Pamela Sutton

Standing at the Gates of the Arctic

The Cherry tree

has shaken off its blossoms.

Where there should be new leaves,

branches are dripping

with red enamel bees.

 

Your other family

kept me away from your death bed.

I will never know your last words.

Grinding the bones of bees

in the mortar and pestle of grief,

they said: “here, taste this.”

 

Instead, you visit me each night

and we discuss portals

to the Dawn before Sunrise.

You appeared again last night:

Bare and muscular, holding out

snow-drenched rose petals

as your other family looked on.

I stood on the marble stairs

to your house: door unhinged.

 

Your other family did not allow our child and I

to attend the ceremony where they poured your ashes

into the Schulykill River. How could they know

that river is an open artery of my heart? How

could they know we made love there

blanketed by cherry blossoms? How could they

know that is where we took our daughter to feed

the snow geese? Or, that I stand there each

night waiting for Time to bend;

for ice to embrace the cherry blossoms;

waiting for the river to freeze over so I can skate

all the way to Eternity where butterflies rain

into your open hands—standing

at the Gates of the Arctic.

 

What I Want for My 60th Birthday

Everything. I want it all back.

I want to open the door to my double-Trinity

which smells of fresh bright yellow paint.

I want the cats, Louis and Clarke, to greet my

daughter, who is still just 4 years old. I want

her wearing a St. Peter’s school blazer,

with the crest of the cross and key.

I want 3:30 sunlight hitting the stained glass

window above the door mantle;

making a rainbow on the virgin wood floor,

felled from an 1820 forest; uneven against

my back, but I don’t care because I’ve made

my child into an airplane, one that will never

crash while I control gimbal and yaw: just laughter

and spins; gentle landings and make-believe

places—like her drawings I’ve taped all over

the fridge. We hear the doorbell,

and know it’s her father, so we race

to the door to see what he’s brought over.

This time it’s a child’s rug with rockets and planets

which fits perfectly in her room on the 2nd floor.

It matches the four orange fish he brought

over last week: John, Paul, Ringo, George.

Yes, I even want the fish back. And I want Emily

showing off her latest song on her 1/8th violin.

I want him, again, choking back tears

over the music and miracle of our child as he lights

a cigar and walks out the back porch, past

the blue Ulysses butterfly encased in glass.

I want him out there smoking and admiring

the Dutch wooden shoes I turned into planters

the way they do in the Netherlands. I want

marigolds blooming everywhere: vermilion, orange, gold.

 

I want Steve back, not just hearing his voice, or touching his

black curls smelling of whiskey. I want him in my bed

in my arms in that double-trinity on Hall Street:

not watching him stagger up a steel, industrial staircase

–so many flights–to a forbidding office with shut windows.

There is my desk but I’m not there; I’m just watching,

and locking windows against the greedy angels with their

bitten-down nails. As always he slings a briefcase over

my empty chair. In every dream the briefcase carries

a cryptic note. But this time it says: “Keep everything.”

Pamela Sutton is the author of two poetry collections: Burning My Birth Certificate, which won the 2016 Snyder Prize from Ashland Poetry Press, and Pocket Gospel. Her poetry has appeared many times in Best American Poetry, including in The Best of Best American Poetry anthology. The first chapter of her novel, Tamer of Horses, was received an award from and was published by Glimmer Train in 2010, and she has been nominated for the Rona Jaffe Prize. She taught Critical Writing at the University of Pennsylvania for many years and currently teaches Critical Writing at the Colorado Early Colleges, Denver, CO. She holds an MS in Journalism from Northwestern University and an MFA in Creative Writing from Boston University where she was the George Starbuck Creative Writing Scholarship/Fellowship winner.