Associate Professor
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My research and teaching activities concentrate on modernist literature, film and media studies, philosophy, critical theory, visual culture, and aesthetics. As a scholar of literature and film, I focus on how problems of expression and sensibility are reimagined through analogy and antagonism with other arts. For this reason, I find myself drawn to works of conflicted ambition with respect to their form, medium or genre: novels that would not like to be novels, poems obsessed with becoming images, films that indulge their impatience with narrative in order to revel in a fascination with pure showing. I think about the ways that storytelling has changed in response to the developments of technological modernity.
In the case of modernism, I am interested in how the character and task of literature was redefined in response to the emergence of cinema. My book, The Novel After Film: Modernism and the Decline of Autonomy, explores this by looking at the work of writers who sought to transform our understanding of the novel—among them Virginia Woolf, H.D., Aldous Huxley, and Henry Green—and who were also members of the first generation to address the challenge to aesthetic conventions posed by narrative film-making. Connecting the public discourse about film as an art to the experiments of modernist fiction, I show how basic literary notions of subjectivity, language, irony, and omniscience were reconfigured in the shadow of a medium that seemed to make those categories at once obsolete and newly urgent. The Russian critic Viktor Shklovsky once wrote that making literature in the style of film would be absurd, akin to making “ice-cream out of lilacs.” This strikes me as a taunt and a caution, but also as a kind of thinking that is surprisingly desirous of the bad form it disavows. I want to understand how this kind of drift in aesthetic value might refocus our understanding of how literature has remade itself in the last hundred years or so.
I have published work on the experimental novels of Virginia Woolf and H. D.; the “mistakist” cinema of Harmony Korine; the Hollywood novels of Aldous Huxley; the rise of film novelizations in the silent period; I. A. Richards’s television shows; W. H. Auden’s lyrical documentary work; the “late style” of Twin Peaks: The Return; as well as the films of Carlos Reygadas. I have written book and film reviews for the Los Angeles Review of Books and other venues. I currently teach courses on modernist literature, avant-garde cinema, global film history, film noir, and the aesthetics and theory of film and media.
Teaching and Research Interests
- Twentieth-Century Literature
- Film & Media studies
- Modernist Literature & Culture
- Avant-Garde Literature & Film
- Print Culture & Media History
- Formalism & Aesthetics
- Philosophy & Critical theory
Selected Publications
Book
- The Novel After Film: Modernism and the Decline of Autonomy (New York: Oxford University Press, 2018).
Book in progress
- Literature In Distress: Authorship and Print Culture in the Age of Cinema (In Progress)
Articles/Chapters
- “Charlie in the House of Words,” Critical Quarterly, Special Issue on “The Chaplinesque” ed. Beci Carver (forthcoming, 2026).
- “Strange Pleasures of Abandonment: Memory, Image and Property in Post Tenebras Lux,” in The Films of Carlos Reygadas, ed. Silvia Alvarez-Olarra and Amanda McMenamin (ReFocus Series, University of Edinburgh Press, forthcoming).
- “Close Reading/Mass Media: I. A. Richards’s Screen Tests,” in MLQ4 (December 2023), 529-550.
- “The Writing of Circumstance: Novelization, Modernism and Generic Distress,” Modernism/modernity, 27.4 (November 2020), 791-821.
- Harmony’s Mistakes: julien donkey-boy and the Degenerations of Digital Cinema,” Critical Quarterly 60.2 (July 2018), 39-73.
- “Vehicles of the Ordinary: W. H. Auden and Cinematic Address,” in Auden at Work, ed. Bonnie Costello and Rachel Galvin (London: Palgrave MacMillan, 2015).
- “The Laws of Comparison: H.D. and Cinematic Formalism,” Modernism/modernity 18.1 (Winter 2011), 1-25.
- “Betraying Oneself: Silent Light and the World of Emotion,” Screen 52.2 (Summer 2011), 151-172.
Work in Progress
- “That Light Shall Flow: Dreiser, Sternberg and the Poetics of Authorial Infringement” (In Progress)
- “Gertrude Stein Love Machine” (In Progress)
Awards and Honors
- Templeton Prize for Mentorship and Student Advising, Boston University, 2025.
- BU Online Summer HUB Course Development Grant, Boston University, 2022-23.
- Catalyst Program Award, Center for Teaching and Learning, Boston University, 2020.
- Arts Integration Grant, Boston University, 2020.
- Junior Faculty Fellowship, Boston University Center for the Humanities, 2015-2016
- Mayers Fellowship, The Huntington Library (2013)
- Visiting Researcher, Center for Modernism Studies Australia (2011-2012)
- Quin Morton Teaching Fellowship, Princeton University (2010-2011)
- McCosh Teaching Award, Princeton University (2010)
- Annan Dissertation Fellowship, Princeton University (2009)
- Charles Scribner University Fellowship in English Literature, Princeton University (2004-2005)