Upcoming Events

 

Tuesday, September 9, 4 PM – 6 PM
121 Bay State Road, Boston MA
BUCSA Fall Reception

Thursday, September 18, 4 PM – 5:30 PM
75 Bay State Road, Boston MA
Development, Dispossession, and Desires in Jeju with Youjeong Oh

Monday, September 22, 2025,  5PM – 6:30 PM
Rm. 101, 610 Commonwealth Ave., Boston, MA 02215
Taiwanese Politics and US-China-Taiwan Relations Under Trump 2.0 with S. Philip Hsu

Monday, September 29,  1 PM – 2:30 PM
121 Bay State Road, Boston MA
An Infirm Ascendency? India’s National Security Challenges with Ashley Tellis

Wednesday, October 1, 5pm-6:30pm
121 Bay State Road, Boston
The Contested Meaning of Symbolic Spaces in Bangkok, Hong Kong, and Shanghai

Thursday, October 2, 5pm
8O8 Commonwealth Ave., 1st Floor, Boston MA
Film Screening: “Made in Ethiopia”

Tuesday, October 14
Fuller 206, 808 Commonwealth Ave., Boston MA
“The Dawn Is Too Far” A Film Screening and Discussion with Persis Karim

Monday, October 20, 4 PM-5:30 PM
121 Bay State Road, Boston MA
The Vietnamese Áo Dài in a Time of War: Fashion, Citizenship, and Nationalism (1954–1975)

Monday, October 27, 7 PM
Room 104, 808 Commonwealth Ave, Brookline, MA
Song of Earthroot: Film Screening and Talkback

Wednesday, October 29, 5 PM – 6:30 PM
871 Commonwealth Ave, Room 511, Boston MA
Together in Manzanar: The True Story of a Japanese Jewish Family in an American Concentration Camp with Tracy Slater

Thursday, October  30
From Refugees to ‘Non-Criminal Collaterals’: Immigration after the Vietnam War and Now with Ben Tran

Tuesday, November 2
121 Bay State Road, Boston MA
Learning from Japan: Expos Past, Present, and Future with Angus Lockyer

Thursday, November  6, 4 PM – 5:30 PM
The Backstage of Democracy: India’s Election Campaigns and the People Who Manage Them with Amogh Sharma

Friday, November 21
Symposium: The Contours of Alid Devotion Past and Present

10-01-2025 – The Contested Meaning of Symbolic Spaces in Bangkok, Hong Kong, and Shanghai

Wednesday, October 1, 2025
5 PM - 6:30PM
121 Bay State Road, Boston MA

Please register here.

This roundtable moderated by Robert Weller will bring together discussion of the parks, squares, monuments, and other symbolically important parts of three urban centers. The participants will discuss notable struggles to define the meaning and control the use of key spots within the metropolis they know best. The discussion will move from Bangkok and Hong Kong, where Netiwit Chotiphatphaisal and Hana Meihan Davis spent their formative years, to Shanghai, the city that Jeffrey Wasserstrom began his career studying.

 

Netiwit Chotiphatphaisal is an author, activist, translator, founder of a publishing house, and the co-producer of The Last Breath of Sam Yan, a documentary film about a Bangkok shrine that won a major prize in Thailand. He has just begun a graduate program at the Harvard Divinity School.

 


Hana Meihan Davis
is the author of 
For the Love of Hong Kong: A Memoir from my City Under Siege, which was published in 2021. A graduate of Yale and a past editorial intern at and contributor to the Washington Post and the South China Morning Post, she is currently in graduate school at MIT pursuing a master's in architecture. 

 


Jeffrey Wasserstrom
is a Distinguished Professor of History at UC Irvine. His books include Global Shanghai,1850-2010, which came out in 2009, and 
The Milk Tea Alliance: Inside Asia's Struggle Against Autocracy and Beijing, which was published earlier this year.

 


Robert Weller
is a Professor of Anthropology at Boston University. His books include, as author, 
Resistance, Chaos and Control in China: Taiping Rebels, Taiwanese Ghosts and Tiananmen, which was published in 1994, and, as co-editor, It Happens Among People: Resonances and Extensions of the Work of  Fredrik Barth, which came out in 2020.

10/2/2025 – Film Screening: “Made in Ethiopia” 

 

Thursday, October 2, 2025
Film Screening: "Made in Ethiopia"
5 PM - Screening
7 PM Q&A with Directors

8O8 Commonwealth Ave., 1st Floor, Boston MA

Please register here.

Filmed over four years with singular access, "Made in Ethiopia" lifts the curtain on China’s historic but misunderstood impact on Africa, and explores contemporary Ethiopia at a moment of profound crisis. The film immerses viewers in two colliding worlds: a booming industrial powerhouse driven by profit and progress, and a disappearing countryside where life is still guided by the rhythm of the seasons. Co-organized by the Boston University African Studies Center, African Studies Library, Center for the Study of Asia and Global Development Policy Center, the event will feature a 90-minute film screening followed by a 30-minute Q&A with directors Xinyan Yu and Max Duncan.

