WE ARE THRILLED TO HAVE YOU JOIN US!
Welcome to our slate of projects for 2025 and 2026, chosen to entice and inspire. Each piece built—through performance, design, and production, to spark the creative fire within.
Join me at the theatre.
Sincerely,
Kirsten Greenidge
Director, School of Theatre
2025- 2026 Slate of Projects
Show details subject to change. Please send inquiries to theatre@bu.edu.
TICKETS TO BU PRODUCTIONS
Jump ahead…
to a specific time of the academic year to check out what shows will be playing then!
Fall 2025
Q0: A Number
By Caryl Churchill
Directed by Erin Scheier (CFA’27)
Led by Jasper Bartkovich (CFA’27), Luke Meisel (CFA’27), and Erin Scheier (CFA’27)
Human cloning is the subject of this beguiling hour-long psychological thriller that blends topical scientific speculation with a stunning portrait of the relationship between fathers and their sons. (Concord Theatricals)
“Q0” has been a long standing tradition within the SOT, although it has occurred less frequently in recent years. The Q0 project is student produced, directed, and acted. It is typically a play that has already been published (i.e. not student written).
Production elements are minimal to uplift exploration of text and bodies in space.
Thursday, August 28 • 7pm
Saturday, September 6 • 2pm
David Copeland Blackbox Theatre
CFA 354 • College of Fine Arts, 855 Commonwealth Ave
All tickets free, general admission at the door
The Ceremony
World Premiere by Mfoniso Udofia
Directed by Kevin R. Free
Produced by CHUANG Stage, in partnership with Boston University School of Theatre and Boston Playwrights’ Theatre.
Mfoniso Udofia continues her Ufot Family Cycle with a vibrant, heartwarming celebration of love intertwining Nigerian and Nepali cultures. When Abasiama and Disciple’s only son, Ekong asks Lumanthi Rathi to be his wife, they accept that their dream wedding might have to go on without either of their fathers present. But when Lumanti’s dad has a sudden change of heart, Ekong dares to attempt a reconciliation with his long-estranged father in order to make the ritual of their wedding ceremony truly whole. CHUANG Stage, Boston Playwrights’ Theatre, and Boston University College of Fine Arts join forces to produce this world premiere, commissioned and developed by The Huntington.
September 11- October 5, 2025
Thursday, September 11 • 7:30pm
Friday, September 12 • 7:30pm
Saturday, September 13 • 7:30pm
Sunday, September 14 • 7:30pm
Wednesday, September 17 • 7:30pm
Thursday, September 18 • 7:30pm
Friday, September 19 • 7:30pm
Saturday, September 20 • 2pm
Saturday, September 20 • 7:30pm
Sunday, September 21 • 2pm
Wednesday, September 24 • 7:30pm
Thursday, September 25 • 7:30pm
Friday, September 26 • 7:30pm
Saturday, September 27 • 2pm
Saturday, September 27 • 7:30pm
Sunday, September 28 • 2pm
Wednesday, October 1 • 7:30pm
Thursday, October 2 • 7:30pm
Friday, October 3 • 7:30pm
Saturday, October 4 • 2pm
Saturday, October 4 • 7:30pm
Sunday, October 5 • 2pm
Joan & Edgar Booth Theatre • 820 Commonwealth Ave
2025 Springboard Series
The School of Theatre New Play Initiative presents public readings of new offerings to the world of theatre. Directed music stand/table readings of the play with a short rehearsal period. Each reading will include a short talk-back at the end with the playwright and the cast.
Springboard Projects 2025
Mania by Emery Genga (CFA’26)
Saturday, October 4, 11am
Paper Angels by Nathaniel Ryan-Kern (CFA’27)
Saturday, September 20, 11am
Among the Greatest: A Retelling of Gilgamesh by Edward Bergham (CFA’26)
Saturday, September 20, 2pm
The Rug by Paolo Bonarriva (CFA’28)
Saturday, September 27, 2pm
The Cosmic Dilemma by Frane Cebalo (CFA’27)
Saturday, October 4, 2pm
Life, Liberty, & the Pursuit by Chloe McFarlane (CFA’26) and Amanda Reynolds (CFA’26)
Tuesday, December 9, 7pm
David Copeland Blackbox Theatre
CFA 354 • College of Fine Arts, 855 Commonwealth Ave
All tickets free, general admission at the door
Next Stage Workshops
The School of Theatre New Play Initiative presents a series of Next Stage workshops, scenes, and plays. These Next Stage pieces will be directed by our Undergraduate Directors and will flower as the next step in the fruition of these new plays by BU students.
