Courses

• CAS EI 503: Textual Scholarship
  Fundamentals of textual scholarship: bibliography, paleography, typography, textual criticism, and annotation.
• CAS EI 505: Manuscripts at Mugar
  Manuscripts, letters, literature, film, etc-inspire our Howard Gotlieb Archival Research Center. This course explores these for understanding and enjoyment. At Gotlieb and the Editorial Institute, undergraduate and graduate students have their hands on originals, on presentation, and on individual interests.
• CAS EI 507: Publishing Procedures
  A graduate-level course. It examines the history, principles, and practices of book publication focusing on scholarly and serious trade monographs. The course is designed for editors, scholars, and writers.
• CAS EI 508: Editing Across the Disciplines
  An introduction to editorial work in several disciplines, highlighting the practices, problems, and solutions encountered in each and identifying common principles where found. Editorial case histories in English literature, the Bible, classical texts, philosophical works, and music are considered.
• CAS EI 509: History of the Book
  The history of the book from Gutenberg to Google. Consideration is given to: parallels between the print and electronic revolutions; libraries and archives, authorship and copyright, publishing processes and reading practices, and the future of the book.
• CAS EN 120: Freshman seminar in Literature
  Limited enrollment. Variable topics. Through discussions and frequent writing assignments, students develop skills in the close reading of literary texts and learn to express their interpretive ideas in correct and persuasive prose. Satisfies CAS WR 100 requirement.
• CAS EN 121: Reading World Literature
  Study of literature in English or English translation -- poetry, drama, and prose narrative -- outside of British and American traditions. Attention to such topics as cultural self-construction, relationships of historical context to artistic expression, and development of literary forms. Carries humanities divisional credit in CAS.
• CAS EN 125: Reading Modern Literature
  Introduces key concepts for understanding major developments in modern literature. Readings in poetry, drama and fiction from varying traditions, designed to motivate an interest in some of the most engaging, and challenging, works of our time. Topics vary by instructor. Carries humanities divisional credit in CAS.
• CAS EN 127: Reading American Literature
  Readings may include works of fiction, poetry, or drama composed in America from the colonial period to the present. Attention to a wide range of literary works and historical and cultural contexts. Topics vary by instructor. Carries humanities divisional credit in CAS.
• CAS EN 128: Representing Boston
  The literary and cultural geography of the city of Boston, from Puritan sermons to modern crime fiction. Readings by Winthrop, Wheatley, Hawthorne, Alcott, King, Malcolm X, Lowell, and Lehane; required fieldwork in graveyards, war memorials, the MFA, and Fenway Park. Carries humanities divisional credit in CAS.
• CAS EN 129: Introduction to African American Literature
  An introduction to the political, cultural, and historical roots of the African American experience through readings of a range of African American literature from Colonial to Contemporary. Carries humanities divisional credit in CAS. Also offered as CAS AA 103.
• CAS EN 130: Science/Fiction
  Through readings in British and/or American literature, an exploration of some of the following topics: science and technology as literary themes; historical construction of science and art; similarities and differences between literary and scientific methods; the development of science fiction. Carries humanities divisional credit in CAS.
• CAS EN 141: Introduction to Fiction
  Introduces critical concepts for analyzing works of fiction. Readings in different periods, genres, and traditions, ranging from canonical masterpieces to unheralded literary gems, aimed to cultivate an appetite for the pleasures, and rigors, of narrative art. Topics vary by instructor. This course cannot be taken for credit in addition to the course with the same number that was previously titled "Literary Types: Fiction." Carries humanities divisional credit in CAS.
• CAS EN 142: Introduction to Poetry
  Introduction to the understanding, interpretation, and appreciation of a wide range of poetry. Focus on poetic form, genre, and style, with explorations of cultural and aesthetic contexts. Particular emphasis on close, careful reading and discussion. Topics vary by instructor. This course cannot be taken for credit in addition to the course with the same number that was previously titled "Literary Types: Poetry." Carries humanities divisional credit in CAS.
• CAS EN 143: Introduction to Drama
  Introduction to dramatic literature and performance. Readings may include works from the classical period to the present, with particular emphasis on learning how to read and understand dramatic literature as a form and in cultural context. Topics vary by instructor. This course cannot be taken for credit in addition to the course with the same number that was previously titled "Literary Types: Drama." Carries humanities divisional credit in CAS.
• CAS EN 144: Theater in Boston
  Live plays and performances around Boston taught in conjunction with discussions of theater history and theories of acting. Readings and performances vary, but typically include one Greek drama, one Shakespeare play, and at least one modern work. Carries humanities divisional credit in CAS.
• CAS EN 150: Children’s Literature: Fairy Tales, Fantasy, and Imaginary Spaces
  What stories do we tell about children? What guidance do we imagine them needing? Examines fairy tales; the Golden Age of Children's Literature (1860--1920); fantasy; genre and adaptation. Authors include Grimms, Brontë, Lewis Carroll, Tolkien, Le Guin, Pullman, Sendak. Carries humanities divisional credit in CAS.
• CAS EN 155: The Myth of the Family in Classical American Literature, Film, and Television
  Blood bonds, criminality, violence, and language as they emerge across American cultural forms. Works include novels by Twain, Faulkner, Morrison, and Junot Díaz; films such as The Godfather and Boys Don't Cry; serial television such as Breaking Bad and The Wire. Carries humanities divisional credit in CAS.
• CAS EN 163: Reading Shakespeare
  A critical introduction to Shakespeare through intensive analyses of six or seven plays. Possible attention to such topics as literary sources, early modern stagecraft, performance history, and contemporary film adaptation. Carries humanities divisional credit in CAS.
• CAS EN 164: Reading Shakespeare
  Representative tragedies, comedies, and histories. Primarily for students not concentrating in English. CAS EN 163 not prerequisite for EN 164. Carries humanities divisional credit in CAS.

Back to full list of College of Arts & Sciences