Editor's Introduction

by Sybil F. Joslyn

A Fledgling Baroque: Featherworks from New Spain in Counter-Reformation Europe

by Rachel Kline

Performance and Imitation: Sofonisba Anguissola’s "Self Portrait with Madonna and Child"

by Emma Lazerson

The Clown at Midnight: Coulrophobia, Counterculture, and the Decadent Pierrot Mask

by Samuel Love

Fabricated Faces: Obscured Self-Portraiture in the Works of Jo Spence and Mary Sibande

by Michaela Peine

"Taylor Davis Selects: Invisible Ground of Sympathy"

by Theodora Bocanegra Lang

"Philip Guston Now"

by Ateret Sultan-Reisler

Adornment: The Mary L. Cornille (GRS’87) 39th Annual Boston University Graduate Symposium in the History of Art & Architecture

by Isabella Dobson