{"id":6069,"date":"2021-04-05T12:52:41","date_gmt":"2021-04-05T16:52:41","guid":{"rendered":"https:\/\/www.bu.edu\/teaching-writing\/?page_id=6069"},"modified":"2023-07-27T12:06:30","modified_gmt":"2023-07-27T16:06:30","slug":"guide-to-portfolios","status":"publish","type":"page","link":"https:\/\/www.bu.edu\/teaching-writing\/resources-for-teaching-writing\/guides-tips\/guide-to-portfolios\/","title":{"rendered":"Theoretical Approaches to Portfolios"},"content":{"rendered":"<p>As of 2023-2024, the Writing Program has implemented a <a href=\"https:\/\/www.bu.edu\/teaching-writing\/resources\/cumulative-portfolio-assignment\/\">cumulative portfolio<\/a> across all of our courses.<\/p>\n<p>There is a significant body of scholarship that explores the theory, practice, and assessment of portfolios in First-Year-Composition (FYC) classrooms and Writing Across the Curriculum (WAC) initiatives. The Conference on College Composition and Communication (CCCC) offers an invaluable \u201cPrinciples and Practices in Electronic Portfolios\u201d <a href=\"https:\/\/cccc.ncte.org\/cccc\/resources\/positions\/electronicportfolios\">statement for FYC portfolios<\/a>. This statement contains helpful links to other major universities that use portfolios in their writing curriculum, as well as an extensive bibliography of scholarship.<\/p>\n<p>We recommend, in particular, the following resources, organized by sub-topics:<br \/>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Portfolios in Theory and Practice<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<ul>\n<li>Crowley, Sharon. \u201cAround 1971: The Emergence of Process: Pedagogy\u201d in <em>Composition in the University.<\/em> University of Pittsburgh Press, 1998. 187-214.<\/li>\n<li>Tobin, Lad. \u201cProcess Pedagogy\u201d in <em>A Guide to Composition Pedagogies.<\/em> Gary Tate, Amy Rupiper, and Kurt Schick, Eds., Oxford U.P. 2001. 1-18.<\/li>\n<li>Murphy, \u201cReflection\u2014In Portfolios and Beyond,\u201d<em> The Clearing House<\/em> (Sep\/Oct 1998): 7-9.<\/li>\n<li>Camp, Roberta. \u201cPortfolio Reflection: The Basis for Dialogue,\u201d <em>The Clearing House<\/em> (Sep\/Oct 1998): 10-12.<\/li>\n<\/ul>\n<p><\/div>\n<\/div>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Portfolios and Assessment<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<ul>\n<li>Elbow, Peter and Pat Belanoff. \u201cPortfolios as a Substitute for Proficiency Examinations\u201d in <em>Assessing Writing: A Critical Sourcebook.<\/em> Brian Huot and Peggy O\u2019Neill, Eds. Bedford-St. Martins, 2009. 97-101.<\/li>\n<li>Huot, Brian and Michael Williamson. \u201cRethinking Portfolios for Evaluating Writing: Issues of Assessment and Power,\u201d <em>Assessing Writing: A Critical Sourcebook.<\/em> Bedford-St. Martin\u2019s, 2009. 330-342.<\/li>\n<li>Hamp-Lyons, Liz and William Condon. \u201cQuestioning Assumptions About Portfolio-based Assessment,\u201d <em>College Composition and Communication 44<\/em>:2 (May, 1993): 176-190.<\/li>\n<li>Yancey, \u201cReflection and Assessment,\u201d <em>Reflection in The Writing Classroom.<\/em> University Press of Colorado, 1998. 145-168.<\/li>\n<\/ul>\n<p><\/div>\n<\/div>\n<div class=\"bu_collapsible_container \" aria-live=\"polite\" data-customize-animation=\"false\"><h5 class=\"bu_collapsible\" aria-expanded=\"false\"tabindex=\"0\" role=\"button\">Digital and New Media Portfolios<\/h5><div class=\"bu_collapsible_section\" style=\"display: none;\"><\/p>\n<ul>\n<li>Clark, J. Elizabeth. \u201cFrom Selfies to Self-Representation in Electronically Mediated Reflection: The Evolving Gestalt Effect in ePortfolios,\u201d <em>A Rhetoric of Reflection.<\/em> K. B. Yancey, Ed. University Press of Colorado, 2016. 149-165.<\/li>\n<li>Yancey, Kathleen Blake. \u201cPostmodernism, Palimpsest, and Portfolios: Theoretical Issues in the Representation of Student Work,\u201d <em>College Composition and Communication, 55<\/em>:4 (Jun., 2004): 738-761<\/li>\n<\/ul>\n<p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As of 2023-2024, the Writing Program has implemented a cumulative portfolio across all of our courses. There is a significant body of scholarship that explores the theory, practice, and assessment of portfolios in First-Year-Composition (FYC) classrooms and Writing Across the Curriculum (WAC) initiatives. The Conference on College Composition and Communication (CCCC) offers an invaluable \u201cPrinciples [&hellip;]<\/p>\n","protected":false},"author":5515,"featured_media":0,"parent":32,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/teaching-writing\/wp-json\/wp\/v2\/pages\/6069"}],"collection":[{"href":"https:\/\/www.bu.edu\/teaching-writing\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bu.edu\/teaching-writing\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/teaching-writing\/wp-json\/wp\/v2\/users\/5515"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/teaching-writing\/wp-json\/wp\/v2\/comments?post=6069"}],"version-history":[{"count":49,"href":"https:\/\/www.bu.edu\/teaching-writing\/wp-json\/wp\/v2\/pages\/6069\/revisions"}],"predecessor-version":[{"id":7783,"href":"https:\/\/www.bu.edu\/teaching-writing\/wp-json\/wp\/v2\/pages\/6069\/revisions\/7783"}],"up":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/teaching-writing\/wp-json\/wp\/v2\/pages\/32"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/teaching-writing\/wp-json\/wp\/v2\/media?parent=6069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}