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DEMING, Barbara:

The Artlessness of Walt Disney (Film Chronicle), Vol. XII,

No. 2, 1945, 226; The Close- Up of Love (Film Chronicle), Vol. XII, No. 3, 1945,

393; A Jubilant Story (Film Chronicle), Vol. XIII, No. 1, 1946, 95

DE MOTT, Benjamin:

The Sense That in the Scene Delights, Vol. XX, No. 1,

1953,9

DENBY, David:

The Two Godfathers (Going to the Movies), Vol. XLIII, No. 1,

1976, 113

DENNEN, Leon:

Max Eastman: The Man Under the Table; Bunk by a

Bohemian, Vol. I, No. 3, 1934, 21

DENNIS, Nigel:

Evelyn Waugh: The Pillar of Anchorage House, Vol. X, No. 4,

1943,350

DES PRES, Terrence:

Prophecies of Grace and Doom: The Function of

Criticism at the Present Time, Vol. XLII, No. 2, 1975, 273

DEUTSCHER, Isaac:

The Wandering Jew as Thinker and Revolutionary, Vol.

XXV, No. 4, 1958, 555

DE VENTOS, Xavier Robert:

Notes on Spain (with Pascual Maragall), Vol.

XLII, No. 3, 1975, 444

DEWEY,John:

Means and Ends (Modern Documents), Vol. XXXI, No. 3, 1964, 400

DIAMOND, Stanley:

Man and Superman, Vol. XXXVIII, No. 2, 1971, 167; (et

al.) A Politics of Authenticity (Communications), Vol. XXXIX, No. 2, 1972, 287

DICKSTEIN, Morris:

For Art's Sake (Arguments), Vol. XXXIII, No. 4, 1966,

617; The Black Aesthetic in White America, Vol. XXXVIII, No. 4, 1971, 376;

Cold War Blues: Notes on the Culture of the Fifties, Vol. XLI, No. 1, 1974, 30;

Black Humor and History: Fiction in the Sixties, Vol. XLIII, No. 2, 1976, 185;

Seeds of the Sixties: The Growth of Freudian Radicalism, Vol. XLIII, No. 4, 1976,

501; Bringing It All Back Home (Going to the Movies), Vol. XLV, No. 4, 1978,

627; Remembering

F.

W Dupee, Vol. XLVI, No. 3, 1979, 433; Paris Letter, Vol.

XLVIII, No. 3, 1981, 425; Thunder on the Left (Comment), Vol. XLIX, No. 1,

1982, 12; Origins, Vol. LI, No. 4, 1984/Vol. Lii, No. 1, 1985, 839; Urban Comedy

and Modernity: From Chaplin to Woody Allen, Vol. Lii, No. 3, 1985, 271; Shoah

and the Machinery of Death, Vol. Lill, No. 1, 1986, 36; War! (Going to the

Movies), Vol. LVII, No. 4, 1990, 608; The Pursuit for the Ordinary, Vol. LVIII, No.

3, 1991, 506; Farewell to the Gilded Age, Vol. LIX, No. 3, 1992, 435; Self- .

Tormentors (At the Movies), Vol. LX!, No. 4, 1994, 658; Depression Culture: The

Dream of Mobility, Vol. LXIII, No. 1, 1996, 65; New Cinema: The Next

Generation, Vol. LXIV, No. 1, 1997, 108; Edmund Wilson: Three Phases, Vol.

LXIV, No. 4, 1997, 555

ARTICLES

I

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