What impact have Latinos and Latinas had on the popular music of the United States? More than you might think. Not only have Latinos in the United States been instrumental in creating globally popular Spanish-language music like salsa, norteno, and reggaeton, they are also central, if usually unacknowledged, in the histories of jazz, rock and hip hop. The history of US music is usually told as the story of interactions between black and white Americans, so what does a multi-ethnic, multi-lingual music history reveal about music in the United States' To answer these questions, we will trace the participation of Latinos, alongside other ethnic groups, in the creation of US popular music from the 19th to the 21st centuries, surveying the musical styles of Latinos in the US and discussing the role of these musics in articulating race, class, gender and sexual identities for US Latinos, their circulation along migration routes, their role in identity politics and ethnic marketing, and their commercial crossover to Anglo audiences. But then, what is Latino in the first place' Many Latinos are of Mexican descent, others from the Caribbean, and others from elsewhere. Some are Spanish-dominant and some only speak English. Some have been here for generations an others arrived last year. Some have been reticent to highlight their Latino identities, and others have put Latino identity and identity politics at the center of their musical projects. How do these different ways of being Latino manifest themselves in musical activities and musical taste? and how, since the early 2000s boom of Latin artists like Shakira, Enrique Iglesias, and Jennifer Lopez, has the music industry sought to market to all of them? Above all, how can we tell these stories in all their richness and complexity? Case studies may include Mexican- American/Chicano, Puerto Rican/Nuyorican and Cuban/American musics; Latin music in golden age Hollywood; Latin dance crazes from mambo to the Macarena; rock en espanol; reggaeton, race politics, and the creation of the "Hurban" market; and the transnational Latin music industries of Los Angeles, New York, and Miami. 4cr Effective Spring 2020, this course fulfills a single unit in each of the following BU Hub areas: Aesthetic Exploration, Global Citizenship and Intercultural Literacy.

Note that this information may change at any time. Please visit the MyBU Student Portal for the most up-to-date course information.