The nature of the presentation and the work is determined by the needs of the play. Curated by Kirsten Greenidge, this “on-its-feet” workshop or play experience focuses on different areas of the writing or specific parts of a project in the process of development.
Next Stage Workshops 2025
Carnacale by Fintan Bracken
Saturday, September 13, 4pm
House Play by Janie McRae (CFA’26)
Saturday, September 13, 7pm
O True Apothecary by Yide Cai
Saturday, September 20, 4pm
Sacred Heart by Lucy Leahy (CFA’26)
Saturday, September 20, 7pm
Bad Time for Butterflies by Gabrielle Franklin
Saturday, September 27, 4pm
Birds of Prey by Eva Sheehy-Moss (CFA’26)
Saturday, September 27, 7pm
jessica of venice by Rachel Beth Greene
Saturday, October 4, 4pm
Heartburn by Luke Meisel (CFA’27)
Saturday, October 4, 7pm
David Copeland Blackbox Theatre
CFA 354 • College of Fine Arts, 855 Commonwealth Ave
All tickets free, general admission at the door
Fringe Festival: The Eleanors
A co-production of BU School of Theatre and BU Opera Institute
Composer and Librettist • Jodi Goble
Co-Librettist • Michael Ching
Music Director • Matthew Larson
Stage Director • Edward Sturm (CFA’24)
The Eleanors is a 90-minute chamber opera set in the final year of World War II. Newlywed nurse Maxie turns to her friends Lilian and Ramona for support when her husband Cal is captured during the Battle of the Bulge and imprisoned. Lyrical, funny, high energy, heartbreaking and heartwarming, The Eleanors is infused throughout with musical influences from swing and American Songbook.
The Boston University Fringe Festival is a collaboration between the College of Fine Arts School of Music: Opera Institute and School of Theatre. The festival’s mission is to produce new or rarely performed significant works in the opera and theatre repertoire, bringing performances and audiences together in unique theatrical settings. For over two decades, Fringe Festival at Boston University has celebrated and amplified new work, shown in spare and minimal productions.
October 10-12, 2025
Friday, October 10 • 7:30pm
Saturday, October 11 • 2pm
Saturday, October 11 • 7:30pm
Sunday, October 12 • 2pm
Studio ONE • College of Fine Arts, 855 Commonwealth Ave
Fringe Festival: Thumbprint
A co-production of BU School of Theatre and BU Opera Institute
Composer • Kamala Sankaram
Librettist (from a series of interviews with Mai) • Susan Yankowitz
Music Director • Allison Voth
Stage Director • Grant Sorenson (CFA’25)
Thumbprint is inspired by the extraordinary transformation of Mukhtar Mai, a young woman whose world was shattered by an act of brutality that could have destroyed her. Instead, she discovers a weapon—her voice—and against all odds, to the astonishment of her country and herself, she seeks justice and finds it. “The worst thing in my life is also the best,” she says. “It has given my life meaning.” Her journey resonates beyond borders in its implicit belief that even in the darkest times, one person, one voice, through a single act of courage, can change life for thousands.
The Boston University Fringe Festival is a collaboration between the College of Fine Arts School of Music: Opera Institute and School of Theatre. The festival’s mission is to produce new or rarely performed significant works in the opera and theatre repertoire, bringing performances and audiences together in unique theatrical settings. For over two decades, Fringe Festival at Boston University has celebrated and amplified new work, shown in spare and minimal productions.
October 24-26, 2025
Friday, October 24 • 7:30pm
Saturday, October 25 • 2pm
Sunday, October 26 • 2pm
Studio ONE • College of Fine Arts, 855 Commonwealth Ave
Dream
By William Shakespeare
Directed by Clay Hopper
Developed by Clay Hopper, Jon Savage, and James Grady
A collaboration between BU’s School of Theatre, School of Visual Arts, and Duan Family Center for Computing & Data Sciences, this production is fully Shakespeare’s play and not an adaptation. It is also a culmination of 7 years of research and development of a novel design tool, Random Actor, which uses computational vision and machine learning to create and design physically interactive projections within an immersive projected media environment for the actor. Additional technologies we hope to employ are the capturing of 3D images with LiDAR cameras and digital asset manipulation via the previsualization software, both of which was acquired with generous grants from the Shipley Foundation. These grants were written by Jorge Arroyo and Jon Savage.
