Luisa Caycedo-Kimura

Drought

Originally published in Shenandoah

Santa Rosa 2015

Originally published in RHINO

 

Alongside the creek, eucalyptus

trees loosen their bark,

like unraveling mummies.

 

Succulents in Courthouse Square

resemble Dr. Seuss characters.

 

I take pictures of insects

whose names I don’t know.

 

Egrets and herons

in swamps.

 

Dr. Lee wants pictures

of Hama’s chest and back.

*

Early April, the garden is parched,

like the potatoes we forgot in the oven.

 

We forget most everything these days.

Anniversaries, birthdays,

wine in the freezer,

Connecticut snow.

*

Hama’s angry that Joe left

her widowed, worries

when I take long on errands,

when my husband coughs.

*

At Memorial Hospital, the nurses

go on strike, as do some ER doctors.

A fill-in examines the bruises

from her latest fall.

 

Dr. Dreamy, we call him—

mustache groomed

wider than his bedside manner.

 

She’s allergic to morphine,

loves flowers, hates insects,

wheelchairs, walkers,

anything that crawls.

 

Did she lose consciousness?

No. Only weight.

*

I read about rainforests.

Tell my husband

embryonic tree frogs

can choose when to hatch

to avoid deadly threats.

*

Hydrations now are a few times a month.

Transfusions every three or four weeks.

 

She leans back in the chair,

does the Sunday crossword.

My husband and I go to a nearby bar.

*

At home, I slather cream on her torso,

so the bumps won’t itch.

 

She scrubs in the shower

to expunge them.

Dr. Lee recommends a new drug.

*

In post-war San Francisco

landlords peered through the windows,

told newlywed Joe and Hama

We don’t rent rooms to Japs.

*

Nighttime, early June, she and I dig

through a boxload of pictures,

like a novel we read past curfew.

 

The Depression in Brooklyn.

Tokyo, the war.

The house they lost

to the bombings.

 

Father took the burnt slats

and built us a room.

We all lived there for months.

*

A late summer morning.

Bees huddled

in a nest formation

on a pin oak branch.

 

Ugh! Ghastly! Hama clenches my hand.

 

Next morning, only a few remain

frantically flying over and around.

 

Days later, a dragonfly perches on a bamboo pole.

 

In Japan, red dragonflies are a sign of fall,

she tells me. Pats my arm.

*

When I was young, mamá told me,

moths seep from our mouths as we die.

 

Orange,

brown, black wings

 

flutter past our tongue. We sigh,

then the body is still.

 

I search for signs in the closet,

the backyard,

the holes in my t-shirt.

*

Hama-san, second mother,

if you’re well for your birthday,

we’ll go to the oyster house,

have Kumamotos. A dozen for each.

*

Monday morning I awaken

as the crows caw reveille.

They gather like soldiers

on a nearby tree.

 

Hama’s wheezing

and gurgling have stopped.

 

A half hour later,

we’ll hear coos

of collared doves in the yard.

Luisa Caycedo-Kimura is a Colombian-born writer, translator, and educator. Her honors include a John K. Walsh Residency Fellowship at the Anderson Center, an Adrienne Reiner Hochstadt Fellowship at Ragdale, and a Robert Pinsky Global Fellowship in Poetry. A three-time Pushcart Prize nominee, her poems appear or are forthcoming in The Cincinnati Review, Shenandoah, Mid-American Review, Rattle, RHINO, Diode, Nashville Review, The Night Heron Barks, On the Seawall, Sunken Garden Poetry 1992-2011, and elsewhere. She is a former editor of Connecticut River Review and serves as a member of the Hill-Stead Museum’s Sunken Garden Poetry Festival’s Poetry Advisory Committee.