{"id":14,"date":"2009-04-23T10:17:04","date_gmt":"2009-04-23T14:17:04","guid":{"rendered":"https:\/\/www.bu.edu\/tsai\/?page_id=14"},"modified":"2025-10-09T15:36:25","modified_gmt":"2025-10-09T19:36:25","slug":"technical","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/tsai\/resources\/technical\/","title":{"rendered":"Technical Specs"},"content":{"rendered":"

CONTACTS<\/strong><\/span>
\nLex K. Laverriere<\/a> (she\/they), Production Manager, 617-358-5076, email<\/a>
\nSwati Agrawal<\/a> (she\/her), Production Specialist, 617-353-7383, email<\/a>
\nLeah J. Katz<\/a> (she\/they), Production Specialist, 617-353-6468, email<\/a><\/p>\n

DOWNLOAD<\/strong><\/span>
\nTech Specs (PDF<\/a>)<\/p>\n

GETTING HERE \/ LOADING IN<\/h4>

\nDriving directions are available on BU Maps, both for directions to our front door<\/a> and directions to our loading dock doors<\/a> behind the theater. We strongly recommend that you talk to your Tsai production contact at least one week prior to your event if you will be traveling by truck as Boston can be a tricky place to navigate.<\/p>\n

The loading doors lead to a ramp that rises from the parking lot level to an orchestra pit elevator that then lifts to the house and stage levels.<\/p>\n

Loading Doors dimensions: 81 \u00bd\u201d H \u00d7 60 \u00be\u201d W (101 \u00bd\u201d Diagonal)
\nOrchestra Pit Door dimensions: 78 \u00bd\u201d H \u00d7 53 \u00bd\u201d W (95\u201d Diagonal)<\/p>\n

<\/div>\n<\/div>\n
\n

STAGE DIMENSIONS<\/h4>
<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
Proscenium Width<\/td>\n41′ \u00bd”<\/td>\n<\/tr>\n
Proscenium Height<\/td>\n17′ 9 \u00bd”<\/td>\n<\/tr>\n
Plaster Line to Upstage Wall<\/td>\n30′ 6 3<\/sup>\/8<\/sub>“<\/td>\n<\/tr>\n
Plaster Line to Downstage Center<\/td>\n11′ 9 \u00be”<\/td>\n<\/tr>\n
Depth of Pit at Center<\/td>\n10′ 3″<\/td>\n<\/tr>\n
Stage Height<\/td>\n3′ 7″<\/td>\n<\/tr>\n
Backstage Right Clearance<\/td>\n8′ 6″<\/td>\n<\/tr>\n
Backstage Left Clearance<\/td>\nN\/A<\/td>\n<\/tr>\n
Crossover Space<\/td>\nUnder stage<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