October 24-26, 2025
Friday, October 24 • 7:30pm
Saturday, October 25 • 2pm
Saturday, October 25 • 7:30pm
Sunday, October 26 • 2pm
“Jewels 1” Juliane Ethel Leilani Miller Studio Theatre
CFA 352 • College of Fine Arts, 855 Commonwealth Ave
All tickets free, general admission at the door
12 Angry Jurors
By Reginald Rose
Directed by Michael Hisamoto
A 19-year-old man has just stood trial for the fatal stabbing of his father. “He doesn’t stand a chance,” mutters the guard as the 12 jurors are taken into the bleak jury room. It looks like an open-and-shut case—until one of the jurors begins opening the others’ eyes to the facts. (Concord Theatricals).
November 15-16, 2025
Saturday, November 15 • 2pm
Saturday, November 15 • 7:30pm
Sunday, November 16 • 2pm
David Copeland Blackbox Theatre
CFA 354 • College of Fine Arts, 855 Commonwealth Ave
All tickets free, general admission at the door
Fringe Festival: Fefu and Her Friends
Book María Irene Fornés
Directed by Gregg Wiggans (CFA’25) and Liv King (CFA’26)
One of Off-Broadway’s best-loved plays, originally directed by the author. The audience follows the lives of eight women. For this play, María Irene Fornés received one of her nine Obie awards. (Broadway Play Publishing Inc.)
The Boston University Fringe Festival is a collaboration between the College of Fine Arts School of Music: Opera Institute and School of Theatre. The festival’s mission is to produce new or rarely performed significant works in the opera and theatre repertoire, bringing performances and audiences together in unique theatrical settings. For over two decades, Fringe Festival at Boston University has celebrated and amplified new work, shown in spare and minimal productions.
November 14-16, 2025
Friday, November 14 • 7:30pm
Saturday, November 15 • 2pm
Saturday, November 15 • 7:30pm
Sunday, November 16 • 2pm
Sunday, November 16 • 7:30pm
Studio ONE • College of Fine Arts, 855 Commonwealth Ave
Tickets
Top Girls
By Caryl Churchill
Directed by Pascale Florestal
Caryl Churchill’s hilarious, groundbreaking, gritty play about the fictional “Top Girls” employment agency begins with a time-warped luncheon attended by women in legend or history offering their perspectives on maternity and ambition. (Concord Theatricals).
November 22-23, 2025
Saturday, November 22 • 2pm
Saturday, November 22 • 7:30pm
Sunday, November 23 • 2pm
“Jewels 1” Juliane Ethel Leilani Miller Studio Theatre
CFA 352 • College of Fine Arts, 855 Commonwealth Ave
All tickets free, general admission at the door
Flowers for Mrs Harris
Based on the novel by Paul Gallico
Music and Lyrics • Richard Taylor
Book • Rachel Wagstaff
Director • Shamus (CFA’23)
Music Director • Harry Castle
For Ada Harris, day-to-day life is spent cleaning houses. But when she happens upon something that takes her breath away, she sets off on a journey that will change her life… From the cobbled streets of post-war London to the magical avenues of Paris and beyond, Ada transforms the lives of everyone she meets along the way, but can she let go of her past and finally let her own life blossom? (Concord Theatricals).
November 14-23, 2025
Friday, November 14 • 7:30pm
Saturday, November 15 • 7:30pm
Sunday, November 16 • 2pm
Thursday, November 20 • 7:30pm
Friday, November 21 • 7:30pm
Saturday, November 22 • 7:30pm
Sunday, November 23 • 2pm
Joan & Edgar Booth Theatre • 820 Commonwealth Ave
Tickets
Fringe Festival: Calf Scramble
By Libby Carr
Directed by Shalee Cole Mauleón
In a barn outside Huntsville, Texas, five Future Farmers of America raise and ruin their prize-winning calves. CALF SCRAMBLE is a raucous rodeo of girls playing God, clambering for power over their animals, their bodies, and each other. (New Play Exchange)
The Boston University Fringe Festival is a collaboration between the College of Fine Arts School of Music: Opera Institute and School of Theatre. The festival’s mission is to produce new or rarely performed significant works in the opera and theatre repertoire, bringing performances and audiences together in unique theatrical settings. For over two decades, Fringe Festival at Boston University has celebrated and amplified new work, shown in spare and minimal productions.
