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  • Editor's Introduction

    by Sybil F. Joslyn

  • A Fledgling Baroque: Featherworks from New Spain in Counter-Reformation Europe

    by Rachel Kline

  • Performance and Imitation: Sofonisba Anguissola’s "Self Portrait with Madonna and Child"

    by Emma Lazerson

  • The Clown at Midnight: Coulrophobia, Counterculture, and the Decadent Pierrot Mask

    by Samuel Love

  • Fabricated Faces: Obscured Self-Portraiture in the Works of Jo Spence and Mary Sibande

    by Michaela Peine

  • "Taylor Davis Selects: Invisible Ground of Sympathy"

    by Theodora Bocanegra Lang

  • "Philip Guston Now"

    by Ateret Sultan-Reisler

  • Adornment: The Mary L. Cornille (GRS’87) 39th Annual Boston University Graduate Symposium in the History of Art & Architecture

    by Isabella Dobson

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