A variety of diagrams with different stage setups, including the repertory light plot, are available here<\/a>.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Position<\/strong><\/td>\nDistance from Plaster<\/strong><\/td>\nTrim Height<\/strong><\/td>\nBorder Trims<\/strong><\/td>\n<\/tr>\n
Projection Booth<\/td>\n-77′ 7″<\/td>\n—<\/td>\n—<\/td>\n<\/tr>\n
2nd Catwalk<\/td>\n-33′ 8″<\/td>\n23′ 9″<\/td>\n—<\/td>\n<\/tr>\n
1st Catwalk<\/td>\n-16′ 4 \u00bd”<\/td>\n23′ 9″<\/td>\n—<\/td>\n<\/tr>\n
Box Boom<\/td>\n-16′ 5<\/sup>\/8<\/sub>” (vertical pipe)<\/td>\n18′, 16′, 14′<\/td>\n—<\/td>\n<\/tr>\n
Downstage Center<\/td>\n-11′ 9 \u00be”<\/td>\n—<\/td>\n—<\/td>\n<\/tr>\n
DS Pit Line<\/td>\n-1′ 6 \u00be”<\/td>\n—<\/td>\n—<\/td>\n<\/tr>\n
US Pit Line<\/td>\n-1′ 6 \u00bd”<\/td>\n—<\/td>\n—<\/td>\n<\/tr>\n
Plaster Line<\/td>\n0′<\/td>\n17′ 9 \u00bd”<\/td>\n—<\/td>\n<\/tr>\n
House Curtain<\/td>\n0′ 7 \u00bd”<\/td>\n20′ 8″<\/td>\n—<\/td>\n<\/tr>\n
1st Electric<\/td>\n2′ 1″<\/td>\n20′ 9 \u00bd”<\/td>\n—<\/td>\n<\/tr>\n
1st Strip<\/td>\n3′ 3 \u00bd”<\/td>\n21′ 5″<\/td>\n—<\/td>\n<\/tr>\n
1st Cloud<\/td>\n3′ 11″ to 5′ 10″<\/td>\n19′ 9″***<\/td>\n—<\/td>\n<\/tr>\n
1st Border<\/td>\n6′ 5″<\/td>\n22′ 11″<\/td>\n18′ 11″<\/td>\n<\/tr>\n
2nd Electric<\/td>\n7′ 4 \u00be”<\/td>\n20′ 8 \u00bd”<\/td>\n—<\/td>\n<\/tr>\n
Spare Pipe 1<\/td>\n8′ 3 \u00be”<\/td>\n22′ 5 \u00bd”<\/td>\n—<\/td>\n<\/tr>\n
2nd Strip<\/td>\n9′ 9 \u00bd”<\/td>\n22′<\/td>\n—<\/td>\n<\/tr>\n
Spare Pipe 2<\/td>\n10′ 10 \u00bd”<\/td>\n22′ 11″<\/td>\n—<\/td>\n<\/tr>\n
2nd Border<\/td>\n12′<\/td>\n22′ 10 \u00bd”<\/td>\n18′ 10 \u00bd”<\/td>\n<\/tr>\n
2nd Cloud<\/td>\n12′ 7″ to 14′ 6″<\/td>\n19′ 10″***<\/td>\n—<\/td>\n<\/tr>\n
3rd Border<\/td>\n15′ 2 \u00bd”<\/td>\n23′ 7″<\/td>\n19′ 7″<\/td>\n<\/tr>\n
3rd Electric<\/td>\n16′ 4 \u00bd”<\/td>\n21′ 8″<\/td>\n—<\/td>\n<\/tr>\n
4th Electric<\/td>\n18′ 1 \u00be”<\/td>\n21′ 11″<\/td>\n—<\/td>\n<\/tr>\n
3rd Strip<\/td>\n19′ \u00bd”<\/td>\n22′ 5 \u00bc”<\/td>\n—<\/td>\n<\/tr>\n
4th Border<\/td>\n20′ 2 \u00bc”<\/td>\n23′ 3 \u00bd”<\/td>\n19′ 6 \u00bd”<\/td>\n<\/tr>\n
3rd Cloud<\/td>\n21′ 1 \u00bd” to 23′ \u00bd”<\/td>\n19′ 9″***<\/td>\n—<\/td>\n<\/tr>\n
5th Border<\/td>\n23′ 5 \u00bd”<\/td>\n22′<\/td>\n18′<\/td>\n<\/tr>\n
Traveler<\/td>\n23′ 11″<\/td>\n22′ 7″<\/td>\n—<\/td>\n<\/tr>\n
4th Strip<\/td>\n24′ 11 \u00bd”<\/td>\n21′ 7 \u00bd”<\/td>\n—<\/td>\n<\/tr>\n
Spare Pipe 3<\/td>\n25′ 10″<\/td>\n20′ 10″<\/td>\n—<\/td>\n<\/tr>\n
Cyc Pipe<\/td>\n27′ 3″<\/td>\n—<\/td>\n—<\/td>\n<\/tr>\n
Upstage Shell Track<\/td>\n29′ 3″<\/td>\n23′ 11″<\/td>\n—<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

