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Monday April 10, 2017 from 4-7 pm
at the Photonics Center (9th fl.), 8 St. Mary’s Street, Boston University
My presentation will focus on the process of documentary filmmaking, especially the many challenges my team and I faced in trying to create engaging filmic narratives that are both factually accurate and encompass multiple perspectives. I will use excerpts from my films as well as out-takes to illustrate the difficulties in determining what information to include and exclude, assess the compromises involved in the choices, and explore the consequences of taking various possible paths. I will also address the different problems that a historian encounters when presenting history in images as opposed to in words: the potential and limitation of each medium and what information each might privilege or obscure. I believe that in this age of “alternative facts” and “parallel universes,” reflections on the challenges in obtaining authenticity and truth and the importance of relentlessly striving to reach this goal, take on particularly urgent meaning.
About the speaker:
Carma Hinton is an art historian and a filmmaker. She received her Ph.D. in Art History from Harvard University and is now Robinson Professor of Visual Culture and Chinese Studies at George Mason University. Together with Richard Gordon, Hinton has directed many documentary films, including Small Happiness, All Under Heaven, To Taste a Hundred Herbs, Abode of Illusion: The Life and Art of Chang Dai-chien, The Gate of Heavenly Peace, and Morning Sun. She has won two Peabody Awards, the American Historical Association’s John E. O’Connor Film Award, the International Critics Prize and the Best Social and Political Documentary at the Banff Television Festival, and a National News & Documentary Emmy, among others. Hinton is currently working on a book about Chinese scrolls depicting the theme of demon quelling. Carma Hinton was born in Beijing. Chinese is her first language and culture.
To usher in the next century of the National Museum of Asian Art, artist Do Ho Suh (b. 1962, South Korea) was commissioned to create a special edition of his work Public Figures to be installed in front of the museum and facing the National Mall in Washington, DC. Internationally recognized for his large-scale installations, Suh was among the earliest contemporary artists featured in the museum’s groundbreaking Pavilion exhibition series and his work will be the first new sculpture to be installed outside the historic Freer Gallery of Art in over three decades.
As an artist living and working between his familial roots in South Korea and professional life in the United States and Europe, Suh explores how objects can make tangible the power of place and memory and the tension between individual and community identity. For Public Figures, Suh created a plinth for a monument. However, the imposing form is not a base to honor an individual or to mark a particular historic event, but rather a massive weight held aloft by many small figures in mid-stride. Placed among some of the United States’ most important national institutions, the sculpture prompts viewers to consider the notion of heroic individualism and the stability of national narratives.
View all works by Do Ho Suh in the National Museum of Asian Art’s collections.
In celebration of International Tea Day, join us at China Institute in America with your friends and family at our Tea For Harmony — Xinyang Maojian Tea Cultural Fair! We will be bringing you an assortment of specialty teas and festivities flown in specifically for this event from Xinyang, Henan, China, where the origin of tea is often traced back to! Tea connoisseurs will share the ritual of tea and invite you to sample tea selections hailed as the “King of Teas”. Master artisans from China will perform Guzheng and lead experiential stations including rice dough sculpturing, paper cutting, VR experience and so much more. Enjoy this special tea-themed sensory experience with music and cultural performances presented by intangible culture inheritors from China!
“Shan Shui Reboot” presents visually spectacular and thought-provoking creations by seven young artists born between 1974 and 1992.
China Institute Gallery will present a special spring exhibition, Shan Shui Reboot: Re-Envisioning Landscape for a Changing World, on view from March 7 through July 7, 2024. The exhibition highlights a new generation of artists who are reinterpreting traditional Chinese landscape painting in the context of today’s global social issues and climate crisis. Shan shui refers to the time-honored painting of natural landscapes with brush and ink focused on an awareness of inner spiritual philosophy. The exhibition features the recent work of seven established and emerging artists including Lam Tung Pang, Yi Xin Tong, Kelly Wang, Peng Wei, Fu Xiaotong, Yang Yongliang, and Ni Youyu. More than 40 works – including paintings, photographs, installation, and video – will be exhibited, and many are being shown in New York for the first time.
