Editors' Introduction

Althea Ruoppo

Color Studies: Bridging the Works of J.M.W. Turner and Wallace Stevens

Amy DeLaBruere

“Bloody Vestiges” Out of the Night: Racialization and Adolphe Yvon’s Genius of America

Elizabeth Mangone

La Maison hanté: Redon’s Identity as an Artist-cum-Spiritist Medium in Occult Circles 

Xiaoli Pan

From Léon Spilliaert’s Vertigo to…?

Jin Wang

White Shadows: Anneliese Hager and the Camera-less Photograph

Renée Brown

Tomás Saraceno: Particular Matter(s)

Sarah-Rose Hansen

(Under)Water: The Mary L. Cornille (GRS’87) 38th Annual Boston University Graduate Symposium in the History of Art & Architecture

Katherine Mitchell and Francesca Soriano