***Trim height to bottom of cloud, add 3′ 2″ vertical and 10″ horizontal to pipe trim height
\n<\/div>\n<\/div>\n
\n

LIGHTING \/ ELECTRICS<\/h4>

\nOur system contains 166 dimmer-per-circuit Strand Century CD-80 dimmers with Johnson Systems CD-3000 Rack Processors as well as architectural controls via an ETC Paradigm Processor and Control Stations.\u00a0Our console is an\u00a0ETC Element 40.<\/p>\n

Questions? Contact Lex K. Laverriere, Production Manager, lexklav@bu.edu<\/a>.<\/p>\n

Plots & Paperwork<\/b><\/a><\/p>\n

Inventory<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Unit Type<\/td>\nWattage<\/td>\nIn Rep Plot<\/td>\nIn Storage<\/td>\nTotal<\/td>\n<\/tr>\n
ETC Source4 body<\/td>\n750<\/td>\n109<\/td>\n61<\/td>\n170<\/td>\n<\/tr>\n
—19\u00b0 Barrel<\/td>\n<\/td>\n25<\/td>\n5<\/td>\n30<\/td>\n<\/tr>\n
—26\u00b0 Barrel<\/td>\n<\/td>\n36<\/td>\n14<\/td>\n50<\/td>\n<\/tr>\n
—36\u00b0 Barrel<\/td>\n<\/td>\n43<\/td>\n27<\/td>\n70<\/td>\n<\/tr>\n
—50\u00b0 Barrel<\/td>\n<\/td>\n5<\/td>\n30<\/td>\n35<\/td>\n<\/tr>\n
ETC Source4 PAR EA<\/td>\n750<\/td>\n24<\/td>\n18<\/td>\n42<\/td>\n<\/tr>\n
ETC Source4 PARNel*<\/td>\n750<\/td>\n10<\/td>\n0<\/td>\n10*<\/td>\n<\/tr>\n
10″ Fresnel<\/td>\n2000<\/td>\n8<\/td>\n4<\/td>\n12<\/td>\n<\/tr>\n
8’3″ 4 circ 75w Mini-Strip<\/td>\n750<\/td>\n16<\/td>\n0<\/td>\n16<\/td>\n<\/tr>\n
Strand Orion 3circ Cyc Light<\/td>\n1000<\/td>\n0<\/td>\n6<\/td>\n6<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

