Musical Theatre Concentration
Launching Fall 2027!
Building on the goal of strengthening the excellence of their undergraduate education, Boston University’s musical theatre concentration encourages students to re-imagine and create new future possibilities in the musical theatre genre.
The Musical Theatre concentration is a 7 course, 14-credit sequence of classes open to BU School of Theatre students in the BFA in Acting or BFA Theatre Arts Performance programs and BU School of Music students in the BM in Performance, Voice and the BA in Music programs.
Musical Theatre courses focus on rigorous training to prepare talented singing actors for a career that includes musical theatre performance. The concentration places emphasis on preparing students for non-dance roles and new work development in musical theatre to encourage students to become leaders in the field. Voice lessons are included in the concentration. The concentration does not include dance classes, but School of Theatre offers dance courses outside of the concentration.
Admission to the concentration will be at the discretion of the Musical Theatre faculty based upon an audition process. The admission process occurs after completion of the first course in the sequence and coincides with the student’s major selection. Students matriculating into BU School of Theatre in Fall 2026 are eligible to participate in the concentration by taking CFA TH109 in the Spring 2027 semester.
FACULTY

Meet the Program Head
Harry Castle is a British composer, lyricist, and music director. He works at the intersection of musical theatre, contemporary classical, pop, and jazz genres.
BU has a strong reputation for training actors of the highest caliber, and our students have always had a lot of musical talent. I’m excited that we are able to offer this new pathway as part of our BFA Performance programs that will ensure students leave school more equipped than ever for a career in musicals, plays, and on camera. Students can expect to receive training in voice, music theory, acting-through-song, audition techniques, and ensemble work, as well as the opportunity to reimagine lost masterpieces and give world and regional premieres.








