Time’s Arrow, a new music ensemble of unfixed instrumentation, features serious and immersive involvement in a number of works from the late twentieth and twenty-first centuries for smaller and larger ensembles, of traditional and non-traditional instrumentation, mostly unconducted, some of which involve non-traditional notation, advancing the understanding of both the aesthetic issues in that music and the techniques necessary for rehearsal and performance of those particular works, and, by extension, other works, both contemporary and earlier.

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