*Units are for pit top light only & may not be refocused.<\/p>\n

Lighting Accessories<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
10′ Boom Pipes<\/td>\n14<\/td>\n<\/tr>\n
Boom Bases<\/td>\n8<\/td>\n<\/tr>\n
Wooden Floor Bases<\/td>\n9<\/td>\n<\/tr>\n
Short sidearms<\/td>\n32<\/td>\n<\/tr>\n
Long sidearms<\/td>\n8<\/td>\n<\/tr>\n
Sidearm Tees<\/td>\n46<\/td>\n<\/tr>\n
C-clamps<\/td>\nassorted<\/td>\n<\/tr>\n
Rota-Locks<\/td>\n40<\/td>\n<\/tr>\n
Rigid Cheseboroughs<\/td>\n2<\/td>\n<\/tr>\n
Swivel Cheseboroughs<\/td>\n2<\/td>\n<\/tr>\n
Source4 Drop-In Irises<\/td>\n8 (2 dedicated; 6 spare)<\/td>\n<\/tr>\n
“A” size template holders<\/td>\n20<\/td>\n<\/tr>\n
“B” size template holders<\/td>\n20<\/td>\n<\/tr>\n
6.25″ Donuts<\/td>\n40<\/td>\n<\/tr>\n
6.25″ Top Hats<\/td>\n12<\/td>\n<\/tr>\n
6.25″ Half Top Hats<\/td>\n24<\/td>\n<\/tr>\n
6.25″ Color Extenders, 3″ long<\/td>\n20<\/td>\n<\/tr>\n
6.25″ Color Extenders, 5″ long<\/td>\n20<\/td>\n<\/tr>\n
7.5″ Top Hats<\/td>\n38 (4 dedicated, 34 spare)<\/td>\n<\/tr>\n
7.5″ 4-way Barn Doors<\/td>\n20<\/td>\n<\/tr>\n
4-way Barn Doors for 2K Fresnels<\/td>\n12<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Circuit Locations<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Circuit<\/td>\nLocation<\/td>\n<\/tr>\n
1-20<\/td>\n2nd catwalk<\/td>\n<\/tr>\n
21-24<\/td>\nSL Box Boom<\/td>\n<\/tr>\n
25-44<\/td>\n1st Catwalk<\/td>\n<\/tr>\n
45-48<\/td>\nSR Box Boom<\/td>\n<\/tr>\n
49-72<\/td>\n1st Electric<\/td>\n<\/tr>\n
73-96<\/td>\n2nd Electric<\/td>\n<\/tr>\n
97-120<\/td>\n3rd Electric<\/td>\n<\/tr>\n
121-130<\/td>\n4th Strip<\/td>\n<\/tr>\n
131-134<\/td>\nDSL<\/td>\n<\/tr>\n
135-138<\/td>\nMSR1<\/td>\n<\/tr>\n
139-142<\/td>\nMSL1<\/td>\n<\/tr>\n
143-146<\/td>\nMSR2<\/td>\n<\/tr>\n
147-150<\/td>\nMSL2<\/td>\n<\/tr>\n
151-154<\/td>\nMSR3<\/td>\n<\/tr>\n
155-158<\/td>\nUSL<\/td>\n<\/tr>\n
159-162<\/td>\nUSR<\/td>\n<\/tr>\n
163-166<\/td>\nDSL, USL, USR
\nFar Wall, &
\nDSR Far Wall<\/td>\n<\/tr>\n
165-166<\/td>\nPit (USR Wall)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/div>\n<\/div>\n
\n

SOFT GOODS \/ RIGGING<\/h4>
<\/p>\n

The Tsai Center is a no-fly-facility. Soft goods may be dead hung onstage from several points. The cyclorama pipe can be lowered in upstage by winch. Additional rigging may require consultation.<\/p>\n

8\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Black Velour Legs
\n2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Black Velour Tabs
\n(Legs & tabs are custom-sized for specific hang positions)
\n1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 41\u2019 6\u201d \u00d7 22\u2019 6\u201d Black Scrim
\n1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 40\u2019 \u00d7 20\u2019 6\u201d White Cyclorama
\n1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Black Velour Full Drop (center opening)
\n1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 38\u2019 6\u201d \u00d7 22\u2019 6\u201d Black Velour Traveler (center opening)
\n1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Venetian Main Curtain (peacock green).\u00a0Flies in on winches & cannot be passed through when in.
\n<\/div>\n<\/div>\n
\n

SOUND \/ COMMUNICATIONS<\/h4>

\nEAW Anya speaker system consisting of 3 flown stereo powered adaptive technology speaker boxes per side and an EAW QX326 center speaker, powered by a Lab Gruppen D80 amplifier using EAW Greybox technology. System is fully networked via Dante.<\/p>\n

Mixing Console<\/strong>: Yamaha QL1 on Dante network (quantity: 2)
\nMix Positions:<\/strong> Production booth (behind balcony); center house position; backstage right
\nSound monitors:<\/strong> QSC K10 powered monitors (2)
\nAssorted microphone stands (booms and stick)<\/p>\n