The screening is sponsored by the BU African Studies Center, BU Center for the Study of Asia, and the BU Global Development Center.

10-14-2025 – “The Dawn is Too Far” A Film Screening and Discussion with Persis Karim

 

Tuesday, October 14, 2025
5 PM - 6:30 PM
Fuller 206, 808 Commonwealth Ave., Boston MA

Please Register here.

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film seeks to expand our understanding of Iranian immigration —what it means to leave home and country—and live through the episodes of turbulent histories of dissent, revolution, war, and separation––and reinvent oneself in a new place, country, and culture. The Dawn is Too Far does not paint a story of salvation and happy assimilation, but rather seeks to identify the complex ways that members of the Bay Area's Iranian diaspora community have navigated the challenges and traumas of history—both Iranian and American––to reinvent themselves and tell their own stories; these as yet untold stories build on a longer history of Iranian immigration to Northern California, where Iranians as students, activists, artists, draw on as well as influence the larger culture of the Bay Area. This community and all that it has faced, offers a more nuanced story of the Iranian diaspora—the ways that this community enriches and enlivens the region where they live, work, and build families and community. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

 

Persis Karim (executive produce and co-director/co-producer) is an Iranian-American writer, poet, and professor at San Francisco State University. She grew up in the San Francisco Bay Area, the daughter of an Iranian father who came here in the immediate aftermath of Iran’s military occupation by British and Soviet troops during World War II. She came of age during the 1979 Iranian Revolution and felt a deep concern for how Iran was represented in the media, defying what she experienced in her family and the larger community of Iranian Americans. She has been engaged with the Iranian diaspora community here for more than 30 years in her capacity as a professor, first at San Jose State University, where she founded the Persian Studies program, and then currently as the Director for the Center for Iranian Diaspora Studies at San Francisco State University. She has written extensively on the culture and literature of Iranian Americans and is the editor of three anthologies of Iranian diaspora literature: A World Between: Poems, Short Stories, and Essays by Iranian Americans (1999); Let Me Tell You Where I’ve Been: New Writing by Women of the Iranian Diaspora (2006); and, Tremors: New Fiction by Iranian-American Writers (2013). She also piloted a digital archive of Bay Area Iranian Americans on the DIVA site at SF State as well as did a digital storytelling Karim has worked actively to support and help build the Iranian diaspora community in the Bay Area—largely through her literary and cultural activism. She has watched over three decades from the seat of observer-participant as this community has evolved and grown, welcoming younger generations into it.

Soumyaa Behrens (co-director/co-producer) is an award-winning South Asian Bay Area filmmaker whose work is defined by an attention to women, people of color, and immigrant and marginalized communities. Behrens has directed three other films and is active in the Bay Area film and video community. She teaches documentary filmmaking at San Francisco State University and directs the DocFilm Institute. Behrens spent her childhood traveling back and forth between Illinois and India and the many airports in between. Behrens’s Indian parents were part of an accidental diaspora. They raised Behrens and her other Americanborn sisters, and successfully brought their father’s brothers and families to the U.S. where many of them set down roots. Behrens shares significant personal experiences that mirror those of the Iranian Americans in this film. 

10-20-2025 – The Vietnamese Áo Dài in a Time of War: Fashion, Citizenship, and Nationalism (1954–1975) with Ann Marie Leshkowich and Martina Thucnhi Nguyen

 

Monday, October 20, 4 PM-5:30 PM
121 Bay State Road, Boston MA

Please register here.

In a time of war, fashion can be a powerful weapon. An exhibition currently on view at College of the Holy Cross explores how First Ladies of the Republic of Vietnam (South Vietnam) used Vietnam’s national costume—the áo dài—to symbolize modernity and cultural heritage. Honoring the 50th anniversary of the end of an international and civil war that haunts us to this day, co-curators Leshkowich and Nguyen highlight the role of Vietnamese women and the political importance of fashion.
Martina Thucnhi Nguyen (left) and Ann Marie Leshkowich (right)

 

 

Ann Marie Leshkowich is Professor of Anthropology at College of the Holy Cross. She researches gender, economic transformation, class, fashion, and social work in Vietnam. She is author of Essential Trade: Vietnamese Women in a Changing Marketplace (University of Hawai‘i Press, 2014; awarded Harry J. Benda Prize, 2016) and co-editor of Traders in Motion: Identities and Contestations in the Vietnamese Marketplace (Cornell University Press, 2018), Neoliberalism in Vietnam (positions: asia critique, 2012), and Re-Orienting Fashion: The Globalization of Asian Dress (Berg, 2003). Her research has been published in American Ethnologist, American Anthropologist, Journal of Asian Studies, Journal of Vietnamese Studies, and Fashion Theory.

Nguyen, Leshkowich, and Tuong Vu (University of Oregon) are co-curators of the exhibition, "The Vietnamese Áo Dài in a Time of War: Fashion, Citizenship, and Nationalism (1954–1975)," on view at College of the Holy Cross (Worcester, MA) through December 19, 2025.

