The BU Center for the Study of Asia and the BU Evergreen Program
are pleased to invite you to the final talk in the series Taiwan: Culture, Society, and Politics
April 25, 2022, 2:00-3:30 pm ET via Zoom
Please email firstname.lastname@example.org to receive a link to this virtual event.
Hosted by Professor Grant Rhode (BUCSA and US Naval War College)
Tune in to this superb analysis of the Belt and Road Initiative by Pardee School Associate Professor Min Ye! Her recent research has focused on the historic precedents for the BRI within China, and the complex interplay of Chinese party, state, and local actors in implementing the BRI vision. Her resulting book The Belt Road and Beyond: State-Mobilized Globalization in China, 1998-2018, documents her often surprising findings with a focus on Chinese domestic aspects of the BRI, in contrast to the many studies focusing on BRI's international impacts. In this interview, conducted by BUCSA associate Grant Rhode, Professor Ye discusses what she has found out through her research during the past six years, and also includes comments on the impact of the current COVID crisis and implications for the future of the BRI.
Min Ye is the author of The Belt, Road and Beyond: State-Mobilized Globalization in China 1998-2018 (Cambridge University Press 2020), Diasporas and Foreign Direct Investment in China and India (Cambridge University Press 2014), and the Making of Northeast Asia (with Kent Calder, Stanford University Press, 2020). Her articles, “Fragmentation and Mobilization: Domestic Politics of China’s Belt and Road”, “Competing Cooperation in Asia Pacific: TPP, RCEP, and the New Silk Road”, and “Conditions and Utility of Diffusion by Diasporas” have appeared in Journal of Contemporary China, Journal of Journal Asian Studies, and Journal of East Asian Studies.
Ye was the director of East Asian Studies program from 2010 to 2014 and launched the new major in Asian Studies at Boston University. She also served as a visiting scholar at Fudan University, Zhejiang University, and Chinese Academy of Social Sciences in China, as well as Rajiv Gandhi Foundation in India, Chinese University of Hong Kong, and the National University of Singapore. Ye has consulted Chinese state-owned companies and private companies on outbound investment. In addition, she served as the Pardee School Director of Undergraduate Studies from 2017 to 2019.
Ye has received grants and fellowships in the U.S and Asia, including a Smith Richardson Foundation grant (2016-2018), East Asia Peace, Prosperity, and Governance fellowship (2013), Princeton-Harvard China and the World Program postdoctoral fellowship (2009-2010), Millennium Education Scholarship in Japan (2006), and the Rosenberg Scholarship at Suffolk University (2020). In 2014-2016, the National Committee on the U.S-China Relations selects Min Ye as a Public Intellectual Program fellow.
Grant F. RHODE (e-mail: email@example.com) teaches and researches at the Pardee School of Global Studies at Boston University and at the U.S. Naval War College in Newport, Rhode Island. He is Associate in Research at the Fairbank Center for Chinese Studies at Harvard University and Faculty Affiliate of the China Maritime Studies
Institute of the U.S. Naval War College. He has been a Visiting Scholar in Taiwan at both National Chengchi University and National Taiwan University. He completed graduate work in Chinese studies at the Universities of Oxford and Cambridge and holds MALD and PhD degrees in International Relations and Asian Diplomatic History from the Fletcher School of Law and Diplomacy, Tufts University.
Dr. Rhode’s current research focuses on China’s role in historical and contemporary Eurasian maritime affairs. On the historical front, he is writing a book on Eurasian Maritime History for Global Strategists: Great Power Clashes along the Maritime Silk Road. On the contemporary front, Dr. Rhode helps lead Boston University’s conversations on China’s Belt and Road Initiative, including conferences at the Pardee School By Land and By Sea: China’s Belt and Road in Europe (2019) and Assessing China’s Signature Foreign Policy: the Expanding Belt and Road Initiative (2020).
an exciting online platform for the presentation and discussion of materials related to Asian culture, politics and society. A growing number of other items are in the works, including interviews and discussions that we plan to upload to the BUCSA website in the coming weeks. Topics range from China's ongoing Belt and Road Initiative, public health and the coronavirus crisis in South Asia, the evolving relationship between Iran and China, the impact of the Covid-19 pandemic on Asian-Americans, and many other timely subjects.
Watch this space for links to these important and engaging discussions, and links
to the recorded versions of past presentations!
