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CFA Selects Art Education Major Amira Sheikh as the 2025 CFA Convocation Student Speaker

Master of Arts in Art Education major Amira Sheikh (CFA'25) will address the Class of 2025 at CFA’s Convocation Ceremony on Saturday, May 17.

Portrait of Amira Sheikh, 2025 Boston University College of Fine Arts student speaker. She is shown in black and white, wearing a sleeveless, high-neck black top. Her head is tilted slightly to the side, and she gazes softly at the camera with a gentle smile. Her dark hair is pulled back, and she wears small earrings, creating a poised and elegant composition against a plain light background.
Visual Arts

CFA Selects Art Education Major Amira Sheikh as the 2025 CFA Convocation Student Speaker

Master of Arts in Art Education major Amira Sheikh (CFA’25) will address the Class of 2025 at CFA’s Convocation Ceremony on Saturday, May 17.

May 13, 2025
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BU College of Fine Arts is proud to announce Art Education graduate student Amira Sheikh (CFA’25) as the 2025 CFA Convocation Student Speaker! Amira will be delivering the student address at CFA’s Convocation ceremony, taking place on Saturday, May 17 at BU’s Track & Tennis Center.

Amira Sheikh is a multidisciplinary artist, art educator, and emerging creative entrepreneur dedicated to harnessing the transformative power of art to foster connection, healing, and social change.

Guided by the belief that storytelling is a powerful vehicle for empowerment, Amira weaves together cultural preservation, spiritual exploration, and community engagement in her creative process. Through interdisciplinary approaches and collaborative practice, she bridges art and education to cultivate spaces for reflection, dialogue, and hope.

Amira envisions building creative spaces and enterprises that amplifies this mission on a larger scale—offering programs, experiences, and platforms that elevate underrepresented voices and make art more prominent as a tool for collective healing and systemic change. She hopes to leave a lasting legacy of beauty, introspection, and impact for generations to come.

Q&A

WITH AMIRA SHEIKH (CFA’25)

CFA: Congratulations on being selected as the 2025 CFA Convocation Speaker, Amira! How did you feel when you found out you had been selected as the student speaker?

I felt deeply honored. Being chosen to represent CFA affirmed that my voice, perspective, and journey exploring the possibilities within art education are meaningful—not just to me, but within our shared experience as artists and changemakers. I was fortunate to shape the program around my academic interests, which allowed me to engage with a wide range of classes, communities, and perspectives within the department. To end my journey at BU with this opportunity feels incredibly fulfilling.

How are you preparing for your speech? What do you hope the audience takes away from it?

I’ve prepared my speech with a lot of reflection and hope as I want it to feel honest and uplifting. My goal is for the audience to walk away feeling seen, inspired, and reconnected to their purpose. I hope to highlight the resilience and creative fire of our field—how we’ve continued to show up for ourselves and one another, even in uncertain times.

BU FROM AMIRA’S PERSPECTIVE

A selfie taken by an artist in a ceramics studio, looking up at the camera while seated at a white table. She wears black clothing and over-ear headphones, with pottery tools and a sculptural ceramic pitcher in progress in front of her. The background shows stools, buckets, and studio equipment.
A first-person view of a seated individual preparing to work on a pottery wheel. In view are a lump of wet clay, a water container, sculpting tools, and the circular pottery wheel on a Brent base. The person is wearing jeans and slippers.
Overhead shot of a finished bisque-fired ceramic pitcher with two handles, placed on newspaper. The pitcher features hand-drawn black designs and sits next to a jar of creamy glaze, ready for application.
A tabletop display set up for custom henna designs. The table is covered with a richly patterned cloth and features framed artwork of a henna-covered hand, a small sign labeled “Custom Henna Designs,” beaded jewelry, and informational flyers. A woman is seated behind the table, partially out of frame.
A wide-angle view of the Boston University Center on Forced Displacement Annual Conference 2025. Attendees sit at round tables in a high-ceilinged room with floor-to-ceiling windows. Multiple large screens display the conference title at the front of the room.
A group of adults seated around a rectangular table, working on sketches. The table holds sketching materials, photo references of a dancer, and grid templates. A lavender mug with butterfly prints, a BU lanyard, and rulers are also visible on the table.
A painting in progress on a messy studio table, depicting a woman holding a child. Above it is the reference photo of the same scene. The workspace is covered in splatters of paint and includes a blue folder labeled “Realism: Painting & Drawing, Amira, Derek, & Olivia.”

What are some of your favorite, most treasured memories from BU?

Some of my favorite memories include the late nights spent creating in the studios, the meaningful (and at times intense) conversations in smaller classes that challenged our conditioning and invited us to reflect on bigger questions, and, of course, the consistent affirming support of classmates within this space.

What do you want people to remember about the CFA Class of 2025?

I want people to remember that the CFA Class of 2025 was bold, thoughtful, and unafraid to create from a place of truth. We didn’t just make art—we asked questions, pushed boundaries, and held space for one another’s stories. We carried a deep sense of responsibility to our communities and the world. As I viewed the processes of art students, it was clear that creativity was not just aesthetic—it was radical and intentional. 

What are some of your plans post-graduation?

Post-graduation, I plan to continue integrating art, social justice, and community-based research into my work. I’m applying to residencies, fellowships, and international programs that center advocacy and storytelling. Eventually, I hope to transition into a curatorial role where I can bridge cultures and spotlight emerging global artists through exhibitions, workshops, and immersive experiences.


I want people to remember that the CFA Class of 2025 was bold, thoughtful, and unafraid to create from a place of truth. We didn’t just make art—we asked questions, pushed boundaries, and held space for one another’s stories. We carried a deep sense of responsibility to our communities and the world. As I viewed the processes of art students, it was clear that creativity was not just aesthetic—it was radical and intentional. 

-Amira Sheikh (CFA’25) MA Art Education

CFA Class of 2025, you’re up next!

Congratulations soon-to-be CFA graduates! Visit CFA’s Convocation & Commencement page, where you’ll find important information regarding the upcoming CFA Convocation, from registration to the event’s live stream.

get details

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