Courses

  • CFA TH 378: Costume Rendering 2
    Prereq: Advisor Recommendation or Instructor Consent; Advanced work in figure drawing; specific rendering techniques or costume design. May be repeated for credit. 1.0 credit. Fall semester.
  • CFA TH 379: Costume Production 3
    Prereq: CFA TH 279; In this course the student will construct a three-piece men's suit of the nineteenth or twentieth century. It is a comprehensive course employing classic tailoring techniques, terminology and fabrics. 3.0 credit. Fall semester.
  • CFA TH 380: Costume Production 4
    Prereq: CFA TH 379; A continuation of CFA TH 379. In this course the student will construct a three-piece men's suit of the nineteenth or twentieth century. It is a comprehensive course employing classic tailoring techniques, terminology and fabrics. 3.0 credits. Fall semester.
  • CFA TH 381: Fabric Dyeing 1
    Prereq: CFA TH 182 or consent of instructor; The student learns a variety of crafts associated with fabric painting and dyeing. Subject matter may include fiber reactive dyeing, distressing and silk screening. Check with instructor for current semester content. 1.0 credit. Fall semester.
  • CFA TH 382: Fabric Dyeing 2
    Prereq: CFA TH182 or consent of instructor; The student learns a variety of crafts associated with fabric painting and dyeing. Subject matter may include fiber reactive dyeing, distressing and silk screening. Check with instructor for current semester content. 1.0 credit. Spring semester.
  • CFA TH 383: Lighting Design 3
    Prereq: CFA TH 284 or consent of instructor; Investigation of lighting design problems and procedures. Projects for both theoretical and realized productions. Practical projects to demonstrate lighting design techniques. Readings and projects incorporate all theatre genres. 3.0 credits. Fall semester.
  • CFA TH 384: Lighting Design 4
    Prereq: CFA TH 383 or consent of instructor. A continuation of CFA TH 383. Investigation of lighting design problems and procedures. Projects for both theoretical and realized productions. Practical projects to demonstrate lighting design techniques. Readings and projects incorporate all theatre genres. 3.0 credits. Fall semester.
  • CFA TH 385: Photography 1
    Prereq: Instructor Consent; A general survey of the art and practices of photography. Focus is especially strong in aspects of: history of artists and images, history of technology, photographic processes and basics of the camera and technology. 1.0 credits. Fall semester.
  • CFA TH 386: Photography 2
    Prereq: Instructor Consent;. A general survey of the art and practices of photography. Focus is especially strong in aspects of: history of artists and images, history of technology, photographic processes and basics of the camera and technology. 1.0 credits. Spring semester.
  • CFA TH 393: SM: Types and Styles
    Prereq: Instructor Consent; Examining the types of things you can be hired to stage manage. Examples are opera, dance, staged readings and workshops, musicals and event work. Also investigates personal communication style, skills specific to each type of work and various union issues. Guest speakers introduce the students to the local theatre field. Meets weekly for an hour. 1.0 credits. Fall semester.
  • CFA TH 395: Production Management
    Prereq: None; Roles and responsibilities of Production Managing on a professional level, including scheduling, staffing, budgeting, relationships, and time management. Students will get hands-on experience in each of these through the creation of a theoretical theatre. 2.0 credits. Fall semester.
  • CFA TH 397: Production
    Prereq: CFA TH 298; Each semester that a junior Design & Production BFA candidate is in residence at SOT, he/she is required to enroll in an appropriate section of Production. Meets late afternoons, evenings and/or weekends. Specific design and shop work in the mounting of student or professional productions. Does not include off-crew design work. Fall semester.
  • CFA TH 398: Production
    Prereq: CFA TH397; Each semester that a junior Design & Production BFA candidate is in residence at SOT, he/she is required to enroll in an appropriate section of Production. Meets late afternoons, evenings and/or weekends. Specific design and shop work in the mounting of student or professional productions. Does not include off-crew design work. Spring semester.
  • CFA TH 402: Contemporary Dramatic Literature
    Prereq: At least one of the following: CFA TH 101, CFA TH 102, CFA TH 201, CFA TH 202 or consent of instructor; This discussion course explores the most current trends in theatre from the United States and United Kingdom, with particular attention paid to the voices of African-American, Asian-American, Disabled, Feminist, Gay, and Lesbian playwrights, as well as to plays that break the standard molds of realism and naturalism. Beginning with 1990's Angels in America and moving forward to the present, the course pairs close reading and analysis with other dramaturgical methods in order to provide students with intellectual depth and practical skill for the professional theatre. Attendance of selected performances at B.U. and in Boston-at-large is required. 3.0 credits. Spring semester.
  • CFA TH 403: Advanced Playwriting
    Prereq: CFA TH 303 or consent of instructor; Students will learn the art of developing an early stage first draft into a production ready final rehearsal draft. Run like an intensive development workshop, this is where the most intensive, and arguably, most satisfying work will begin. Students learn the nuts and bolts of massaging a play: fleshing out characters, streamlining action, refining dialogue and finessing structure. Playwrights will also learn about the expectations and strategies for productive collaborative in-process relationships with actors, directors and dramaturges. This class is required for writers intending to produce original works for BFA Thesis. 3.0 credits. Fall semester.
  • CFA TH 411: Voice & Speech 4: Thesis Development
    Prereq: TH 311; Continuation in development of vocal instrument, workshops in special topics and individual coaching in support of actor's performance in productions. 2.0 credits. Fall semester.
  • CFA TH 412: Voice & Speech 4: Thesis Application
    Prereq: CFA TH411; Continuation in development vocal instrument, workshops in special topics and individual coaching in support of actor's performance in productions. 2.0 credits. Spring semester.
  • CFA TH 419: Music Theatre Performance Lab
    Prereq: CFA TH218 or CFA TH317 or consent of the instructor; This course will focus on singing as storytelling, as a powerful means of self-expression brought to the context of a professional audition. The first half of the course will be an exploration of repertoire, and musicality as well as material that the individual is drawn to and best suits their essence. The second half of the course, students will hone audition skills, as well as interpretative and musicianship skill sets. They will work more closely exploring specific points of view and perspective. Students will learn to choose appropriate audition material, preparing music for an accompanist, and mock auditions. Students will leave with a repertoire book of material that has been developed throughout their time in the program. 3.0 credits. Fall Semester
  • CFA TH 421: Acting 4: Thesis Development
    Prereq: CFA TH 321; Experience in the application of techniques to define and fulfill the actor's work in terms of form and content as required by the play and its performance. 2.0 credits. Fall semester.
  • CFA TH 422: Acting 4: Professional Lifetime Skills
    Prereq: CFA TH421; For Senior Acting Majors or by instructor's permission. Focus on synthesizing the actor's training into the practical and artistic tools necessary to work creatively and collaboratively in the profession. Includes deepening and integrating skills in auditions, readings, and rehearsal process, as well as panel discussions on the business of theatre. 3.0 credits. Spring semester.

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