write the story of a happy man.
        
        
          Even today, when I listen to Mo-
        
        
          . zart, I can't help feeling that the
        
        
          ideal achievement for me would
        
        
          be to write the way Mozart corn–
        
        
          poses. But the fact is that I have
        
        
          just written a play for Jean Louis
        
        
          Barrault, which is a variation on
        
        
          the theme of
        
        
          
            The Plague,
          
        
        
          and that
        
        
          I am writing another about Kal–
        
        
          iaev, the terrorist who killed the
        
        
          Grand Duke Serge. After which, I
        
        
          tell myself, I shall write about hap–
        
        
          piness.
        
        
          "The next moment, however, I
        
        
          wonder. We of the generation that
        
        
          has become mature from 1938 to
        
        
          1945 have seen too many things.
        
        
          I don't mean too many horrors,
        
        
          but simply too many contradictory,
        
        
          irreconcilable things. We have be–
        
        
          come incapable of the natural stu–
        
        
          pidity without which, Pushkin said,
        
        
          one can't be a poet. We are full of
        
        
          ambiguities.
        
        
          "I have some friends who have
        
        
          come ·back from concentration
        
        
          camps. They all claim that, except
        
        
          for this or that physiological trou-
        
        
          
            selected poems from
          
        
        
          
            humores del hormigo
          
        
        
          by the 19th century folk poet
        
        
          
            el cucalambe'
          
        
        
          illus. with 40 mognificent wood cuts
        
        
          ond
        
        
          color cover design
        
        
          by
        
        
          Robert Altmann
        
        
          price $1.50
        
        
          signed ond numbered eds. $5
        
        
          
            brunidor editions
          
        
        
          john myers
        
        
          201 e. 38 st.
        
        
          n.
        
        
          y.,
        
        
          n.
        
        
          y
        
        
          
            1144
          
        
        
          ble, they are perfectly normal now.
        
        
          Some of them insist that they don't
        
        
          even have dreams about the camps
        
        
          any longer. So we talk about litera–
        
        
          ture, politics, current events, have
        
        
          discussions, and even quarrels, just
        
        
          like anybody else. Only, at certaih
        
        
          moments in the course of certain
        
        
          arguments, I feel the presence of a
        
        
          limit that cannot be overcome, as
        
        
          in a conversation with old people.
        
        
          It is, I suppose, that while talking
        
        
          about this or that my friends can–
        
        
          not help thinking of 'something
        
        
          else.' I don't mean the camps, but
        
        
          all the paths their minds have ex–
        
        
          plored, paths which remain closed
        
        
          to me. At such moments I know
        
        
          that all I can do is to keep my
        
        
          friends company, without deluding
        
        
          myself that we can really com–
        
        
          municate with each other.
        
        
          "We too, the men who are now
        
        
          around forty, have ,escaped from
        
        
          an experience that cannot really
        
        
          be communicated, and must re–
        
        
          main ambiguous. We have all, to a
        
        
          greater or lesser extent, gone
        
        
          through what has come to be
        
        
          called "nihilism," the experience of
        
        
          the arbitrary. But we have also
        
        
          seen men transformed into brutes
        
        
          by the logic of an absurd power.
        
        
          Every time we are confronted with
        
        
          a proposition that implies such re–
        
        
          sults, we revolt against it. When
        
        
          we hear naive hopes being ex–
        
        
          pressed, however, we cannot he!p
        
        
          remembering that we have also
        
        
          had the experience of the amaz–
        
        
          ing inadequacy of man, the ease
        
        
          with which he can be made to