December 4-7, 2025
Thursday, December 4 • 7:30pm
Friday, December 5 • 7:30pm
Saturday, December 6 • 2pm
Saturday, December 6 • 7:30pm
Sunday, December 7 • 2pm
Studio ONE • College of Fine Arts, 855 Commonwealth Ave
Tickets
Directors' Project
Coordinated by Clay Hopper
Participants in Clay Hopper’s Directors’ Project class will present their work at the end of the semester (typically these students are junior Theatre Arts Performance and Theatre Arts DP&M students).
December 6-10, 2025
Saturday, December 6 • 10am
Sunday, December 7 • 2pm
Sunday, December 7 • 7:30pm
Tuesday, December 9 • 7:30pm
Wednesday, December 10 • 7:30pm
“Jewels 1” Juliane Ethel Leilani Miller Studio Theatre
CFA 352 • College of Fine Arts, 855 Commonwealth Ave
All tickets free, general admission at the door
Aurora Borealis: A Festival of Light and Dance
In collaboration with the BU Department of Physical Education, Recreation, and Dance
Curated by Yo-EL Cassell
A classic in itself, Aurora Borealis a vibrant exploration of the relationship between light and form with a focus on collaboration and experimentation, featuring dance and movement pieces by faculty and students and lighting design by graduate students in the School of Theatre Lighting Design Program.
December 8, 2025, 7pm and 9pm
Boston University Dance Theatre
Fitness & Recreation Center • 915 Commonwealth Ave
All tickets free, general admission at the door
Spring 2026
24 Hour Play Festival
Coordinator • Maxwell Turman (CFA’28)
Associate Coordinator • Keira Bertram (CFA’28)
The 24-Hour Play festival will be a collection of plays devised within 24 hours. Students from across the School of Theatre will come together and be split up into small ensembles, and be given specific topics to explore in their productions. Ensembles will then write, design, direct, and produce short 15-25 minute plays to be performed at the end of 24 hours—in succession of one another—in a wonderful festival and celebration of theatre.
Applications to be a part of the student ensembles will be open to all SOT majors and theatre minors, as well as MFA Playwriting (College of Arts and Sciences) students.
Details coming soon
Islander
Conceived by Amy Draper
Music and Lyrics • Finn Anderson
Book • Stewart Melto
Directed by Shalee Cole Mauleón
Music Director • Harry Castle
There is a girl. She stares out to sea and dreams of a new life beyond her lonely island. Myth and reality collide when the tide washes a mysterious stranger onto her beach. (islandermusical.com)
February 21-March 1, 2026
Saturday, February 21 • 2pm
Sunday, February 22 • 2pm
Saturday, February 28 • 7:30pm
Sunday, March 1 • 2pm
Studio ONE • College of Fine Arts, 855 Commonwealth Ave
Tickets available soon
Roméo et Juliette
A co-production of BU School and Theatre and BU Opera Institute
Composer • Charles Gounod
Librettists • Jules Barbier and Michel Carré
Conductor • William Lumpkin
Stage Director • Eve Summer
Roméo et Juliette, the well-known Shakespeare story of the warring families (Montague v. Capulet) in which Romeo and Juliette fall in love finds a grand dimension in Gounod’s deeply romantic score.
A coproduction between the School of Music’s Opera Institute and the School of Theatre, each spring the BU Community and beyond is invited to the Booth Theatre to experience the exceptional talent of the students in the College of Fine Arts in this unique collaboration.
