Irving Howe
          
        
        
          
            LITERARY LIFE: NEW YORK*
          
        
        
          By 1947 it seemed the quarrels of the thirties were done
        
        
          with: we had apparently won, we leftist and liberal anti-Stalinists.
        
        
          Too young to have experienced personally the literary-political wars
        
        
          of the thirties, I sometimes felt as if! had lived through them, partic–
        
        
          ipant by courtesy of inherited myth and judgment. ...
        
        
          Sometimes by speaking truth, sometimes by shows of bril–
        
        
          liance, sometimes by sheer nerve,
        
        
          
            Partisan Review
          
        
        
          had clawed its way
        
        
          to cultural strength. The magazine could now hoist reputations,
        
        
          push a young writer into prominence, and deal out punishment to
        
        
          philistines, middlebrows, and fellow travelers. Because it stood for
        
        
          something,
        
        
          
            Partisan Review
          
        
        
          gained influence.
        
        
          It
        
        
          evoked fear among
        
        
          opponents, rage among academics. William Dean Howells had once
        
        
          joked that anyone can make an enemy, the problem is to keep him.
        
        
          This skill
        
        
          
            Partisan Review
          
        
        
          had mastered. . . .
        
        
          Most of the New York writers were still young. "Veterans" like
        
        
          Hook and Rahv, Phillips and Schapiro , Rosenberg and Clement
        
        
          Greenberg were in their forties. Younger people, very talented, kept
        
        
          appearing: Randall Jarrell , Elizabeth Hardwick , John Berryman ,
        
        
          Saul Bellow , Robert Warshow. Not all of these sympathized with
        
        
          
            Partisan
          
        
        
          politics, but most felt at home with its homelessness. The
        
        
          magazine had a heady cosmopolitan air in those days, with contri–
        
        
          butions from T.S. Eliot and George Orwell, Andre Gide and Jean–
        
        
          Paul Sartre. Anti-Stalinist leftism created a fragile bond across bor–
        
        
          ders: one felt a kinship with writers like Orwell, Silone, and Camus
        
        
          without having ever met them. There was a visible pride in the
        
        
          capacities of mind. There was an impatience with that American
        
        
          tradition which regards writing as the outpouring of untainted intui–
        
        
          tion. There was a spirit of arrogance that kept out lesser souls,
        
        
          smaller talents.
        
        
          Now that Hitlerism was destroyed, intellectuals felt they had to
        
        
          reach out for new ideas, new modes of sensibility fitting the postwar
        
        
          • Excerpted from
        
        
          
            A Margin oj Hope: An Intellectual Autobiography
          
        
        
          by Irvin g Howe, to
        
        
          be published by H arcourt Brace Jovanovich, Inc. (Copyright © 1982 by Irving
        
        
          Howe.)