM THE STAGE AREA AFTER A GROUP’S PERFORMANCE
• Students interested in participating are strongly encouraged to consult with their teacher, coach,  and/or Applied Department Chair to assess the feasibility and suitability of their chosen repertoire.

Final Round

• 15 minutes minimum of one (1) chamber music work. Group must be ready to perform all movements from the chosen repertoire. If performing multiple movements, selection and duration of performance of each movement will be at the discretion of judges. 
• 3 minutes maximum timing for ALL entries FOR SET-UP, INCLUDING SPECIAL EQUIPMENT AND/OR INSTRUMENTS AND FOR REMOVING THE SAME FROM THE STAGE AREA AFTER A GROUP’S PERFORMANCE
• Maximum of six groups will pass to the final round

Winner’s Performance Repertoire

• The winning groups must perform the ENTIRE work including all movements. 

WINNERS’ PERFORMANCE

• Prize Winners’ Performance will be held on Apr. 4 at 8 pm  in the Concert Hall.
• The winning  groups must perform the ENTIRE work including all movements. Program order will be: 3rd Prize Winner, 2nd Prize Winner, intermission, and then First Prize Winner.

ENTRY FORMS AND DEADLINE

• Students wishing to participate in the Competition must submit the entry form electronically by Monday, February 3, 2025, no later than 11:59 pm, using the application form which can be completed on the CFA website.
• All groups must have their applied chamber coach send a note of approval for the group to participate in the competition. Please have the applied coach send this note of approval to: Prof. Kim at mkim62@bu.edu, to be submitted by the application deadline.

WINNER ANNOUNCEMENT

• Winning groups will be announced by Mar. 25 no later than 11:59 pm.

To apply, please fill out the application form here.

Questions? Contact:
Dr. Minju Kim at mkim62@bu.edu

The Harvard Musical Association, which has no connection with Harvard University, was founded in 1837 by a group of individuals interested in performing, listening to, and supporting classical music in Boston and beyond. Each year the Association presents the Arthur W. Foote Award to an instrumental or vocal soloist or chamber ensemble enrolled in an undergraduate or graduate program at a major Northeast conservatory or university music department. The awardee(s) must demonstrate exemplary musical skills and be on the verge of a notable career. In addition to the recognition that the award carries, the recipient(s) receives a $7,500 honorarium and is presented in a recital at the Harvard Musical Association as part of its regular concert season. Appropriate travel expenses and the cost of a collaborative musician, if needed, will be covered in addition to the honorarium. A more detailed description of the award can be found at https://hmaboston.org/awards/.

The Foote Award Committee kindly requests the nomination from your distinguished institution of one or two individuals or chamber ensembles for its consideration. The Award Committee is representative of the Association at large, which includes educated audience members, as well as amateur and professional musicians. Applicants must be enrolled as students for the academic year 2024-2025 at the time of the application.

This year the application should be submitted by email to my attention at hmafooteaward@gmail.com. The application consists of the completed application form (available on our website https://hmaboston.org/awards/) a document containing a list of

links to a selection of performance videos (annotated as to whether the performance is edited), a letter of recommendation from the applicant’s institutional nominator or other appropriate institutional figure, and a CV. Judging will consist of close review of the background materials and musical selections submitted by the applicant. Providing a varied repertoire is recommended, as are live, unedited performances. We recommend that solo or chamber music selections be submitted, rather than performances with orchestra, since the prize is a recital presentation. Additional letters of support may also be included.

This year, the Award concert will take place on Sunday, February 23 at 3:00 p.m. at the Harvard Musical Association, 57A Chestnut Street, Boston. In order to make decisions in a timely manner, the deadline for the receipt of completed applications is November 15, 2024. We will inform the winner of our selection no later than the end of December.

We hope that you and your students will find this a worthy opportunity, as our membership is always enthusiastic about the Award performances. If you have questions or comments, please call (617-504-3902) or e-mail Mark Churchill at mark.churchill@elsistemausa.org.

The Clare Hodgson Meeker Fellowships were established in 2019 with a generous commitment from Clare Hodgson Meeker (CFA ’75) to provide financial support for travel opportunities that will contribute to transformative experiences for School of Music students. The Clare Hodgson Meeker Fellowships will encourage students to think aspirationally, support studies outside of Boston, and foster a culture of creativity outside the curriculum within the School of Music.

This year, fellowships of up to $2000.00 will be considered by the Student Life and Honors Committee. Applicants must provide a letter of endorsement from a SoM Faculty member and a personal statement with their application. Notifications will go out in April 2025. Recipients will be expected to submit a thank you note to Clare Meeker. Thank you notes should be sent to rdebrot@bu.edu no later than September 15, 2025.

