Sound Design for Film and Television

COM FT 502

A comprehensive technical examination of the role of sound as an emotional motivator and major storytelling component in both fiction and nonfiction films. Covers location sound recording, acoustic theory, track building, foley and dialog replacement, and mix preparation, as well as music editing and composition. Introduces a variety of postproduction pathways and technologies, including current digital innovations in the field and in audio postproduction, and provides an ongoing workshop for solving editing and track building problems.

FALL 2014 Schedule

Section Instructor Location Schedule Notes
A1 Anderson COM 323 M 6:00 pm-9:00 pm Stamped Approval
Prerequisite:
FT353 or Ft 849
or Ft 707
Class Full

SPRG 2015 Schedule

Section Instructor Location Schedule Notes
A1 TBD-TBD Class Full

Note that this information may change at any time. Please visit the Student Link for the most up-to-date course information.