You're invited to a unique creative experience that you don't want to miss!
Taiko describes a range of traditional Japanese barrel-shaped drums that are an important part of Japanese music.
At Taiko Creation, experts will demonstrate how to make these amazing drums and give insights into the history, construction, and sound that makes these drums special. Come to The Howard Thurman Center and learn what it takes to make Taiko and listen to a group from Hiroshima, Japan, that is creating a new genre of music with Taiko and western drums.
This event is sponsored by The Howard Thurman Center, The Boston Japanese Association, Japanese Language School, and JBBB.
More about Garyu:
Garyu is a wadaiko performance group from Hiroshima, Japan established in 2005. They blend traditional Japanese drums with contemporary Western drums, creating a unique musical style that transcends conventional genres. Their performances start by crafting wadaiko hides themselves and innovating modern instruments using traditional methods. Garyu's original music, materials, costumes, and instruments carry a message of peace from Hiroshima to the world, by actively preserving and promoting traditional culture.
The Howard Thurman Center
808 Commonwealth Ave, Brookline, MA 02446
Register here.
The United States and Japan identified China as its primary threat in their respective National Security Strategy in 2017 and 2022. It seems they are reacting to the same China threat. However, they have come to view China as a threat via quite different paths.
Perceptions of a China threat emerged at different times among the allies, and the nature of the perceived threat was different. The United States feared China’s rise as a global peer competitor more than did the weaker powers that are geographically closer to China? And why did the United States and Japan identify China as the main security threat in their national security strategies in the late-2010s? In other words: What factors shape threat perception?
The talk will trace U.S. and Japanese perceptions towards China in the last 30 years and explain why the China threat they see differs in content, intensity, and in the timing they began to see China as a threat. It will also explain what accounts for the seeming convergence of threat perceptions in recent years.
Dr. Chikako Kawakatsu Ueki is Professor of International Relations at the Graduate School of Asia-Pacific Studies (GSAPS), Waseda University. She is currently A Visiting Scholar at the Security Studies Program, Massachusetts Institute of Technology. Her areas of expertise include International Relations and Security in East Asia, with a special focus on U.S.-Japan-China relations. Her publications include: “Is Japan Back? Measuring Nationalism and Military Assertiveness in Asia’s Other Great Power” (co-author, 2021); “Japan’s China Strategy: The End of Liberal Deterrence?” (2020); War Studies for Peace (2015); The “Long Peace” in Northeast Asia: War Avoided (2012); and The U.S.-Japan Security Alliance: Regional Multilateralism (2011). Prior to joining GSAPS, Dr. Ueki was Senior Research Fellow at the National Institute for Defense Studies, Japan Ministry of Defense; Visiting Scholar at Peking University; and Staff Writer for Asahi Shimbun. She served as a member of the Prime Minister’s Council on Security and Defense Capabilities (2009). She holds a Ph.D. in Political Science from Massachusetts Institute of Technology (MIT), and M.A. in International Relations and B.A. in French Studies from Sophia University.
Wednesday, May 1, 4 PM-6 PM
College of Arts and Sciences Diversity and Inclusion Office
AAPI Heritage Month Kickoff Social
Howard Thurman Center
The Commons, Room 205, 808 Commonwealth Ave, Brookline, MA
Register here.
Thursday, April 18, 2024 from 8:00 to 10:00 pm
College of Fine Arts Concert Hall, 855 Commonwealth Avenue (1st floor), Boston, MA
Portraits of Freedom is meant to commemorate the women who have played pivotal roles in the Tibetan, Uyghur, Hong Konger, and Taiwanese freedom movements in government, academia, activism, etc… through a photo exhibition featuring portraits and snapshots of these women accompanied by text describing their story. In addition to the exhibition, a launch event will be held on Friday, March 29th at 6:30PM with dinner included where speakers from these movements in the Boston area will be invited to reflect on their experiences and their appreciation for the women who have carried these movements forward. A discussion and audience Q&A will follow their reflections.