Category: Caity-Shea Violette

Violette’s RX MACHINA Clauder Gold Prize winner

March 1st, 2021 in Alums, awards, Blog, Caity-Shea Violette, new plays

Third-year MFA playwright Caity-Shea Violette’s play Rx Machina is a 2020 Gold Prize winner in Portland Stage’s Clauder Competition, which includes a $1,500 cash award plus a workshop at Portland Stage.

Congratulations, Caity-Shea!

BPT Talks About Design: a tiny q&a with RX MACHINA director Blair Cadden

February 25th, 2021 in 2020/2021 Season, Blog, BPT Talks, Caity-Shea Violette, Rx Machina

Director Blair Cadden

BPT's 2020-21 season of new plays—thesis plays by our cohort of third-year playwrights—has been postponed until next year due to the ongoing coronavirus pandemic. In the meantime, all five plays are currently being workshopped in collaboration with our friends at BU's College of Fine Arts School of Theatre. A series of conversations about these plays, BPT Talks, was begun last fall via the videoconferencing tool Zoom.

BPT Talks About Design (moderated by BPT Technical Director Jeffrey Petersen) will further expand the discussion with a focus on the contributions of designers and the role of design in new play development.

On March 2, we'll talk about Caity-Shea Violette's new play Rx Machina:

Rx Machina unpacks big pharma's impact on everyday American culture and illuminates the search for humanity in a healthcare system that views patients as consumers and pain as profitable. An ambitious pharmaceutical sales representative’s relentless pursuit of a rigidly principled pain management doctor leads to an intoxicating, forbidden relationship that comes with a cost. Ethical boundaries are blurred in a literal manifestation of doctors being in bed with drug reps that forms a love triangle fueled by money, sex, and power. Set in 2015, two years before the federal government would officially recognize it as the Opioid Epidemic, Rx Machina explores who gets to get better and who gets left behind. Read a Q&A with playwright Caity-Shea Violette

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BPT Talks: a tiny q&a with Caity-Shea Violette

October 22nd, 2020 in Alums, Blog, Caity-Shea Violette, new plays

BPT's 2020-21 season of new plays—thesis plays by our cohort of third-year playwrights—has been postponed until next year due to the ongoing coronavirus pandemic. In the meantime, all five plays are currently being workshopped in collaboration with our friends at BU's College of Fine Arts School of Theatre. A series of conversations about these plays, BPT Talks, will be held this fall via the videoconferencing tool Zoom. BPT Talks will convene on Zoom each Tuesday evening at 7:30 p.m. (with the exception of Election Day, Nov. 3) until Nov. 24.

On Oct. 27, we'll talk about Caity-Shea Violette's new play Rx Machina, which she describes this way:

Rx Machina unpacks big pharma’s impact on everyday American culture and illuminates the search for humanity in a healthcare system that views patients as consumers and pain as profitable. An ambitious pharmaceutical sales representative’s relentless pursuit of a rigidly principled pain management doctor leads to an intoxicating, forbidden relationship that comes with a cost. Ethical boundaries are blurred in a literal manifestation of doctors being in bed with drug reps that forms a love triangle fueled by money, sex, and power. Set in 2015, two years before the federal government would officially recognize it as the Opioid Epidemic, Rx Machina explores who gets to get better and who gets left behind. More

Violette’s ‘Slow Jam’ a winner at Sam French OOB

August 21st, 2020 in Alums, Blog, Caity-Shea Violette, new plays, short plays

Congratulations to third-year MFA playwright Caity-Shea Violette​, whose short play Slow Jam is one of six plays selected as winners of this year's Samuel French Off Off Broadway Short Play Festival!