Microphone Inventory*<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Type<\/td>\nDescription<\/td>\nQuantity<\/td>\n<\/tr>\n
Condenser Mics<\/td>\n<\/tr>\n
<\/td>\nAKG C 414 B-ULS<\/td>\n2<\/td>\n<\/tr>\n
<\/td>\nAKG C 451 EB<\/td>\n1<\/td>\n<\/tr>\n
<\/td>\nAKG C 460 B<\/td>\n1<\/td>\n<\/tr>\n
<\/td>\nAKG C 535 EB<\/td>\n2<\/td>\n<\/tr>\n
<\/td>\nBeyer Dynamic Classis GM303 tabletop mic<\/td>\n8<\/td>\n<\/tr>\n
<\/td>\nShure SM 81<\/td>\n6<\/td>\n<\/tr>\n
<\/td>\nAudio-Technica Pro 37<\/td>\n4<\/td>\n<\/tr>\n
<\/td>\nSennheiser MZH3042 with ME34 (podium mics)<\/td>\n2<\/td>\n<\/tr>\n
Dynamic Mics<\/td>\n<\/tr>\n
<\/td>\nBeyer Dynamic M 69 N<\/td>\n3<\/td>\n<\/tr>\n
<\/td>\nSennheiser MD 421-U-5<\/td>\n1<\/td>\n<\/tr>\n
<\/td>\nShure SM57<\/td>\n5<\/td>\n<\/tr>\n
<\/td>\nShure Beta 58<\/td>\n4<\/td>\n<\/tr>\n
Wireless Mics<\/td>\n<\/tr>\n
<\/td>\nULXD4D Dual-Channel Wireless Receiver<\/td>\n4<\/td>\n<\/tr>\n
<\/td>\nMaximum # of wireless channels<\/td>\n8<\/td>\n<\/tr>\n
<\/td>\n–Shure QLXD2 handheld transmitter (SM58)<\/td>\n6<\/td>\n<\/tr>\n
<\/td>\n–Shure ULXD1 digital bodypack transmitter (lavalier)<\/td>\n6<\/td>\n<\/tr>\n
<\/td>\n–Shure ULXD8 15″ cardioid gooseneck tabletop mic<\/td>\n4<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

*Note: Check with Tsai staff to confirm which mics will be available for your event.<\/p>\n

Acoustic Alteration<\/strong><\/p>\n

10 Wenger acoustic sound-reflecting panels. Half stage and full stage orchestra shell configurations are possible depending on the needs of your event.<\/p>\n

Sound-deadening shades in the house can be flown out to make the room more live for acoustic events.<\/p>\n

Communications<\/strong><\/p>\n

8 Clear-Com belt packs and 8 Clear-Com headsets (wired)
\n<\/div>\n<\/div>\n
\n

MEDIA \/ PROJECTION<\/h4>
<\/p>\n

Projector:<\/strong> Sony VPLFHZ120L\/B 3LCD laser projector with VPLLZ4025 lens (10K lumens) Note: Presentations with a 16:9 aspect ratio generally works best with our stage setups.
\nProjection Inputs:<\/strong> HDMI inputs backstage right, house left auditorium, & booth wall.
\nScreen:<\/strong> Stewart film screen, 16\u20196\u201d\u2019 high by 24\u20198\u201d wide (viewable area). Note: Film screen is downstage of main curtain and can only be lowered when the curtain is in.<\/p>\n

<\/div>\n<\/div>\n
\n

PIANO \/ DANCE FLOOR \/ ADDITIONAL INVENTORY<\/h4>
<\/p>\n

Pianos<\/strong><\/p>\n

\u2022 9\u2019 Steinway Concert Grand Model D (American)
\n\u2022 9′ Steinway Concert Grand Model D (German)
\n\u2022 Baldwin Upright (used for warm-up in dressing room area only)
\n\u2022 Piano tuning is an additional cost and needs to be prearranged.<\/p>\n

Dance Floor<\/strong><\/p>\n

\u2022 American Harlequin Studio Dance Floor, black (covers stage, including apron)<\/p>\n

