RAYMOND FEDERMAN
(Ah! they have brought it out again? No, I didn't know) yes, but
mine it was all scratched up I'd played it so much. And there was
even a little piece broken just at the beginning. But I didn't give a
damn because that one I knew literally by heart. Forward and back–
ward. From beginning to end.
LOVER MAN
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TA-TA-TAAAAA
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TATATA-TAAAAAA
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Ta-
a -ta-tatattaaa
ta-ta
****
ta-aa-ta
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TREMENDOUS!
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Gentlemen JAZZ you can't imagine how it was
how it was
what it was
what it was to have lived it
as I did
from the inside!
To have been part of it - in 47 in 48 in 49 - the great moments of
BE-BOP - progressivo jazz!
Yes, ME, I was there. I knew them all. And you must have known
these guys to understand to know how much that stuff was eating
them up down in there, in the GUTS. All my buddies (in DE–
TROIT) were jazz musicians. All of them tremendous musicians.
They had that in their skin.
Of course they were all black. There's not a single bright light who
can - as far as I know - blow real jazz. NOT ONE!
BRIGHT LIGHT - ! - BULLSHIT - ! - 906 906 906 906 906
(0) (0) (0) (0) (0 )
In 47 in 48 in 49 I would make deals with my buddies :
a bright light
for a shade–
in fact, that's how I discovered AMERICA: in the dark!
xxxxxxxx?
Ah !
You guys want to know if they screw well!
(Bunch of perverts! )