February 26-March 1, 2026
Thursday, February 26 • 7:30pm
Friday, February 27 • 7:30pm
Saturday, February 28 • 2pm
Sunday, March 1 • 2pm
Joan & Edgar Booth Theatre • 820 Commonwealth Ave
Tickets available soon
TBD Lab Show #1
Directed by a First Year MFA Directing candidate
February 28-March 3, 2026
Saturday, February 28 • 2pm
Sunday, March 1 • 7:30pm
Tuesday, March 3 • 7:30pm
“Jewels 1” Juliane Ethel Leilani Miller Studio Theatre
CFA 352 • College of Fine Arts, 855 Commonwealth Ave
All tickets free, general admission at the door
TBD Lab Show #2
Directed by a First Year MFA Directing candidate
February 28-March 4, 2026
Saturday, February 28 • 7:30pm
Sunday, March 1 • 2pm
Wednesday, March 4 • 7:30pm
“Jewels 2” Juliane Ethel Leilani Miller Studio Theatre
CFA 356 • College of Fine Arts, 855 Commonwealth Ave
All tickets free, general admission at the door
Medea
By Euripides
Translated by V. Sophie Klein
Adapted by V. Sophie Klein and Christine Hamel
Directed by Christine Hamel
Medea, a tragedy by Euripides, performed in 431 bce. One of Euripides’ most powerful and best-known plays, Medea is a remarkable study of injustice and ruthless revenge. (www.britannica.com)
April 9-12, 2026
Thursday, April 9 • 7:30pm
Friday, April 10 • 7:30pm
Saturday, April 11 • 2pm
Saturday, April 11 • 7:30pm
Sunday, April 12 • 2pm
Studio ONE • College of Fine Arts, 855 Commonwealth Ave
Tickets available soon
The Oresteia
By Aeschylus
Adapted by Ellen McLaughlin
Directed by Shalee Cole Mauleón
The Oresteia is based on the three plays by Aeschylus—Agamemnon, The Libation Bearers and The Eumenides. They are among the oldest plays in the Western canon and are the only surviving trilogy from the ancient Greek theatre.
Due to the epic nature of the story and length of the original text, The Oresteia is rarely performed in its entirety, but McLaughlin’s version of the trilogy has been adapted into one sleek and fast-paced evening of theatre with a modern resonance.
The Oresteia concerns the House of Atreus. The arc of the story begins with Agamemnon’s slaughter of his daughter, an act committed in the name of martial duty and pious sacrifice, but deemed unforgivable by his wife, Clytemnestra—one of the most primal and psychologically complex figures in all of literature. Her act of vengeance in turn sets in motion once more the bloody cycle of that family’s history. The events that follow cast a harsh and penetrating light on any assumptions we like to make about civilization and the nature of human justice.
What does history demand? What is justice? What do we owe each other? The Greeks ask all the toughest questions.(ellenmclaughlin.net)
April 17-26, 2026
Friday, April 17 • 7:30pm
Saturday, April 18 • 7:30pm
Sunday, April 19 • 2pm
Thursday, April 23 • 7:30pm
Friday, April 24 • 7:30pm
Saturday, April 25 • 2pm
Saturday, April 25 • 7:30pm
Sunday, April 26 • 2pm
Joan & Edgar Booth Theatre • 820 Commonwealth Ave
Tickets available soon
Flight
A co-production of BU School and Theatre and BU Opera Institute
Composer • Jonathan Dove
Librettist • April De Angelis
Conductor • William Lumpkin
Stage Director • Cara Consilvio
Flight is a superb original modern-day operatic comedy which has found universal popularity, with many different productions and over 150 performances to date across the world. The opera has both laugh-out-loud and more serious moments as the story of the refugee who lives in the airport – inspired by the true-life story of an Iranian refugee who lived at Charles de Gaulle Airport, Paris, for 18 years – unfolds around the different characters who find themselves delayed in the terminal.
April 23-26, 2026
Thursday, April 23 • 7:30pm
Friday, April 24 • 7:30pm
Saturday, April 25 • 2pm
Sunday, April 26 • 2pm
Tsai Performance Center • 685 Commonwealth Ave
Tickets available soon
Sophomore Festival
Facilitated by Performance Faculty
The Sophomore Festival offers students a curated and intentional casting experience that is faculty-led and tied to a class curriculum and pedagogy. It is intended to help students become familiar with the rehearsal process and the actor’s creative process/practice. Three plays would be chosen with performances occurring in Studio ONE with minimal production and design elements to introduce the students to a larger space at the School of Theatre and a repertory schedule.
