{"id":841,"date":"2015-05-01T00:00:30","date_gmt":"2015-05-01T04:00:30","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?p=841"},"modified":"2022-05-20T21:42:10","modified_gmt":"2022-05-21T01:42:10","slug":"notes-about-contributors-1-2","status":"publish","type":"post","link":"https:\/\/www.bu.edu\/sequitur\/2015\/05\/01\/notes-about-contributors-1-2\/","title":{"rendered":"Notes about Contributors"},"content":{"rendered":"<p><strong>Olivia J. Kiers<\/strong> is in the final semester of the M.A. program in History of Art &amp; Architecture at Boston University. She is currently a graduate assistant at the Boston University Art Gallery at the Stone Gallery. Olivia&#8217;s research interests focus on 19th- and early-20th-century works on paper, particularly European and American prints. Her M.A. scholarly paper is entitled \u201cThe Deadly Spectacle: Experiencing World War I through the Woodcuts of F\u00e9lix Vallotton.\u201d<\/p>\n<p><strong>Amy Williamson<\/strong> is an M.A. student\u00a0at the University of Alabama at Birmingham.\u00a0Her research interests in art history include Fin-de-Si\u00e8cle Vienna, female art\u00a0collectors, global textiles, and Mughal art and architecture. She received her B.A. in\u00a0French and Art History from Oglethorpe University in Atlanta, Georgia.<\/p>\n<p><strong>Sasha Goldman <\/strong>is a Ph.D. student at Boston University where her research focuses on modern and contemporary art and exhibition histories in Italy. She received her M.A. in Art History from the Tyler School of Art at Temple University and her B.A. in Art History from Connecticut College.<strong><br \/>\n<\/strong><\/p>\n<p><strong>Bakary Diaby<\/strong> is a Ph.D. candidate in the Literatures in English Department at Rutgers. He works in the fields of 18th- and 19th-century Literature and Romanticism. He specializes in Philosophy of Mind, Social Theory, and Aesthetics. His particular interest lies in the politics of poverty since the Enlightenment.<\/p>\n<p><strong>Valentina S. Grub<\/strong> completed her B.A. at Wellesley College in Medieval &amp; Renaissance Literature and Classical Civilization with honors. Since then she has received an M.Litt. with distinction in Medieval Studies at the University of St. Andrews, where she is currently pursuing a Ph.D. in Art History with a focus on medieval English embroidery.<\/p>\n<p><strong>Bradley J. Cavallo<\/strong> studies with Dr. Tracy E. Cooper, Dr. Marcia Hall, and Dr. Ashley D. West\u00a0as a Ph.D. candidate in art history at Temple University. He earned his M.A. in Syracuse\u00a0University\u2019s Florence Art History Program with Dr. Gary Radke and Dr. Rab Hatfield. His\u00a0dissertation addresses 16th- and 17th-century oil paintings on metal and stone\u00a0supports that served functions other than as altarpieces or Wunderkammer collectibles, thereby\u00a0broadening the scope of appreciation for the creation and meaning of these artworks.<\/p>\n<p><strong>Lydia Harrington<\/strong> is a Ph.D. student in the Department of History of Art &amp; Architecture at Boston University. She works on the representation of Islamic art and architecture in museums and the introduction of modern institutions to 19th-century Ottoman Baghdad.<\/p>\n<p><b>2014-2015 <i>SEQUITUR <\/i>Editorial Team<\/b><br \/>\n<span>Senior Editors: Beth Pugliano, Martina Tanga, Naomi Slipp<\/span><br \/>\n<span>Junior Editors: Ewa Matyczyk, Steve Burges<\/span><br \/>\n<span>Faculty Advisor: Professor Alice Tseng<\/span><br \/>\n<span>Special Thanks to Susan Rice and Chris Spedaliere<\/span><\/p>\n<p><a href=\"\/sequitur\/files\/2015\/05\/Notes2.pdf\">Download Article<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Olivia J. Kiers is in the final semester of the M.A. program in History of Art &amp; Architecture at Boston University. She is currently a graduate assistant at the Boston University Art Gallery at the Stone Gallery. Olivia&#8217;s research interests focus on 19th- and early-20th-century works on paper, particularly European and American prints. Her M.A. [&hellip;]<\/p>\n","protected":false},"author":8848,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/841"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/8848"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=841"}],"version-history":[{"count":14,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/841\/revisions"}],"predecessor-version":[{"id":5541,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/841\/revisions\/5541"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=841"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/categories?post=841"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/tags?post=841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}