Great news from KCACTF

March 23rd, 2020 in Alexis Scheer, Alums, awards, Blog, Caity-Shea Violette, Cayenne Douglass, KCACTF, Laughs in Spanish, new plays, short plays

L-R: Jackie Davis and Krystal Hernandez in Alexis Scheer's Laughs in Spanish (Photo: Kalman Zabarsky)

Playwright alum Alexis Scheer’s Laughs in Spanish, produced by BPT in 2019, is the recipient of KCACTF’s Harold and Mimi Steinberg National Student Playwriting Award. The award includes a check for $7,500, membership in the Dramatists Guild of America and the Playwrights’ Center of Minneapolis, an offer of publication from Samuel French, and a professional development residency, to be determined, in summer 2020. More

KCACTF Region 1 update

February 6th, 2020 in Ally Sass, Blog, Caity-Shea Violette, Daniel Blanda, KCACTF, new plays, short plays

Rehearsing Isla and Her Earth (L-R): Scott Ziolecki from LaGuardia Community College and Mae Harrington from Boston College

Three of our second-year playwrights were honored at the Kennedy Center American College Theater Festival's (KCACTF) Region 1 Festival in Hyannis:

Caity-Shea Violette’s ten-minute play Slow Jam was chosen to advance to the National KCACTF, one of 16 selected across the country—two per region—for consideration for the Gary Garrison National Ten-Minute Play Award.

Daniel Blanda’s Isla and Her Earth won the Region 1 Planet Earth Arts Playwriting Prize for ten-minute plays that address issues of climate change, the environment, and surrounding issues of urgent concern.

Ally Sass’s one-act The Cleanout won the Region 1 John Cauble Award for Outstanding Short Play.

Congratulations!

A History of Book Clubs in the U.S.

October 5th, 2019 in 2019/2020 Season, Blog, Caity-Shea Violette, Karen Zacarías, The Book Club Play

1634 On a ship headed for the Massachusetts Bay Colony, religious reformer Anne Hutchinson organizes a female discussion group to examine weekly sermons.

1778 Hannah Mather Crocker organizes a female reading society in Boston to study science and read the belles lettres.

Early 1800s Various groups of women in New England start meeting regularly to discuss poetry, nonfiction, and publications.

1827 The Society of Young Ladies is established in Lynn, Massachusetts, sparking the formation of African-American women’s literary societies throughout the Northeast.

1840 The first known bookstore-sponsored discussion club in the United States, “Conversations,” begins meeting in Margaret Fuller’s Boston shop.

1877 The Woman’s Reading Club of Mattoon is formed in Illinois. Still running today, it is known as the longest-running book club in the country.

1926 Harry Scherman, launched the Book of the Month Club, utilizing a subscription model to deliver volumes directly to people’s homes.

1947 The Great Books Foundation is established by Robert Maynard Hutchins and the Great Books Program is born.

Late 1950s The Great Books movement sweeps the nation and more than 50,000 readers register with the Great Brooks Program.

1980s Discount chain bookstores make it easier to buy books in stores, lessening the need for mail-order book clubs.

1984 Helen Hooven Santmyer’s “...And Ladies of the Club”, a national best-selling novel and Book of the Month Club selection focusing on members of a longstanding book club, inspires the formation of book groups across the country.

1996 Oprah Winfrey launches Oprah’s Book Club, a televised discussion segment on her talk show creating a massive book club boom across the nation that continues today even after the end of her show.

Late 1990s Online book clubs emerge, making participation more accessible to people unable to regularly meet in person.

Early 2000s Book-group activities are increasingly encouraged and mediated by libraries, book retailers, and publishers.

2009 Book club members in the United States reach an estimated five million people. Most clubs have 10 or more members. Between 70 to 80 percent of clubs are all-female.

Today Book clubs have become a trend promoted by celebrities such as Reese Witherspoon, Emma Watson, and Florence Welch. Monthly book-centric subscription services that mail a monthly book and other themed items are gaining popularity.

—compiled by Caity-Shea Violette, dramaturg

Violette’s ‘The Stand’ named national award winner in 2019 Glaspell Playwriting Festival

January 28th, 2019 in awards, Blog, Caity-Shea Violette, new plays, short plays

First-year MFA playwright Caity-Shea Violette's short play The Stand has been announced as the national winner in QC Theatre Workshop's 2019 Susan Glaspell Playwriting Festival! Congratulations!