A Discussion with Dr. Jennifer Prough (Valparaiso University)
Discussant: Prof. Alice Tseng (Dept. of History of Art and Architecture, Boston University)
April 2, 2020
with Frances Kai-Hwa Wang
April 27, 2020
A Conversation with Min Ye, Lei Guo, and Jack Weinstein
Moderator: Prof. James Katz (College of Communication, BU)
Thursday, October 8, 2020
Learning from Past Pandemic Governance: Early Response and PPPs in Testing of COVID-19 in South Korea
with June Park (George Washington University)
Thursday, October 20, 2020
with Willis Wang, Esther Hu, Wen-Hao Tien, and David Li
Wednesday, November 11, 2020
Discussant: Min Ye (Boston University)
Moderator: William Grimes (Boston University)
Friday, December 4, 2020
With David Zweig (Hong Kong University of Science and Technology)
Margaret Lewis (Seton Hall University)
Discussant: Joseph Fewsmith
Friday, December 11, 2020
Manifest Density : Land Reclamation and Casino Culture in Macau, with Prof. Thomas Daniell, Dept. of Architecture and Architectural Engineering, Kyoto University
Asian Cultural Heritage Forum Lecture
Tuesday, Feb. 9, 2021
STRATEGIC IMPLICATIONS: US-China Strategic Competition and the BRI
with Prof. Min Ye and discussant Prof. Joshua Shifrinson (both of the Pardee School of Global Studies, Boston University)
Friday, February 19, 2021
The BU Center for the Study of Asia is pleased to present
with Frances Kai-Hwa Wang
The history of Asian America is a history of resistance. And Art. We will look at moments in history and how Asian Americans have resisted and used art, including the time of the Chinese Exclusion Act of 1882, incarceration of Japanese Americans during World War II, the Vincent Chin case in 1982, and after 9/11. We will look at how Asian Americans are using art today in this time of COVID-19 to both share their talents and to clap back at anti-Asian American violence. And then we will think about what you can do to help the community during this time.
Frances Kai-Hwa Wang is a journalist, essayist, speaker, and poet focused on issues of diversity, race, culture, and the arts. Her writing has appeared at NBC News Asian America, PRI Global Nation, Cha Asian Literary Journal. She teaches Asian/Pacific Islander American media and civil rights at the University of Michigan. She co-created a multimedia artwork for the Smithsonian Asian Pacific American Center. She is a 2019 Knight Arts Challenge Detroit artist, Marguerite Casey Foundation Equal Voice Journalism Fellow on Poverty, and Keith Center for Civil Rights Detroit Equity Action Lab Race and Justice Reporting Fellow on the Arts. franceskaihwawang.com @
The BU History of Art & Architecture Department and BU Center for the Study of Asia are pleased to present:
Rethinking Kyoto Tourism
with Dr. Jennifer Prough
Photo courtesy of Jennifer Prough
Dr. Jennifer Prough, Associate Professor of Humanities and East Asian Studies at Valparaiso University speaks with Alice Y. Tseng, Professor of Japanese Art and Architecture at Boston University on Prough’s research on Kyoto’s contemporary tourism industry. She reassesses Kyoto as a unique destination, and the ways that this historical capital’s long heritage is mobilized for cultural agendas, social purposes, and economic strategies. Current issues and challenges caused by overtourism, globalization, and the COVID-19 pandemic are also discussed.
2020 SHORT WAVES: STORIES SHAPING OUR COMMUNITY
ABOUT SHORT WAVES
Short Waves: Stories Shaping Our Community is BAAFF's screening of short videos in honor of Asian Pacific American Heritage Month in May. The screening featured shorts collected from the Open Call. The top submissions were selected by a panel of distinguished judges at the event. The winner was determined by public vote of the finalists. The winner of the Short Waves Competition received automatic acceptance into the upcoming Boston Asian American Film Festival.
Asian Pacific Americans have long been making waves in all aspects of American life, but their stories have often been lost in general U.S. discourse. “Short Waves: Stories Shaping Our Community,” hopes to bring light to these stories through locally made, community driven short films about the Asian American experience and community.
FREE ONLINE SCREENING
Saturday, June 27, 2020 | 6:30PM
Pao Arts Center - 99 Albany St. (Chinatown) Boston, MA 02111
Up to 5-minute video to share your story about your Asian American life or community based on a personal experience.*Deadline: Sunday, June 7th, 11:59 pm
Short Waves winner benefits include:
- Sharing your story with the community
- Automatic acceptance into the upcoming BAAFF
- Network with other featured filmmakers & participate in Q&As
- 2020 VIP Festival Pass
Some sample topics may include:
- What Asian American issue are you most passionate about?
