loading slideshow...Editor's Introductionby Sybil F. JoslynA Fledgling Baroque: Featherworks from New Spain in Counter-Reformation Europeby Rachel KlinePerformance and Imitation: Sofonisba Anguissola’s "Self Portrait with Madonna and Child"by Emma LazersonThe Clown at Midnight: Coulrophobia, Counterculture, and the Decadent Pierrot Maskby Samuel LoveFabricated Faces: Obscured Self-Portraiture in the Works of Jo Spence and Mary Sibandeby Michaela Peine"Taylor Davis Selects: Invisible Ground of Sympathy"by Theodora Bocanegra Lang"Philip Guston Now"by Ateret Sultan-ReislerAdornment: The Mary L. Cornille (GRS’87) 39th Annual Boston University Graduate Symposium in the History of Art & Architectureby Isabella Dobson1 2 3 4 5 6 7 8