 

Martina Thucnhi Nguyen is Associate Professor of History at Baruch College, City University of New York. She is the author of On Our Own Strength: The Self-Reliant Literary Group and Cosmopolitan Nationalism in Late Colonial Vietnam.

10-27-2025 – Song of Earthroot: Film Screening and Talkback with Kinh Vu

 

Monday, October 27, 7 PM
Room 104, 808 Commonwealth Ave, Brookline, MA

Please register here.

Song of Earthroot is a feature-length documentary that centers on Kinh T. Vu, a gay Vietnamese American music education professor, who was adopted at the end of the American War in Vietnam. We follow Kinh as he returns to Vietnam for the 37th time in 11 years as he reclaims his story by writing his first song, titled “Việt Nam, Tôi Xin Lỗi” (I’m Sorry, Vietnam).

This story is not about an adoptee’s search for birth parents, blood belonging, or adopted belonging. Nor is it about the “heroism” of the West for saving kids via adoption - that white saviorism is best left for another author. Instead, this film is a yearning to re-assimilate and reconnect to roots, even in his middle age. Kinh attempts a rejection of the Western socialization forced upon him when he was adopted, paired with much deeper reluctance or perhaps inability to do so. There is guilt, driven by shame. There is delusion, driven by ego. There is the universal struggle to self actualize desperately as he grows older but fights to remain young at heart. Through song and conversation, we follow Kinh as he writes what he feels is the last piece of the puzzle before he can buy a one way ticket to return Home.

10-30-25 – From Refugees to ‘Non-Criminal Collaterals’: Immigration after the Vietnam War and Now with Ben Tran

 

Thursday, October 30, 2025
4 PM - 5:30 PM
120 Bay State Road, Boston MA
Please register here.

This lecture explores the contrasting policies directed at refugees following the Vietnam War and the racialized criminalization of migrants today. It analyzes how the socio-political climate of the late 1970s and 1980s facilitated a relatively robust support system for Vietnamese refugees in the United States, characterized by humanitarian aid, community-building efforts, and federal programs aimed at integration. In contrast, the immigration landscape in the US today is more draconian, influenced by shifting political narratives and contexts. This paper further compares these differences by underscoring Vietnam’s post-civil war nation-state and the history of Asian migrants to the US. Contemporary capitalism, the paper argues, has reached a new register of profiteering from and exploitation of "illegal aliens.”

This talk is brought to you by the BU College of Fine Arts School of Music, Center for the Study of Asia at the Pardee School, Office for the Arts, and the Center on Forced Displacement. With grant support from the BU Center for the Humanities.

 


Ben Tran is Associate Professor of Asian Studies and English at Vanderbilt University. He researches and teaches the politics and aesthetics of twentieth- and twenty-first century Southeast Asian, Asian American, and Anglophone literatures. He is the author of 
Post-Mandarin: Masculinity and Aesthetic Modernity in Colonial Vietnam (2017); and his work has been published in Cultural CritiquePMLA,  positions: asia critiqueModern Fiction Studies, and The Oxford Handbook of Global Modernisms. Ben Tran’s current scholarship has two trajectories. The first project traces how the biological necessity of breathing has become a universal right to breath that we must now fight for, amid the weaponization of the atmosphere, increasingly transnational police tactics, and the history of air conditioning. The second, entitled Digital Coolie-ism, examines how Asian migration during 19th-century European imperialism intersects with the current border-control system and the increasing use of biodata.

11-4-2025 – Learning from Japan: Expos Past, Present, and Future with Angus Lockyer

Tuesday, November 4, 2025 
4 PM - 5:30 PM
121 Bay State Road, Boston MA

Please register here.

This summer saw crowds flocking to Expo 2025 on a reclaimed island in Osaka Bay. This may be a surprise, given its absence in the western media and the assumption among many that the age of expos is over. In this talk, we'll explore why expos are still a going concern. We'll start with a report from Osaka, then travel back in time, to understand how Japan got there, adopting the form of modern expos from the West in the 19th century, but also adapting it over the course of the 20th as a tool for development. Drawing on a recently-published book, the story will take us from early 18th-century exhibitions -- materia medica, exotic animals, animated puppets, and revealed deities -- through industry and empire, war and peace, technology and environment. We won't have time to look at all the 1,300-plus expos Japan has seen in the last 150 years. But we'll see enough to understand how Japan's use of them has served its own needs, and provided a model that continues to be adopted beyond its borders.

 

Angus Lockyer was educated in Dorset, Cambridge, Seattle, and California, and has taught Japanese, East Asian, and global history in North Carolina and London. Exhibitionist Japan: The Spectacle of Modern Development was published by Cambridge University Press earlier this year. Japan: A History in Objects, based on the collection of the British Museum, will come out from Thames and Hudson in early 2026. He currently lives in Rhode Island and teaches at RISD.

11-06-25 – The Backstage of Democracy: India’s Election Campaigns and the People Who Manage Them with Amogh Dhar Sharma

Thursday, November  6, 2025
4 PM - 5:30 PM
121 Bay State Road, Boston MA

Please register here.