April 26-30, 2026
Studio ONE • College of Fine Arts, 855 Commonwealth Ave
TBD Play #1
Directed by Michael Kaye
Sunday, April 26 • 12pm
Tuesday, April 28 • 7:30pm
TBD Play #2
Directed by Jim Fagan
Sunday, April 26 • 3pm
Wednesday, April 29 • 7:30pm
TBD Play #3
Directed by Clay Hopper
Sunday, April 26 • 7pm
Thursday, April 30 • 7:30pm
All tickets free, general admission at the door
Senior Acting Thesis Presentations
Facilitated by Christopher V. Edwards
This is a culminating experience for Senior BFA Acting majors involving the mounting of Acting thesis projects that been developed during the Fall semester and presented in collaboration with the rest of their ensemble in the Spring.
January 24-February 22, 2026
Pod 1
Saturday, January 24 • 7:30pm
Sunday, January 25 • 7:30pm
Pod 2
Saturday, January 31 • 7:30pm
Sunday, February 1 • 7:30pm
Pod 3
Saturday, February 7 • 7:30pm
Sunday, February 8 • 7:30pm
Pod 4
Saturday, February 14 • 7:30pm
Sunday, February 15 • 7:30pm
Pod 5
Saturday, February 21 • 7:30pm
Sunday, February 22 • 7:30pm
David Copeland Blackbox Theatre
CFA 354 • College of Fine Arts, 855 Commonwealth Ave
All tickets free, general admission at the door
Senior Theatre Arts Major Productions
Featuring the Senior Theatre Arts majors of the Class of 2025
The School of Theatre presents the Senior Theatre Arts Majors’ Productions. These capstone events will be sprinkled throughout this semester and will bloom in many different guises.
David Copeland Blackbox Theatre • CFA 354
“Jewels 2”: Juliane Ethel Leilani Miller Studio Theatre • CFA 356
College of Fine Arts, 855 Commonwealth Ave
CFA 354
All tickets free, general admission at the door
Tickets & Discounts
Did you know that Boston University students, faculty, and staff can get free and discounted tickets? Email theatre@bu.edu for more info.
Community Discounts
Looking for tickets to an upcoming theatre or opera production? Follow the link below to find available tickets.
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Behind the Scenes
There are a number of special partnerships and initiatives in the School of Theatre. Learn more about them, along with our incredible venues and facilities, here!
Initiatives
- FRINGE FESTIVAL • New work, shown in a spare and minimal production, the Fringe offerings can be plays, operas, or other works. They also can be shown in a variety of venues.
- GRADUATE COLLABORATIVE PROJECTS • These projects emerge out of the artistic collaboration of the teams in the Graduate Collaborative Forum course. They are developed in the Fall class and then performed in each quarter of the Spring semester
- NEXT STAGE WORKSHOP • An “on-its-feet” workshop that may focus on different areas of the writing or specific parts of a project in process of development. Not necessarily a full production.
- SPRINGBOARD • Directed music stand/table readings of the play with a short rehearsal period.
Partnerships
- BOSTON PLAYWRIGHTS’ THEATRE (BPT) • SOT partners with BPT at 949 Commonwealth Ave to produce and perform the plays written by the graduate MFA playwrights at BU CAS. The plays are performed at the BPT theatre space, have different rehearsal and production schedules, and they are eligible for AEA Equity Membership Candidate (EMC) points. BPT rehearsal hours: Tuesday-Friday 7:00pm-11:00pm, Saturday and Sunday (5 hours each day, specific time TBD)
- OPERA INSTITUTE • We often partner with the School of Music’s Opera Institute to design, stage-manage, build, and/or production-manage the opera productions. Learn more at bu.edu/opera.
- WHEELOCK FAMILY THEATRE (WFT) • SOT students may have the opportunity to work on WFT productions as designers and actors.
Performance Venues
- BOOTH THEATRE • A flexible-seating studio theatre at 820 Comm Ave. Opera, SOT productions, and community and University-wide events. Seating capacity is approximately 100-200.
- Studio ONE • Black Box located at 855 Commonwealth Ave with flexible house seating with a variety of productions. Seating capacity is approximately 80.
- STUDIOS ON 3 • Jewels 1 (352), Jewels 2 (356), Copeland Studio (354). All are Black Box spaces with a seating capacity of approximately 30. These shows are focused primarily on text, crafting performances, and bodies in relation to space.
- ALTERNATIVE PERFORMANCE SPACES • Studio 102, Studio 109, Studio 808, plus any other alternate performance space other than above are all large dance/rehearsal/classroom spaces, which are also used for performances. Seating capacity is approximately 30+.