volume 9, issue 2: affectation

editors’ introduction

Sybil F. Joslyn

feature essays

A Fledgling Baroque: Featherworks from New Spain in Counter-Reformation Europe
Rachel Kline

Performance and Imitation: Sofonisba Anguissola’s Self Portrait with Madonna and Child
Emma Lazerson

The Clown at Midnight: Coulrophobia, Counterculture, and the Decadent Pierrot Mask
Samuel Love

research spotlights

Fabricated Faces: Obscured Self-Portraiture in the Works of Jo Spence and Mary Sibande
Michaela Peine

exhibition reviews

Taylor Davis Selects: Invisible Ground of Sympathy
Theodora Bocanegra Lang

Philip Guston Now
Ateret Sultan-Reisler

symposium reflection

Adornment: The Mary L. Cornille (GRS’87) 39th Annual Boston University Graduate Symposium in the History of Art & Architecture
Isabella Dobson

back matter

Notes about Contributors