Peg Rigg was hired as art editor in 1955 right out of seminary. She also had a M.F.A. at the Chicago Art Institute. She had interned at motive the prior summer so the editor, Roger Ortmeyer, had had a chance to see her at work. Although motive had been deeply involved with the arts since its inception, it was Rigg that gave it its distinctive look. Jim Crane today remembers that while the magazine did articles on well-known artists like Ben Shahn, most of the art was done by him, Robert Hodgell, or Peg herself, most often for very little pay. She also assembled a travelling collection of art that she took to colleges so students could actually see real art in person. Although she worked in many media, the work for which she is best known is her calligraphy.