Our Radical Year
President Robert A. Brown
Joining the AAU
What Price, Innovation?
Ruha Benjamin
Discovery Junkies
William Saturno
Dark End of the Spectrum
Helen Tager-Flusberg
Human Engineers
Dean Kenneth Lutchen
Unlocking Words
Abriella Stone
Cavewoman Walking
Jeremy DeSilva
The Politics of Listening
Ashish Premkumar
$1B Campaign
Stepping Up
Dean Maureen O’Rourke
Professor in the Coal Mine
Lucy Hutyra
Teaming up with edX
Clapping, Stomping, Twirling
Sajan Patel
Force Field
Sally Starr
The Computer Will See You Now
Dr. Brian Jack
Birth of an Artist
Jim Petosa
Elizabethan Time Machine
Diana Griffin
Joining the Patriot League
Healing Zambia
Donald Thea
Spring Break, Not
Jenne Bougouneau
Our Smartest Class
Creaky Nation
Julie Keysor
Melting Prison Bars
André de Quadros
Best of Both Worlds
Katie Matthews
Faculty Accolades
Film Frisson
Mary Jane Doherty
Financials
Saliva Solution
Eva Helmerhorst
Testing Fate
Catharine Wang
Our Radical Year
President Robert A. Brown
Joining the AAU
What Price, Innovation?
Ruha Benjamin
Discovery Junkies
William Saturno
Dark End of the Spectrum
Helen Tager-Flusberg
Human Engineers
Dean Kenneth Lutchen
Unlocking Words
Abriella Stone
Cavewoman Walking
Jeremy DeSilva
The Politics of Listening
Ashish Premkumar
$1B Campaign
Stepping Up
Dean Maureen O’Rourke
Professor in the Coal Mine
Lucy Hutyra
Teaming up with edX
Clapping, Stomping, Twirling
Sajan Patel
Force Field
Sally Starr
The Computer Will See You Now
Dr. Brian Jack
Birth of an Artist
Jim Petosa
Elizabethan Time Machine
Diana Griffin
Joining the Patriot League
Healing Zambia
Donald Thea
Spring Break, Not
Jenne Bougouneau
Our Smartest Class
Creaky Nation
Julie Keysor
Melting Prison Bars
André de Quadros
Best of Both Worlds
Katie Matthews
Faculty Accolades
Film Frisson
Mary Jane Doherty
Financials
Saliva Solution
Eva Helmerhorst
Testing Fate
Catharine Wang
Film Frisson
Learn Mary Jane Doherty’s secret to the perfect documentary.
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She’s shot a short film for Al Gore, filmed a feature on rapid land-use change in China, and this spring premiered the first of two documentaries on Cuba’s world-class ballet program, but Associate Professor of Film Mary Jane Doherty says she owes much of her growth to a soil much closer to home.
“When we get going, my students and I generate something between us that’s bigger than any one of us could have generated alone,” says the two-time finalist for the Metcalf Award for Excellence in Teaching. “We have a laboratory environment where discoveries are made right there in the classroom. It’s all about building a foundation where the students evolve and I do, too. It’s just thrilling.”
Doherty has developed BU’s Narrative Documentary Program, a novel approach to nonfiction storytelling using the building blocks of fiction film.
“When you’re in the zone filming and you’re connected with the people you’re filming, it becomes a transcendent sensation so that you disappear as a filmmaker. My students will come back and say, ‘It happened, Mary Jane!’ Eight or nine times out of ten, it won’t happen, but when it does, it’s a visceral frisson. It’s a rush.”