The deadline for applications is Friday, March 28, 2025. No applications will be considered after the deadline.

*Graduating seniors are not eligible.

To apply, please fill out the application form below.

The Clare Hodgson Meeker Fellowships were established in 2019 with a generous commitment from Clare Hodgson Meeker (CFA ’75) to provide financial support for travel opportunities that will contribute to transformative experiences for School of Music students. The Clare Hodgson Meeker Fellowships will encourage students to think aspirationally, support studies outside of Boston, and foster a culture of creativity outside the curriculum within the School of Music. No applications will be considered after the deadline. School of Music plans to open the 2025-2026 Meeker Fellowship form towards the end of the Fall 2025 semester. Please check back then! Questions? Contact Ruth Debrot at rdebrot@bu.edu.

Questions? Contact Ruth Debrot.

The purpose of this fund is to provide School of Music graduate students with the opportunity to participate in competitions, conferences, and engage in off-campus directed research, through the partial coverage of associated costs. Funds are limited and will be awarded by vote of the Student Life and Honors Committee. Reimbursements per individual will not exceed $500.00.

The deadline for applications is Friday, March 28, 2025. Students may apply for retroactive funding for activities that occurred between now and the application deadline. NO LATE APPLICATIONS WILL BE ACCEPTED. Students will be notified of funding via e-mail.

• Examples of Supported Trips: Presentation of a paper, composition, or ensemble performance at a conference; Solo or Chamber Music competition (Coleman, Fischoff, etc.); Off-campus directed research (i.e., fieldwork, document consultation, etc.); Active participation in festivals.
• Examples of Non-Supported Trips: Non-presenting attendance at a conference; Auditions of any kind.

To apply, please fill out the official application form here.

Questions? Contact Peter Zazofsky at zazofsky@bu.edu

The Composition Competition for Performance with Orchestra  is open to all full time School of Music students majoring in Composition. Students who have had a work performed previously by the Boston University Symphony or Chamber Orchestra as part of this competition are not eligible to apply. The piece submitted for consideration must have been composed at Boston University and pieces that have had only a reading/recording session with the orchestra are eligible to be considered.

Students wishing to participate in the Competition must submit a composition for orchestra to the School of Music Curriculum Library by 12:00 noon on Tuesday, December 10, 2024.

Before applying, please read and review the full list of Guidelines here.

Questions? Contact Martin Amlin.

The 2025 Esther B and Albert S Kahn Career Entry Fund for the Arts Application was established to provide funds to assist talented students who complete undergraduate or graduate programs at Boston University College of Fine Arts at the beginning of their careers. Boston University College of Fine Arts undergraduate or graduate students in the performing and visual arts completing their last semester of study prior to graduation (and not continuing in other programs of study) are eligible to compete for the Kahn Career Entry Award.

It was the intention of the donor, Mrs. Esther Kahn, to award one-year grants. This year’s awards will total $40,000. Six final candidates (one graduate student and one undergraduate student per school) will be chosen and will each receive $4,000. The final award winner will be chosen from the final candidate pool and will receive an additional $16,000 for a total of $20,000. Please note: these awards may be subject to taxation.

The awards are based on a combination of talent, artistic accomplishments, and strength of application and presentation.

Please note the submission deadline of Tuesday, March 11 on the application.

To apply, please read the application info here.

Questions? Contact Peter Zazofsky.

Founded and endowed by Aaron Richmond, a Boston philanthropist and music manager of the early 20th century, the Richmond Piano Competition is a rarity amongst American music schools. It offers a First Prize of $10,000 along with a Boston debut recital, and a Second Prize of $5,000. Past winners have gone on to notable careers as performers and teachers.

Currently enrolled piano performance majors at Boston University’s School of Music are eligible to compete; past winners may not enter the competition again. The competition requires a full recital program including a Fixed Piece assigned one month in advance.

Guidelines can be viewed HERE.

Application and Declaration of Intent may be accessed HERE. Download the Declaration of Intent to complete the repertoire and timings, and email as an attachment to Prof. Kibbe.

Applications are DUE no later than 5 pm Monday, February 24, 2025.

Questions? Contact Shiela Kibbe

UROP connects BU undergraduate students with funded, faculty-mentored research projects. The program is flexible, allowing research study in any academic area university-wide, for any full-time undergraduate student at BU. Projects may be undertaken at either the Charles River or Medical Campus, on a volunteer basis, for a stipend, or for academic credit. UROP project guidelines encompass a wide range of scientific or scholarly topics that lead to:

• Production of new knowledge
• Increased problem-solving capabilities (including research project design/analysis)
• Original critical or historical theory and interpretation

Read about recent CFA winners of arts research awards here and how to get started here.