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This year, 12 faculty members and one staff member are retiring from the College of Arts & Sciences. We invited the chairs, directors and colleagues of their departments and programs to share a few words about their retiring colleagues, and our retiring colleagues to share reflections of their time at Boston University.

Tribute to the 13 Faculty & Staff retiring from the College of Arts & Sciences
Reflection from Mary Anne Boelckevy

The African American Studies Program at Boston University has been my professional home since September 2005.  Because ours is an interdisciplinary field, over the years the thousands of students in my courses have come from every BU school and college, a dynamic that has enhanced every classroom, even those on ZOOM. The one-on-one conferences I have at the beginning of each semester create a connection to each student that many times lasts beyond the course. I have also served since 2010 as Director of Undergraduate Studies for what is now African American and Black Diaspora Studies. Since just one student Minor in 2012, the AFAM Program has celebrated the graduation of over sixty students with the AFAM Minor, a growth that led to the establishing in Fall 2022 of the Major in African American and Black Diaspora Studies. My retirement coincides with the graduation of the inaugural class of seven AFAMBDS Majors in May 2025. I feel privileged to have had the opportunity to spend these past two decades at Boston University doing what is near and dear to my heart.

 

Reflection from Cheryl Crombie

After 24 years at Boston University—19 of them with the History of Art & Architecture Department—I’m filled with gratitude for the experiences, many friendships, and personal growth this community has provided me. It’s been a privilege to support such passionate faculty and motivated students, and to be part of a department where the history of art and architecture and scholarship come together so meaningfully. I’ll carry with me not just memories, but the sense of purpose and collegial spirit that define BU. I extend my heartfelt thanks to all of you.

Reflection from Juri Knjazihhin

My 27 years at Boston University have been profoundly enriching—both professionally and personally. I am deeply grateful for the opportunity to work alongside exceptionally talented colleagues whose expertise and collaboration have continually inspired and strengthened my own research.

One of the most fulfilling aspects of my time here has been the privilege of mentoring graduate students throughout their PhD journeys and witnessing their academic and personal growth. It is especially rewarding to see so many of them go on to build successful careers at universities and research institutions. To have played a role in their development has been a true honor—an experience I will always treasure.

Reflection from Igor Lukes

The late 1980s was a most auspicious time for any student of Eastern Europe. The Polish Solidarity movement reemerged as an unstoppable democratic force, Vaclav Havel marched from his prison cell directly to the presidential office in Prague, the East Germans could travel, John Paul II was in the Vatican, and Gorbachev in the Kremlin.

The joyful Velvet Revolutions, the inevitable post-revolutionary hangover, and the return of history in the form of Putin’s imperialist wars gave endless material for me to study with my Boston University students.

I could never image better colleagues—first in The University Professors Program, then in the IR Department, and now the Pardee School of Global Studies. Boston University was my academic home.

Reflection from Robert Pinsky

So many Boston University MFA poetry students have published remarkable books in recent decades, so many have become directors of programs and won major prizes, that I won’t try to list them here.

Nor will I try to list books published by my superlative poet colleagues— this year, Karl Kirchwey, Ha Jin and visitor Andrea Cohen. And since I arrived in 1989 an impressive list: Derek Walcott, Louise Glück, Gail Mazur, Dan Chiasson, Maggie Dietz, David Ferry, Alan Shapiro, and Nicole Sealey.

When she was an MFA student, Maggie began the Favorite Poem Project, which has continued in the successive care of poets Bekah Stout, Brandy Barents, Duy Doan, Laura Marris, and now Annette Frost.

Rejoicing in those BU writers as colleagues and students, I can also take pleasure in institutional achievements. Over the years, our MFA program has maintained a unique outreach program with the Boston Arts Academy, a model of co-operation between a city public high school and a research university. Boston University’s Favorite Poem Project, with its unique online video presence, extends and continues a program that began with the Library of Congress.

I have name-dropped, and proud of it— as I am proud of the poetry community at this university.

Reflection from Carl Ruck

Looking back after more than half a century of teaching at Boston University, I have seen the Department of Classical Studies develop from what was originally merely a necessary adjunct to a theological institute, providing instruction in the Greek and Latin of the Biblical texts and in medicine, into a broadened field encompassing the whole Classical Tradition as the nucleus of Western cultural humanities. I arrived at Boston University shortly before Charles Rowan Beye, who became Chair and brought – in my view – a new breath of life into the Department.

Although my PhD thesis was a work in Greek epigraphy, I had started my undergraduate studies in Psychology intending to become a psychotherapist, but a freshman Philosophy instructor redirected me, observing that I was probably thinking that I would learn something about the nature of the human condition, but psychotherapy ministers only to sick mentalities. Healthy ones are the province of the Humanities. So, I switched to Classics as what I thought to be the most basic of the Humanities.

I have repeatedly sought to extend my expertise beyond Classics by collaborating with scholars outside of that discipline. I was offered the opportunity to collaborate with the mycologist R. Gordon Wasson and the Swiss chemist Albert Hofmann on an ancient Greek religion with a secret Eucharist that induced a beatific cosmic vision. It was a formative experience, an alteration of consciousness that defined for the participants the nature of human experience induced by what I subsequently termed an “entheogen,” a word that is now widely accepted for such a sacrament. The ancient Greeks deified such alteration in the figure of the deity Dionysus, the patron of the Theater, and his more primitive persona as the Bacchus of the bacchanalian revel.

It has been a long and fascinating journey, in which I have profited from the interaction with numerous wonderful students, and worked with a succession of supportive colleagues and staff.

Reflection from Nina Silber

I arrived at Boston University in the Fall of 1990, a moment when BU President John Silber was on leave during his run for Massachusetts governor.  He lost and returned to BU for another 13 years.  In those years, I was routinely introduced as “Nina (no relation) Silber”.  I tried to move past whatever shadow the name carried, and set out to forge my own path at BU. I hope I had some success in that regard.

I feel very lucky to have spent the past thirty-five years at BU.  The university has given me a supportive platform for shaping my career as a scholar of the US Civil War and a teacher of nineteenth and twentieth century US history.  Teaching a regular undergraduate class on the history of women in the United States has been eye-opening: my students and I have had to consider the dramatic swings toward an increasingly illiberal attitude towards women’s rights and ponder the consequences of that shift. Still, I feel fortunate to have weathered these years with inspiring colleagues, committed staff, wonderful graduate students, and terrific undergrads. Some of my most positive experiences have involved collaborative efforts in teaching and scholarship, and in building a sense of community during my time spent as History Department chair, American Studies director, and director of Women’s Studies.

In my post-BU years, I plan to write a book about my family and the mid-twentieth century “folk revival”.  Despite the hopeful messages of many of that era’s folk songs, my family’s efforts in those years frequently came under attack amidst the unfolding Red Scare. At various moments my parents were grilled by government inquisitors, shadowed by FBI agents, even beaten up by right-wing thugs.  It’s a bit frightening to see just how relevant that project is for our own times and how much our own field, of higher education, is caught in the current backlash. I hope and trust that my fellow scholars, at BU and beyond, will take this time to recommit to the values we hold about teaching and scholarship, even if our work runs counter – as it almost certainly will – to the sanitized expectations of the powers that be.