Alumni4 Machozi’s Calling The priest’s return to the people of eastern Congo surprised few of his friends. His murder surprised no one. Video
Alumni3 Driving Uber Top lawyer Salle Yoo talks about strategy, plans, and why her first four hires were women
Alumni2 Taking on Porgy The role is musically difficult, physically grueling, and politically sensitive. Operatic bass Morris Robinson is all in. Video
June 18, 2019Know What’s Good for Your Health? Artificial IntelligenceData and algorithms can spot medical concerns early and point to solutions
June 12, 2019Crowdsourcing a Second Bill of Rights? ENG Professor Wants to Give It a ShotGreg Blonder says our leaders often obstruct the public’s will
June 10, 2019A Dead Humpback, a Team of Scientists, a Race for AnswersDid noise pollution in the ocean contribute to her death in the waters off Cape Cod? Her whale ears may hold important clues
June 10, 2019Shari Davis (Sargent’10,’12) among 20 Obama Fellows Named Worldwide“The Obamas represent…the reality that ceilings can and should be broken”
June 6, 2019Natick’s World War II Museum Commemorates 75th Anniversary of D-DayFounder Ken Rendell, who studied business at BU, has created special exhibition
June 4, 2019Stan Sclaroff Named Dean of Arts & SciencesAfter nationwide search, interim dean chosen for strong and consistent leadership
September 16, 2016 Taking on Porgy The role is musically difficult, physically grueling, and politically sensitive. Operatic bass Morris Robinson is all in.
February 6, 2015 CFA Lecturer Wins Grammy Award Aaron Sheehan’s reputation as versatile, lyrical tenor grows
June 11, 2014 Opera Festival Features Three Rare Gems at BU Theatre CFA alum to appear with Odyssey Opera
May 28, 2014 Mozart’s Don Giovanni a Wild Ride CFA stages a tale of sex and revenge, with a score to die for
March 27, 2014 The Case for New New York Times critic Anthony Tommasini argues that for classical music to have a vibrant future, it has to get over its vibrant past
September 4, 2013 High Notes From the church gospel choir to the Grand Prize at the Metropolitan Opera Council