Courses

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  • CAS EN 466: Critical Studies in Literature and Society
    Topic for Fall 2017: Literature of the Early Black Atlantic. This course considers the first century of black Atlantic literature, including poetry and prose by Phillis Wheatley, Olaudah Equiano, Mary Prince, and Frederick Douglass. How did these writers represent the early modern world? How did they work to change it? Also offed as CAS AA 501 A1.
  • CAS EN 475: Critical Studies in Literature and Gender
    Topic for Spring 2016: Early Modern Women Authors. A survey of European women writers from the 1400s to the early 1600s, and of the modern critical thinking that has redefined their literary-historical importance. Christine de Pizan, Theresa of Avila, Marguerite de Navarre, Gaspara Stampa, Elizabeth I, and others. Also offered as CAS WS 305 D1 and CAS XL 381 C1.
  • CAS EN 482: Critical Studies in Modern Literature
    Topic for Spring 2017: Approaches to the Postcolonial Novel. Modern stories from Asia, Africa, and the Caribbean. An introduction to historical background and critical approaches to the works of authors such as Amos Tutuola, Buchi Emecheta, Nadine Gordimer, Jean Rhys, Salman Rushdie, and Daniyal Mueenudin.
  • CAS EN 484: Critical Studies in Literature and Ethnicity
    Topic for Fall 2017: African American and Asian American Women Writers. Cross-cultural comparison of selected African American and Asian American women writers examines strategies by the "Other" to navigate cultural constructions of race, class, and gender. Attention to literary histories. Also offered as CAS AA 504.
  • CAS EN 491: Independent Study
    Application forms available in CAS Room 105.
  • CAS EN 492: Independent Study
    Application forms available in CAS Room 105.
  • CAS EN 493: Critical Studies in Literature and The Arts
    Topic for Spring 2016: Film Theories. Intensive study of major theories of film (Soviet montage, semiotics and structuralism, feminist psychoanalytic theory, genre theory, postmodernism, digital means of production) discussed in relation to exemplary films, screened weekly. Also offered as CAS CI 510.
  • CAS EN 495: Critical Studies in Literary Topics
    Topic for Fall 2017: Time and Literature 1800-1930. From 1800-1930, momentous changes in technology (railway, telegraph, photography) and science (geology, Darwin, Einstein) inspired a re-conception of time.Course examines narrative time in Byron, Wordsworth, Hardy, Woolf, and Proust in relation to these strange new ideas about time.
  • CAS EN 496: Critical Studies in Literary Topics
    Topic for Spring 2016: Dialogue, Laughter, and the Grotesque. Philosophies and aesthetics of laughter and carnival in criticism and history, through dialogues, novels, poems, other genres. Selections from Bakhtin, Rabelais, Sterne, Byron, Dickens, Freud, Bergson, Marx Bros., Koch, others. Critiques of this tradition also.
  • CAS EN 502: Crafting a Nonfiction Voice Workshop
    A writing workshop that explores the notion of voice on the written page. Through reading, analysis, writing exercises, and independent projects, students become familiar with techniques for recreating the voices of others and for shaping a distinctive nonfiction voice (or voices) of their own.
  • CAS EN 503: Fiction Workshop
    A workshop in the writing of fiction. Manuscripts read and discussed in class. Individual conferences. Enrollment limited chiefly to graduate students.
  • CAS EN 504: Fiction Workshop
    A workshop in the writing of fiction. Manuscripts read and discussed in class. Individual conferences. Enrollment limited chiefly to graduate students.
  • CAS EN 505: Poetry Workshop
    A workshop in the writing of poetry. Manuscripts read and discussed in class. Individual conferences. Enrollment limited chiefly to graduate students.
  • CAS EN 506: Poetry Workshop
    A workshop in the writing of poetry. Manuscripts read and discussed in class. Individual conferences. Enrollment limited chiefly to graduate students.
  • CAS EN 507: Seminar: Creative Writing, Fiction
    A workshop in the writing of fiction. Manuscripts read and discussed in class. Individual conferences. Enrollment limited chiefly to graduate students.
  • CAS EN 508: Seminar: Creative Writing, Poetry
    Individual conferences. Enrollment limited chiefly to graduate students.
  • CAS EN 509: Playwriting 2: Writing the Social/Political Play
    Explores the dramatist's response to political and social events over 2,000 years from the Greeks through the modern period. Examines how playwrights dramatized the pressing issues of their times with a focus on content, historical context, and theatrical forms.
  • CAS EN 510: Playwriting 1: Writing of Short Plays
    A seminar in the writing of short, original plays, addressing structure, language, and theme. Students read and discuss the masters of modern drama. Writing exercises are assigned to stir the imagination and develop craft.
  • CAS EN 512: Readings for Writers: Contemporary Literary Nonfiction
    Intensive reading seminar for students interested in literary nonfiction, a wide-ranging, sometimes controversial genre in which writers use techniques associated with fiction and poetry to make meaning of facts. Explores the wealth and breadth of contemporary literary nonfiction -- memoir, personal essay, literary journalism, travel, science, and medical writing -- with an eye toward helping students think about their own nonfiction writing practices.
  • CAS EN 513: Modern English Grammar and Style
    This course shows how to systematically analyze grammar and style of sentences and longer units of discourse. Explores academic and popular debates on grammar and grammar instruction and helps the student become a better speaker and writer.

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