- Tell us about someone who has helped shaped your identity as an Asian American. (role model)
- What is a pressing issue that affects your Asian American community and how that affects you?
- How do you personally define your Asian American identity?
- How do you celebrate your Asian American identity? (family gatherings and rituals, etc.)
Questions? Please email firstname.lastname@example.org
*We reserve the right to refuse any submissions that we believe may be prohibited or inappropriate.
Mark your calendars for the upcoming exhibition
Book as Art in Persia and India, 1300–1800
October 13, 2018 – January 6, 2019
at the Worcester Art Museum
55 Salisbury Street, Worcester, MA 01609 508.799.4406
This exhibition focuses on works on paper, separated from books (manuscripts) and albums, from the Worcester Art Museum's collection. Representing the two main contexts for the image in Iran and India from the Mongol invasions of the mid-1200s through the pre-modern period, Preserved Pages highlights several important artworks. These include landmark manuscripts, such as the 14th-century Great Mongol Shahnama (Book of Kings), and other rarely seen treasures of the Museum's Islamic art collection. Exhibition themes focus on the broad diversity of the arts of the book; the cultural and artistic value of art and literature; the variety of texts, genres, and modes of pictorial illustration and enhancement; and the subject matter and mediums developed by artists (painting, drawing, and illumination).
Image: Persian, An Irate Camel, (detail), 17th Century, opaque watercolor on paper,
Bequest of Alexander H. Bullock, 1962.185
Now on exhibit at the Worcester Art Museum:
The Genius of Japanese Meiji Metalwork
September 13, 2017 - September 2, 2018 at the Worcester Art Museum
55 Salisbury Street, Worcester, MA 01609 508.799.4406
In celebration of the 150th anniversary of the Meiji Restoration (1868-1912), the political revolution when power was restored to the emperor from the samurai class, this exhibition focuses on the genius and versatility of metalworkers during this transitional moment. With the decline of the samurai class and its privileges, armor-makers, such as the renowned four centuries-old Myochin family of metalworkers, applied their exemplary skills and artistry to develop new types of metal products, from toys to decorative art. This show will feature magnificent works from the Museum's Higgins collection, as well as a special selection of loans.
Top image: Nagasone Tojiro Mitsumasa, Helmet in the form of a Sea Conch Shell, 1618, iron with traces of lacquer, textiles, The John Woodman Higgins Armory Collection, 2014.89.1
Bottom image: Kozan, Articulated “Jizai” Figurine of a Lobster, about 1900, iron, The John Woodman Higgins Armory Collection, 2014.609
The Wall Street Journal
Creativity Forged Anew in Japan
By Lee Lawrence, January 8, 2018
Visit the upcoming exhibition at the MFA:
10,000 Miles along the Yangzi River
July 21, 2018 – September 30, 2018
Asian Painting Gallery (Gallery 178)
Museum of Fine Arts, Boston
Embark on a transcontinental journey in imperial China
This immersive installation takes visitors on a journey along the longest river in Asia through a masterpiece of Chinese painting. A favored court artist of the Kangxi Emperor, Wang Hui created 10,000 Miles along the Yangzi River—also known as Ten Thousand Li up the Yangtze River—over seven months following his release from imperial service. Wang Hui luxuriated in his newfound freedom, painting the 53-foot-long handscroll with virtuoso brushwork. Presented in the gallery with soundscapes of life on the river, the monumental piece depicts the length of the Yangzi (Yangtze) River and incorporates references to China’s great artistic and poetic traditions.
Over the centuries, 10,000 Miles along the Yangzi River has been passed down through generations of passionate connoisseurs. It was acquired by the high-ranking imperial official Weng Tonghe in the 19th century and today remains in the collection of his great-grandson Wan-go H. C. Weng. Weng Tonghe inscribed the work with a colophon—traditionally written by Chinese collectors to express their appreciation for a painting—and, in honor of his 100th birthday, Wan-go H. C. Weng has recently composed his own. Explore the sophisticated brushwork, rich landscape imagery, and literary references of 10,000 Miles along the Yangzi River; discover the history of the painting; and capture your experience of viewing the work by writing a colophon in the gallery.
Presented with support from The June N. and John C. Robinson Fund for Chinese Paintings in Honor of Marjorie C. Nordblom, the Joel Alvord and Lisa Schmid Alvord Fund, and the Rodger and Dawn Nordblom Fund for Chinese Paintings in Honor of Marjorie C. Nordblom.