{"id":7607,"date":"2026-01-14T13:14:02","date_gmt":"2026-01-14T18:14:02","guid":{"rendered":"https:\/\/www.bu.edu\/sequitur\/?p=7607"},"modified":"2026-01-22T22:24:29","modified_gmt":"2026-01-23T03:24:29","slug":"notes-about-contributors","status":"publish","type":"post","link":"https:\/\/www.bu.edu\/sequitur\/2026\/01\/14\/notes-about-contributors\/","title":{"rendered":"notes about contributors"},"content":{"rendered":"<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>Megan Horn<\/strong> is a third-year PhD student. She studies twentieth century American photography and material culture. Her research focuses on the interrelationships between documentary photography and the negotiated conceptions of national identity. Megan has previously held positions at the Museum of Modern Art and the Newport Art Museum.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>Carolyn Hauk<\/strong> is a fourth-year PhD candidate in the Department of Art History at the University of Delaware. Her research explores the intersection between empire and environment in art and visual culture of North America from the 19th to early-20th centuries, with a particular geographic focus on the Southern United States.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>Melody Hsu<\/strong> is a PhD student in Art History at McGill University, supervised by Prof. Angela Vanhaelen and a recipient of SSHRC doctoral funding. Her research explores the (re)making and exchange of visual and material culture between the Low Countries and East Asia, and early modern prints\u2019 transregional, transcultural, and transmedial trajectories.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>Fatema Tasmia<\/strong> is a PhD candidate in the History of Art &amp; Architecture at Boston University. Her research focuses on Tropical Modernism, materiality, and labor in postcolonial South Asia. She has recently presented at SAH 2025 and the Docomomo International Conference 2024. She enjoys traveling, photography and visual narrative storytelling.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>Sybil F. Joslyn<\/strong> is a PhD candidate in the History of Art &amp; Architecture at Boston University. She specializes in visual and material culture in America\u2019s long nineteenth century, with her dissertation exploring the role of maritime salvage as process and material in art production and the history of collecting.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>Nathaniel Craig <\/strong>received his bachelors from Binghamton University in mathematical sciences and art history before returning as a graduate student in the art history program. His current research focuses on the architecture of home economics.<\/span><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #000000;\"><strong>Jessica Braum (she\/her) <\/strong>is a doctoral candidate in Art History at Temple University. Her dissertation examines Kim Lim\u2019s print and sculptural practice through transnational feminist frameworks, reassessing postwar British and Southeast Asian art histories. Engaging feminist theories and multidisciplinary methods, she studies artists working across geographic and cultural contexts. Her writing has appeared in <em>Asian Diasporic Visual Cultures and the Americas<\/em>, <em>ASAP\/Journal<\/em>, and <em>Passage<\/em>.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Megan Horn is a third-year PhD student. She studies twentieth century American photography and material culture. Her research focuses on the interrelationships between documentary photography and the negotiated conceptions of national identity. Megan has previously held positions at the Museum of Modern Art and the Newport Art Museum. Carolyn Hauk is a fourth-year PhD candidate [&hellip;]<\/p>\n","protected":false},"author":25734,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/7607"}],"collection":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/users\/25734"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/comments?post=7607"}],"version-history":[{"count":6,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/7607\/revisions"}],"predecessor-version":[{"id":7709,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/posts\/7607\/revisions\/7709"}],"wp:attachment":[{"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/media?parent=7607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/categories?post=7607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bu.edu\/sequitur\/wp-json\/wp\/v2\/tags?post=7607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}