volume 9, issue 2: affectation
editors’ introduction
feature essays
A Fledgling Baroque: Featherworks from New Spain in Counter-Reformation Europe
Rachel Kline
Performance and Imitation: Sofonisba Anguissola’s Self Portrait with Madonna and Child
Emma Lazerson
The Clown at Midnight: Coulrophobia, Counterculture, and the Decadent Pierrot Mask
Samuel Love
research spotlights
Fabricated Faces: Obscured Self-Portraiture in the Works of Jo Spence and Mary Sibande
Michaela Peine
exhibition reviews
Taylor Davis Selects: Invisible Ground of Sympathy
Theodora Bocanegra Lang
Philip Guston Now
Ateret Sultan-Reisler
symposium reflection
Adornment: The Mary L. Cornille (GRS’87) 39th Annual Boston University Graduate Symposium in the History of Art & Architecture
Isabella Dobson