{"id":8199,"date":"2014-07-01T14:45:52","date_gmt":"2014-07-01T18:45:52","guid":{"rendered":"https:\/\/www.bu.edu\/writingprogram\/?page_id=8199"},"modified":"2023-05-15T13:31:30","modified_gmt":"2023-05-15T17:31:30","slug":"issue-6","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/","title":{"rendered":"Issue 6"},"content":{"rendered":"<h2>WR: Journal of the CAS Writing Program<\/h2>\n<p><strong>Issue 6, 2013\u20132014<\/strong><\/p>\n<p><a href=\"\/writingprogram\/files\/2014\/07\/I6-Cover-Final.jpg\"><img loading=\"lazy\" src=\"\/writingprogram\/files\/2014\/07\/I6-Cover-Final.jpg\" alt=\"I6 Cover Final\" width=\"312\" height=\"405\" class=\"wp-image-8329 alignnone\" srcset=\"https:\/\/www.bu.edu\/writingprogram\/files\/2014\/07\/I6-Cover-Final.jpg 724w, https:\/\/www.bu.edu\/writingprogram\/files\/2014\/07\/I6-Cover-Final-491x636.jpg 491w\" sizes=\"(max-width: 312px) 100vw, 312px\" \/><\/a><\/p>\n<p><a href=\"\/writingprogram\/files\/2014\/08\/Issue-6.pdf\">Download Issue 6<\/a><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/masthead-issue-6\">Masthead<\/a><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/artist-lee\/\">Cover Artist&#8217;s Note<\/a><\/p>\n<h2>Table of Contents<\/h2>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/i6-editors-note\/\">Editor\u2019s Note<\/a><br \/>\n<strong>Gwen Kordonowy<\/strong><\/p>\n<h5>WR 100 Essays<\/h5>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/allen\/\">The Dichotomy of Science<\/a><br \/>\n<strong>Patrick Allen<\/strong><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/barry\/\">What&#8217;s Out of Sight Is Not Out of Mind: Psychoanalysis and Sound in <em>The Sopranos<\/em><\/a><br \/>\n<strong>Morgan Barry<\/strong><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/lader\/\">The Artist Is Present and the Emotions Are Real: Time, Vulnerability, and Gender in Marina Abramovic\u2019s Performance Art<\/a><br \/>\n<strong>Ryan Lader<\/strong><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/tam\/\">Beyond Beneficence: A Reevaluation of Medical Practices During the Progressive Era<\/a><br \/>\n<strong>Jamie Tam<\/strong><\/p>\n<h5>WR 150 Essays<\/h5>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/coughlin\/\">Fitting Animal Liberation into Conceptions of American Freedom: A Critique of Peter Singer\u2019s Argument for Preference Utilitarianism<\/a><br \/>\n<strong>Laura Coughlin<\/strong><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/foster\/\">Crossbones: Forensic Osteology of the <em>Whydah<\/em> Pirates<\/a><br \/>\n<em>Prize Essay Award<\/em><br \/>\n<strong>Andrea Foster<\/strong><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/hammond\/\">Eusociality: A Question of Mathematics or Bad Science?<\/a><br \/>\n<strong>Julie Hammond<\/strong><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/laverriere\/\">Cross-dressing in Renoir\u2019s <em>La Grande Illusion<\/em> and Europe\u2019s Wartime Masculinity<\/a><br \/>\n<em>Prize Essay Award<\/em><br \/>\n<strong>Thomas Laverriere<\/strong><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/pangrcic\/\">Borat: Controversial Ethics for Make Better the Future of Documentary Filmmaking<\/a><br \/>\n<em>Prize Essay Award<\/em><br \/>\n<strong>Hannah Pangrcic<\/strong><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/sitrin\/\">Making Sense: Decoding Gertrude Stein<\/a><br \/>\n<strong>Carly Sitrin<\/strong><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/supple\/\">That Ayn\u2019t Rand: The Sensationalization of Objectivist Theory<\/a><br \/>\n<strong>Nicholas Supple<\/strong><\/p>\n<p><a href=\"https:\/\/www.bu.edu\/writingprogram\/journal\/past-issues\/issue-6\/i6-honorable-mentions\/\">Honorable Mentions<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WR: Journal of the CAS Writing Program Issue 6, 2013\u20132014 Download Issue 6 Masthead Cover Artist&#8217;s Note Table of Contents Editor\u2019s Note Gwen Kordonowy WR 100 Essays The Dichotomy of Science Patrick Allen What&#8217;s Out of Sight Is Not Out of Mind: Psychoanalysis and Sound in The Sopranos Morgan Barry The Artist Is Present and [&hellip;]<\/p>\n","protected":false},"author":4801,"featured_media":0,"parent":12046,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/writingprogram\/wp-json\/wp\/v2\/pages\/8199"}],"collection":[{"href":"https:\/\/www.bu.edu\/writingprogram\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/writingprogram\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/writingprogram\/wp-json\/wp\/v2\/users\/4801"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/writingprogram\/wp-json\/wp\/v2\/comments?post=8199"}],"version-history":[{"count":21,"href":"https:\/\/www.bu.edu\/writingprogram\/wp-json\/wp\/v2\/pages\/8199\/revisions"}],"predecessor-version":[{"id":12067,"href":"https:\/\/www.bu.edu\/writingprogram\/wp-json\/wp\/v2\/pages\/8199\/revisions\/12067"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/writingprogram\/wp-json\/wp\/v2\/pages\/12046"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/writingprogram\/wp-json\/wp\/v2\/media?parent=8199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}