Art Management and Fundraising in the Age of Economic Crises and Social Networks

Art Management and Fundraising in the Age of Economic Crises and Social Networks

by Lanfranco Aceti

Tuesday, March 31, 2015 at 2:00-3:00 p.m.
808 Commonwealth Avenue, Room 109

The complexity of the contemporary social and economic crises has created a new scenario in which networks, audiences and their behaviors become assets to be cultivated, harvested and sold. What are the challenges that artists, curators, producers and institutions face in a cultural climate in which obstacles increasingly appear as insurmountable and in which international branding is paramount to success? What is there to be done when traditional methodologies and practices no longer produce the desired outcomes? How do we respond to challenges when in the current globalized practices no one is an island and we all have become intertwined in the blurred boundaries of ‘virtual’ social lives that affect and shape our ‘real’ lives? In this context in flux, where challenges and opportunities abound, it becomes imperative to understand and engage with change by experimenting, testing and leading in order to develop the best management and fundraising practices that will enable a new generation of artists, curators, producers and institutions in the creative industries to thrive.

Lanfranco Aceti works as an academic, artist and curator and is the founder of The Studium: Lanfranco Aceti Inc. He is the founder and Director of OCR (Operational and Curatorial Research in Contemporary Art, Design, Science and Technology) and founder and Director of MoCC (Museum of Contemporary Cuts). He is Visiting Professor at Goldsmiths College, department of Art and Computing, London; teaches Contemporary Art and Digital Culture at the Faculty of Arts and Social Sciences, Sabanci University, Istanbul; and is Editor in Chief of the Leonardo Electronic Almanac (The MIT Press, Leonardo journal and ISAST). He has lectured internationally including Harvard University, MIT and the Royal College of Art and exhibited widely as a curator and as an artist. Recently he has exhibited Who the People? at the Chetams’ Library and Museum. His artworks are in private and public collections.