AGNI 57 Table of Contents (2003)
| Author |
Title |
| McNair, Wesley |
The 1950s |
| Dietz, Maggie |
Altos de Chavon |
| Logan, William |
Austerlitz |
| Corkery, Christopher Jane |
Beautiful Treasure |
| Hoagland, Tony |
The Change |
| Wagoner, David |
Eating a Toad |
| Chiasson, Dan |
The Elephant, from Natural History |
| Warren, Rosanna |
For Trakl |
| Rail, Evan |
Frogs |
| deNiord, Chard |
From the Beginning On |
| Sandy, Stephen |
Fucked |
| Virgil, |
from Georgic III (lines 71-122) (translated from the Latin by David Ferry) |
| Green, Melissa |
I Have Shuttered My Eyes with My Hands |
| McNair, Wesley |
If You Had Come |
| Collier, Michael |
Invocation to the Heart |
| Gewanter, David |
Jacopone: On the Cobbles |
| Gewanter, David |
Jacopone: The Scissors |
| Shapiro, Alan |
Lament |
| Green, Melissa |
Leaving the Farm |
| Greger, Debora |
Letter over a Thousand Years Late |
| Virgil, |
Lines 72-122, from Georgic III |
| Heaney, Seamus |
Linked Verses |
| Greger, Debora |
Nagasaki, 1600 |
| Cooper, Wyn |
No One Knows What Tomorrow Is Called |
| Heaney, Seamus |
Nonce Words |
| Heaney, Seamus |
Pit Stop near Castletown |
| Logan, William |
The Point Beach |
| Shapiro, Alan |
Premonition |
| Corkery, Christopher Jane |
A Scrap of Fabric at Chatham |
| Winckel, Nance Van |
Slate |
| Swenson, Susan |
Static |
| Sandy, Stephen |
Stillness |
| Larsen, Lance |
Sub Rosa |
| Kinsella, John |
Survey |
| Lehman, David |
Triplets |
| Bensen, Robert |
Two Dancers |
| Logan, William |
Welcome to Paradise |
| Larsen, Lance |
Widows I Have Known |
| Peseroff, Joyce |
Zeno's Paradox, or My Mother's Forsythia |
| Author |
Title |
| Norman, Howard |
Carousel Horse |
| Pickering, Sam |
Early April |
| Livesey, Margot |
Eyeless, Headless |
| Ferguson, Jesseca |
Introduction to the Art Feature |
| Shrayer, Maxim D. |
Lorca |
| Scialabba, George |
Message from Room 101 |
| Birkerts, Sven |
On Becoming an Editor |
| Frick, Thomas |
The Picture House |
| Howard, Maureen |
Vernissage |
| Blume, Harvey |
WB on the Treadmill |
| Benfey, Christopher |
With How Sad Steps, O Moon |
|
