556
just entered a restaurant and on
all sides (the Symphonic Hour
lends itself to the part of my mind
which evokes these pictures, not to
the scene itself, where some band
would, of course, be playing a
rhumba) the patrons whisper as I
go by with my publisher and a re–
porter from
Life,
whom I treat
lightly, "There goes the winner of
the H**GHT*N M*FFL*N Fel–
lowship Award. How beautiful
she is!"
Reason, from whose glutinous
arms I never completely stray, tells
me, of course, that these people at
those tables would never have
heard of the grant and wouldn't
be aware, nor care, that I had re–
ceived it if they had, and that in
4
seasons-books
21 Greenwich Ave.
New York 14
CH. 2-0500
Open 1 to 10: 30
RADIGUET R.
Devil in the Flesh.
1.50
AUDEN
&
ISHERWOOD
Dog Beneath the Skin.
2.50
EMPSON, W.
The Gathering Storm.
2.00
ELIOT, T. S.
What Is A Classic?
1.25
CAMPBELL,
J.
Hero With A 1,000 Faces.
4.00
SPENDER, S.
Poetry Since 1939.
.75
FRAZER, Sir J ames.
Golden Bough.
2.9'5
VICO, Giambattista.
New Science of.
5.00
MIRO.
By
Clement Greenberg
10.00
Write for our Spring catalog
this brittle, competItive field I
wouldn't draw a glance, but as I
have just awarded myself what is
to me a fortune, and the honor of
receiving it, I extend benevolently
the singular beauty which would
embellish it.
The blank destroys all these il–
lusions.
It
is businesslike. A witness–
stand scene with a lawyer who re–
fuses to let one explain (and one
could! one could!), but demands
a simple "yes" or "no" to the most
complex and incriminating ques–
tions. This paper is detached from
any part of the creative process.
One feels, reading it, the intoler–
able demand for all one's undesir–
able secrets. What college? it asks.
What has one published?
Where?
Will all of these answers preju–
dice one's court? It's all too sparse!
No college, I write.
It
is dragged
from me, this truculent admission
Mol.
rONO.
by
Gw.n
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