Sound Design for Film and Television
COM FT 502
A comprehensive technical examination of the role of sound as an emotional motivator and major storytelling component in both fiction and nonfiction films. Covers location sound recording, acoustic theory, track building, foley and dialog replacement, and mix preparation, as well as music editing and composition. Introduces a variety of postproduction pathways and technologies, including current digital innovations in the field and in audio postproduction, and provides an ongoing workshop for solving editing and track building problems.
FALL 2014 Schedule
|A1||Anderson||COM 323||M 6:00 pm-9:00 pm||Stamped Approval
FT353 or Ft 849
or Ft 707
SPRG 2015 Schedule