This introductory course explores puppetry as a rich category of material performance practices through readings, viewings, experiential exercises, and the creation of developed work. Puppetry is a unique medium that encompasses 2D, 3D and 4D techniques, as well as simple sound design and lighting. It brings together language—both visual and textual—culture, neurology, poetics, and phenomenology in service of performed narrative. Students begin by examining the history of global puppetry, the diversity of expressive forms, and the dynamic contemporary scene. We study and apply the core principles articulated by practitioners and scholars, developing a foundation for understanding puppetry's complexity and potential. Emphasis is placed on attunement to the material properties of objects and the inherent metaphors and phenomenological qualities they generate. Students engage in critical making and reflect on the notions of representation, viewpoint, and perspective-taking. Through a range of activities, they investigate a broad array of forms and techniques, exploring the fundamentals of animation and perception, the collaborative dynamics between puppeteers, and key aspects of performance. Among the many topics explored are empathic responses (including corporeal/kinesthetic empathy), aesthetics and affect, and the principles of world-making. Students also explore the process of devising work with classmates and with objects and materials. Creativity as an iterative process—and strategies of prototyping and improvisation—are applied throughout. Projects balance open-ended exploration with refinement, and independent work with collaboration.

Note that this information may change at any time. Please visit the MyBU Student Portal for the most up-to-date course information.