Additional Inventory<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Type<\/strong><\/td>\nItem<\/strong><\/td>\nQuantity<\/strong><\/td>\n<\/tr>\n
<\/strong><\/td>\n<\/tr>\n
For Orchestra\u00a0<\/strong><\/td>\n<\/tr>\n
<\/td>\nOrchestra chairs, grey<\/td>\n80<\/td>\n<\/tr>\n
<\/td>\nCello chairs, grey<\/td>\n10<\/td>\n<\/tr>\n
<\/td>\nBass stools, wooden<\/td>\n4<\/td>\n<\/tr>\n
<\/td>\nMusic stands, black<\/td>\n68<\/td>\n<\/tr>\n
<\/td>\nMusic stand lights<\/td>\n25<\/td>\n<\/tr>\n
<\/td>\nConductor’s stand<\/td>\n2<\/td>\n<\/tr>\n
<\/td>\nConductor’s podium<\/td>\n1<\/td>\n<\/tr>\n
For Lectures<\/strong><\/td>\n<\/tr>\n
<\/td>\nLectern for speaker, walnut<\/td>\n1<\/td>\n<\/tr>\n
<\/td>\nCaptain’s chairs<\/td>\n6<\/td>\n<\/tr>\n
Lifts and Ladders<\/strong><\/td>\n<\/tr>\n
<\/td>\nGenie personnel lift<\/td>\n2<\/td>\n<\/tr>\n
<\/td>\n8′ stepladder<\/td>\n2<\/td>\n<\/tr>\n
<\/td>\n4′ stepladder<\/td>\n2<\/td>\n<\/tr>\n
Tables<\/strong><\/td>\n<\/tr>\n
<\/td>\n6ft x 30in tables, black<\/td>\n4<\/td>\n<\/tr>\n
<\/td>\n8ft x 30in tables, black<\/td>\n4<\/td>\n<\/tr>\n
<\/td>\n5ft x 18in (skinny) tables, black<\/td>\n2<\/td>\n<\/tr>\n
Front-of-house<\/strong><\/td>\n<\/tr>\n
<\/td>\nEasels<\/td>\n4<\/td>\n<\/tr>\n
<\/td>\nRope & stanchions<\/td>\n6<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

*Note: Please talk to Tsai staff about what equipment is available for your event.<\/em>
\n<\/div>\n<\/div>\n
\n

DRESSING ROOMS<\/h4>

\nChorus size dressing rooms:<\/strong> 2 (capable of seating 9 people each)
\nIndividual size dressing rooms:<\/strong> 2 (capable of seating 2 people each)
\n—Each room features makeup lighting, overhead storage shelves, and multiple electrical outlets.
\nRestrooms:<\/strong> Separate men\u2019s and women\u2019s restrooms with showers
\nAdditional:<\/strong> Warm-up piano room with upright Baldwin piano<\/p>\n

All dressing rooms are located under the stage with direct access to both stage left and stage right.\u00a0 The downstairs hallway also serves as the only crossover from SL to SR.\u00a0 These areas are equipped with sound monitors. \u00a0Please note that due to security and safety concerns, only staff, performers, and technicians are allowed backstage or downstairs into the dressing room area.
\n<\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"

CONTACTS Lex K. Laverriere (she\/they), Production Manager, 617-358-5076, email Swati Agrawal (she\/her), Production Specialist, 617-353-7383, email Leah J. Katz (she\/they), Production Specialist, 617-353-6468, email DOWNLOAD Tech Specs (PDF)<\/p>\n","protected":false},"author":1420,"featured_media":0,"parent":4264,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/tsai\/wp-json\/wp\/v2\/pages\/14"}],"collection":[{"href":"https:\/\/www.bu.edu\/tsai\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/tsai\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/tsai\/wp-json\/wp\/v2\/users\/1420"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/tsai\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":51,"href":"https:\/\/www.bu.edu\/tsai\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":9446,"href":"https:\/\/www.bu.edu\/tsai\/wp-json\/wp\/v2\/pages\/14\/revisions\/9446"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/tsai\/wp-json\/wp\/v2\/pages\/4264"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/tsai\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}