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Information about Our Authors

Notes about Contributors

Emily Beaulieu is a second-year master’s student in art history at Tufts University. She specializes in Italian Renaissance and Baroque art, with a particular interest in Caravaggio and art theory of the seventeenth century. Recently, Beaulieu has expanded her area of study to non-European art of the sixteenth and seventeenth centuries. Morgan J. Brittain is […]

Notes about Contributors

Shannon Bewley was the Provenance Research Fellow in the departments of American and European Art at the Birmingham Museum of Art prior to entering Boston University as a PhD student in the Department of History of Art and Architecture. Her research areas include sculpture and conceptual art, with special attention to photographs of conceptual art […]

Notes About Contributors

Rebecca Arnheim is a fifth-year Ph.D. candidate in History of Art & Architecture at Boston University. Previously, she received her BA and MA in History of Art from the Hebrew University of Jerusalem and a Diploma in Curatorial and Museum Studies from Tel Aviv University. She is currently working on her dissertation, “Ephemera Made Permanent: […]

Notes about Contributors

J. Cabelle Ahn is a PhD Candidate in History of Art and Architecture at Harvard University and the current Samuel H. Kress Predoctoral Fellow at the Drawing Institute of the Morgan Library & Museum, NY. Her dissertation is titled “Multiple Exposures: The Exhibition of Drawings in Eighteenth-century France. Shannon Bewley was the Provenance Research Fellow in […]

Notes on Contributors

Ecem Arslanay is an interior architect with a focus on stage and production design. Having completed the History, Theory, and Criticism in Architecture MA program at İstanbul Bilgi University, she is now a Proficiency in Arts student at Yaşar University, Izmir. She also writes essays, short stories, and poems for various publications. Maria V. Garth is a Ph.D. […]

Notes on Contributors

Catarina de Araújo, originally from Recife, holds a ​B.A. in Journalism (2006) and an ​M.Ed from DePaul University in Chicago (2011). After spending nearly ten years working as a visual arts educator, she is now pursuing an M.A. in Art History at Oklahoma State University. Her research focuses on Modern Brazilian photography and printmaking. Bihter […]

Notes on Contributors

Sasha Goldman is a Ph.D. Candidate at Boston University. Her research focuses on Italian art and exhibition histories in the 20th and 21st centuries, with particular interests in artist-driven publications and exhibition catalogues, and temporary exhibitions and fairs. Her dissertation situates the artwork of Italian contemporary artist Maurizio Cattelan (b. 1960) in relation to the […]

Notes on Contributors

Rebecca Arnheim is a second-year Ph.D. student in the Department of History of Art & Architecture at Boston University. She specializes in the Italian Renaissance, focusing on drawn portraits within the culture of Italian courts. Bailey Benson is a doctoral student at Boston University, where she studies the art and architecture of ancient Rome. Her research […]

notes about contributors

Bailey Benson is a doctoral student at Boston University, where she studies the art and architecture of ancient Rome. Her research interests include the role of women in ancient Greece and Rome, the articulation of identity and memory in the ancient world, and the archaeology of the Roman East. Daniel Healey is a PhD candidate […]

Notes about Contributors

Chelsea Baumgartner is a second year PhD student at the University of British Columbia, Canada, where she studies gender and sexuality in Islamic Art and lives with her spouse, Marlene Evangeline Imana Iyemura. Sasha Goldman is a doctoral candidate in the History of Art & Architecture Department at Boston University where she studies Modern and […]