Awards and Achievements
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Gerry Hwang Wins BUCH Digital Creator Award
May 20, 2025CIMS Senior, Gerry Hwang, has won this year's Digital Creator Award in the visual category from the Boston University Center for the Humanities for his film The Lonely Jazz Singer. [ More ]
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CIMS Student Accepted to Masters at Columbia University
May 6, 2025CIMS Minor, Hiayi Bi, will go on this Fall to begin her masters in Data Journalism at Columbia University. She says that this step "stems from a deep commitment to... [ More ]
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CIMS Student Safiyah Young Wins Prestigious BUCH Award
April 21, 2025CIMS Junior, Safiyah Young, is the recipient of the Alice M. Brennan award in recognition for her excellence in humanistic studies from the Boston University Center for the Humanities. Safiyah is... [ More ]
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Yiru Pan Accepted to Masters Program
April 10, 2025Cinema & Media Studies senior, Yiru Pan, was recently accepted into the BU Masters in Television program within the College of Communication. Growing up, Yiru loved science fiction films and... [ More ]
Internships
Honors Projects and Essays
Honors Projects
Violet Chen, CIMS ’25
Topic: Alienation and Assimilation: Rethinking Asian American Cinema
Wendy Morera, CIMS ’25
Topic: The Politics of a Lens: Věra Chytilová’s Manipulation of Looking
Notable Essays
As part of her course on “Women, Feminism and Television,” CIMS major Kaitlyn Riggio examined the role of gender as a narrative tool in the reality series, Survivor. Her insightful essay, “Real-World Gender Dynamics as Narrative Tools in Survivor: Vanuatu” explores the way that producers exploit pre-existing power relations in order to transform the so-called reality show into a highly constructed narrative of “gender battle.”
As part of her course, “Modern Korean Culture Through Cinema,” CIMS major Christina Xu investigated the critique of capitalist domesticity in Kim Ki-duk’s ethereal film, 3Iron. Focusing her analysis on the relation between verbal and non-verbal spaces in the film, Christina brilliantly shows how the film transforms our perception of the home through scenes of ghostly, silent witnessing. Ultimately, she argues, the film creates the cinematic equivalent of a silent protest against the structures of ownership and violence that otherwise define social relations.
Meanwhile, CIMS major Danielle Momoh drew on Judith Butler’s landmark theory of gender performance as a lens to analyze the Netflix series, Stranger Things. As Danielle perceptively illustrates, the show’s protagonist Eleven hollows out the expectations of “innate femininity” that are projected onto her, before finally assuming a threatening but also surprisingly powerful androgyny, like that described by Virginia Woolf, “resonant and porous…incandescent and divided.”